Tag Archives: Museum of Modern Art

Dead Blogging ‘Paris of Toulouse-Lautrec’ at Currier Museum

Posted on November 20, 2017 by Campaign Outsider

Well the Missus and I trundled up to the Granite State over the weekend to catch The Paris of Toulouse-Lautrec: Prints and Posters from the Museum of Modern Art (through January 7) at the Currier Museum of Art and say, it was … Continue reading →

Posted in Uncategorized | Tagged Andy Warhol, Currier Museum of Art, Henri de Toulouse-Lautrec, lithography, Museum of Modern Art, The Met, The Paris of Toulouse-Lautrec: Prints and Posters from the Museum of Modern Art | Leave a comment

The Arts Seen in NYC (Long Day’s Journey Edition)

Posted on April 24, 2016 by Campaign Outsider

Well the Missus and I trundled down to The Big Town last weekend and, say, it was swell. Except for the drive to get there, of course. We hit four – count ’em, four – major traffic jams on the … Continue reading →

Posted in Uncategorized | Tagged Alice in Wonderland, Anton Raphael Mengs, Antwerp, Arthur Miller, Beauty—Cooper Hewitt Design Triennial, Ben Brantley, Ben Wishaw, Charles Perrault, Chartres, Ciarán Hinds, Comme des Garçons, Cooper Hewitt, Crime Stories: Photography and Foul Play, duquesa de Huescar, Edgar Degas: A Strange New Beauty, Elisabeth Louise Vigée Le Brun, Eugene O'Neill, Fairy Tale Fashion, Fashion Institute of Technology, FIT, Gabriel Byrne, Hans Christian Andersen, Human Head Cake Box Murder, Ian Volner, Isaac Mizrahi, Isaac Mizrahi: An Unruly History, Jessica Lange, Jewish Museum, Job Smeets, John Dillinger's Feet, John Gallagher Jr., Long Day's Journey Into Night, Manish Arora, Marcel Broodthaers: A Retrospective, Marie Antoinette, Metropolitan Museum of Art, Michael Shannon, MOMA, Museum of Arts and Design, Museum of Modern Art, New Republic, New York Times, Nynke Tynagel, Portrait of Mariana de Silva y Sarmiento, Roundabout Theatre Company, Saoirse Ronan, snaphappy hordes, Sophie Okonedo, Studio Job, Studio Job MAD HOUSE, Terry Teachout, the Brothers Grimm, The Crucible, The Frick Collection, The Little Mermaid, The Met, The Met Breuer, Thierry Mugler, Thom Browne Selects, Train Crash, Unfinished: Thoughts Left Visible, Van Dyck: The Anatomy of Portraiture, Vigée Le Brun: Woman Artist in Revolutionary France, Wall Street Journal, Walter Kerr Theatre, Weegee | Leave a comment

The Arts Seen in NYC (Fabulous Picasso Sculpture Edition)

Posted on December 7, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town the other week and say, it was swell. Our artinery: Friday We started out at the Museum of Arts and Design and – yes – we were MAD about the … Continue reading →

Posted in Uncategorized | Tagged Aelita: Queen of Mars, African Princess clock, Alexander Rodchenko, American Folk Art Museum, Ancient Egypt Transformed: The Middle Kingdom, Andy Warhol, Arkady Shaikhet, Art Brut in America: The Incursion of Jean Dubuffet, artinery, Émile Zola, Becoming Jewish: Warhol’s Liz and Marilyn, Ben Brantley, Catalan Noucentismo, Clive Owen, Collection de l'Art Brut, cubism, Dead Treez, Douglas Hodge, Ebony G. Patterson, El Lissitzky, Elizabeth Taylor, Evan Cabnet, Eve Best, Harold Pinter, Jackson Pollock: A Collection Survey 1934–1954, Jacqueline de Ribes The Art of Style, Jean Dubuffet, Jean-Baptiste-André Furet, Jewish Museum, Joaquín Torres-García, Keira Knightley, Kelly Reilly, Kongo: Power and Majesty, MAD, Marilyn Monroe, Max Penson, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, Neo-Plasticism, New York Times, Old Times, Picasso Sculpture, Roundabout Theatre Company, shabbes elevator, Soldier Spectre Shaman: The Figure and the Second World War, Studio 54, Thérèse Raquin, The Luxury of Time, The Met, The Power of Pictures: Early Soviet Photography Early Soviet Film, The Red Flame, Time Has No Shadows, Ultraism-Vibrationism, Unorthodox, Valeska Soares, Wendell Castle, Wendell Castle Remastered | Leave a comment

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

Welcome to Boston’s Museum of Fine Apps

Posted on August 30, 2014 by Campaign Outsider

During his two-decade tenure as director of Boston’s Museum of Fine Arts, Malcolm Rogers has consistently strained to stretch the locals’ definition of art, from the photographs of Herb Ritts to the motorcars of Ralph Lauren. Now, as Rogers prepares to … Continue reading →

Posted in Uncategorized | Tagged Big Baby Heads, Boston Globe, Boston Museum of Fine Arts, Conversation Piece, Geoff Edgers, Herb Ritts, iPhone app, Malcolm Rogers, Marina Abramovic, MFA, Miley Cyrus, Miranda July, Museum of Modern Art, Ralph Lauren cars, Somebody, The Artist Is Present, The Harvard Crimson | 2 Comments

The Arts Seen in NYC (Central Park Edition)

Posted on June 4, 2014 by Campaign Outsider

Well the Missus and I trundled down to the Big Town over the weekend and say, it was swell . . . weather. It’s not so much that what we caught at the museums was bad. But what we caught outside … Continue reading →

Posted in Uncategorized | Tagged 1909–1944: Reconstructing the Universe, Act One, Andrea Martin, Belvedere Castle, Bill Cunningham: Facades, Central Park, Charles James: Beyond Fashion, Cindy Sherman, Daniel Goodman, Editta Sherman, Gauguin: Metamorphoses, Guggenheim, Italian Futurism, Jewish Museum, Jonathan Galassi, Judith Thurman, Lygia Clark: The Abandonment of Art 1948–1988, MAD, Masterpieces and Curiosities: Diane Arbus’s Jewish Giant, MOMA, Multiple Exposures: Jewelry and Photography, Museum of Modern Art, New York Review of Books, New Yorker, New-York Historical Society, Re:Collection, Self-Taught Genius: Treasures from the American Folk Art Museum, Strawberry Fields, The Black Fives, The Met, Tony Shaloub, Weekly Standard | 4 Comments

The Art Seen In NYC (Le Corbusier Addendum)

Posted on August 1, 2013 by Campaign Outsider

The hardviewing staff noted yesterday that our foray to the Big Town last weekend included a visit to the Le Corbusier exhibit at the Museum of Modern Art. Now comes this review in the Wall Street Journal, which details Le Corbusier’s … Continue reading →

Posted in Uncategorized | Tagged City of Light Service, Jane Jacobs, Le Corbusier, Le Corbustier, Museum of Modern Art, Plan Voisin, Robert Moses, Wall Street Journal | 5 Comments

While We Were Out (The Art Seen In New York)

Posted on April 19, 2013 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last week and here’s some of what we saw. For starters, a couple of galleries in Chelsea. (Sign o’ the Times: A billboard for a storage facility that said, … Continue reading →

Posted in Uncategorized | Tagged Against the Grain, Ai Weiwei, Chelsea, Chim, Claes Oldenburg, DC Moore Gallery, Duane Michals, Edwardian Opulence, Ernst Ludwig Kirchner, Gagosian Gallery, German Expressionism 1900-1930, Giovani Boldini, Helen Frankenthaler, ICP, International Center of Photography, James McNeill Whistler, Karl Schmidt-Rottluff, Laura Roth, Leonard Lauder, Met, MFA, MOMA, Museum of Art and Design, Museum of Modern Art, Neue Galerie, Painted on 21st Street, Roman Vishniac, Ron Lauder, Société Anonyme, The Painted Photograph, The Street and the Store, Wear it or Not, Yale Art Gallery, Yale Center for British Art | Leave a comment

What I Caught (Picasso Edition)

Posted on May 3, 2010 by Campaign Outsider

So the Missus and I went to the Big Town for a Picasso-palooza and here’s what we took in: First Stop: the Museum of Modern Art for “Picasso: Themes and Variations,” a dazzling array of 123 prints from MOMA’s basement and … Continue reading →

Posted in Uncategorized | Tagged Enron, Henri Cartier-Bresson, Hungarian Modernism, Marlborough Gallery, Metropolitan Museum of Art, Museum of Modern Art, Picasso, Shepherd & Derom Galleries | 1 Comment