Tag Archives: Smithsonian American Art Museum

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

Dead Blogging ‘Harlem: In Situ’ at Andover’s Addison Gallery

Posted on July 8, 2019 by Campaign Outsider

Well the Missus and I trundled up to Andover the other day to catch the current exhibitions at the Addison Gallery of American Art and, say, they were uniformly swell. Don’t let the “gallery” designation fool you – the Addison … Continue reading →

Posted in Uncategorized | Tagged 1920s–1950s (Harlem), 4 x 4, Aaron Siskind, Addison Gallery of American Art, Beaumont Newhall, Carl van Vechten, Chase National Bank, Dr. Walter O. Evans, Elie Nadelman, Harlem Document (1935), Harlem Heroes, Harlem Heroes (1930–1960), Harlem: In Situ, In and Out of Place, Jacob Lawrence, John Goodman: not recent color, Kissing the Moon, László Moholy-Nagy, Lucien Aigner, Paul Robeson, Romare Bearden, Roy DeCarava., Seated Woman, Smithsonian American Art Museum, The Sweet Flypaper of Life (1984), Twisted Planes, W.E.B. Du Bois, Winslow Homer | 2 Comments

Tag Archives: Smithsonian American Art Museum

The Arts Seen in NYC (New! Improved? MoMA Edition)

Dead Blogging ‘Harlem: In Situ’ at Andover’s Addison Gallery

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