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Tag Archives: The Corset
The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)
Well the Missus and I trundled down to the Big Town to go a-museuming this past weekend and say, it was swell. Having successfully fought our way down a Friday I-95, navigated the obstacle course from the FDR Drive crosstown … Continue reading →
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Tagged @ItalianModArt, A Queer History of Fashion, Anne Kong, Atea: Nature and Divinity in Polynesia, Barnett Newman, Boston Museum of Fine Arts, Brooklyn Museum, Carlo Carrà, Caterina Caputo, Center for Italian Modern Art, CIMA, Constantin Brancusi Sculpture, Department of Architecture, Easter Monday, Epic Abstraction: Pollock to Herrera, Exhibitionism: 50 Years of The Museum at FIT, Fashion and Surrealism, Fashion Institute of Technology, FIT, Frida Kahlo and Arte Populaire, Frida Kahlo: Appearances Can Be Deceiving, Fridabilia, Giorgio de Chirico, Giorgio Morandi, Harvard Graduate Student Center, Isamu Noguchi, Jackson Pollack, Jerome Robbins, Joan Miró: Birth of the World, Joan Miro, Kouros, Lincoln Center, Louise Nevelson, Mario Sironi, Metaphysical Masterpieces 1916-1920: Morandi, Metaphysical Masterpieces 1916-1920: Morandi Sironi and Carrà, Metropolitan Museum of Art, MFA, MFIT, Michel Leiris, MOMA, Montroig, Mrs. N's Palace, Museum of Modern Art, Neue Galerie, Playbill, Shimmer Bright, Sisters of Charity, St. Ignatius Loyola, The Art of Music, The Bauhaus and Harvard, The Corset, The New York Public Library for the Performing Arts, The Self-Portrait from Schiele to Beckmann, The Value of Good Design, Valerie Steele, Voice of My City: Jerome Robbins and New York, Walter Gropius, Willem de Kooning
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