Tag Archives: Fashion Institute of Technology

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

Posted on March 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming this past weekend and say, it was swell. Having successfully fought our way down a Friday I-95, navigated the obstacle course from the FDR Drive crosstown … Continue reading →

Posted in Uncategorized | Tagged @ItalianModArt, A Queer History of Fashion, Anne Kong, Atea: Nature and Divinity in Polynesia, Barnett Newman, Boston Museum of Fine Arts, Brooklyn Museum, Carlo Carrà, Caterina Caputo, Center for Italian Modern Art, CIMA, Constantin Brancusi Sculpture, Department of Architecture, Easter Monday, Epic Abstraction: Pollock to Herrera, Exhibitionism: 50 Years of The Museum at FIT, Fashion and Surrealism, Fashion Institute of Technology, FIT, Frida Kahlo and Arte Populaire, Frida Kahlo: Appearances Can Be Deceiving, Fridabilia, Giorgio de Chirico, Giorgio Morandi, Harvard Graduate Student Center, Isamu Noguchi, Jackson Pollack, Jerome Robbins, Joan Miró: Birth of the World, Joan Miro, Kouros, Lincoln Center, Louise Nevelson, Mario Sironi, Metaphysical Masterpieces 1916-1920: Morandi, Metaphysical Masterpieces 1916-1920: Morandi Sironi and Carrà, Metropolitan Museum of Art, MFA, MFIT, Michel Leiris, MOMA, Montroig, Mrs. N's Palace, Museum of Modern Art, Neue Galerie, Playbill, Shimmer Bright, Sisters of Charity, St. Ignatius Loyola, The Art of Music, The Bauhaus and Harvard, The Corset, The New York Public Library for the Performing Arts, The Self-Portrait from Schiele to Beckmann, The Value of Good Design, Valerie Steele, Voice of My City: Jerome Robbins and New York, Walter Gropius, Willem de Kooning | 1 Comment

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

Posted on July 27, 2018 by Campaign Outsider

Well the Missus trundled me down to the Big Town for my birthday last weekend and, say, it was swell. (It also marked the start of a year’s worth of my saying, à la Raymond Chandler, that I’m pushing 70 … Continue reading →

Posted in Uncategorized | Tagged Alberto Giacometti, Anna D. Shapiro, Annette Arm, Armie Hammer, Bill Cunningham, Chaim Soutine, Château de Versailles, Clara Driscoll, Color, Conflict, Constantin Brancusi Sculpture, Cooper Hewitt, David Copperfield, Diego Rivera, Fashion Institute of Technology, Fashion Unraveled, FIT, Flesh, Fondation Giacometti, Guggenheim, Guggenheim Museum, Harry Houdini, Heavenly Bodies:Fashion and the Catholic Imagination, James Gardner, Josh Charles, Like Life: Sculpture Color and the Body (1300-Now), Louis Comfort Tiffany, Louis XIV, Metropolitan Museum of Art, Miles Malleson, Mint Theater Company, MOMA, Morgan Library, Museum of the City of New York, New-York Historical Society, Paul Schneider, Public Parks Private Gardens: Paris to Provence, pushing 70 hard enough to break a wrist, Raymond Chandler, Scofield Thayer Collection, Second Stage Theater, Stephen Payne, Straight White Men, Summer of Magic: Treasures from the David Copperfield Collection, Terry Teachout, The Jewish Museum, The Magic of Handwriting: The Pedro Corrêa do Lago Collection, The Met Breuer, The Met Cloisters, The Weekly Standard, Through a Different Lens: Stanley Kubrick Photographs, Visitors to Versailles, Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes, Wall Street Journal, Wearing Memories, Young Jean Lee | Leave a comment

The Arts Seen in NYC (‘Modigliani Unmasked’ Edition)

Posted on September 29, 2017 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to see what we could see and, say, it was swell. We hit the city Friday afternoon and headed right over to the Fashion Institute of Technology … Continue reading →

Posted in Uncategorized | Tagged Adrián Villar Rojas, American Airlines Theatre, Christopher Benfey, Elizabeth McGovern, Ettore Sottsass: Design Radical, Expedition: Fashion from the Extreme, FASHION AND SATIRE: The Drawings Of Orson Byron Lowell And Charles Dana Gibson, Fashion Institute of Technology, FIT, Florine Stettheimer, Force of Nature, Jewish Museum, Met Roof Garden, Metropolitan Museum of Art, Modigliani Unmasked, NYRB, Olivetti Valentine typewriter, Red Flame Diner, Roundabout Theatre Company, Sara Berman's Closet, Society of Illustrators, The Bruegel of Bendel's, The Met Breuer, The Theater of Disappearance, Time and the Conways | Leave a comment

The Arts Seen in NYC (Long Day’s Journey Edition)

Posted on April 24, 2016 by Campaign Outsider

Well the Missus and I trundled down to The Big Town last weekend and, say, it was swell. Except for the drive to get there, of course. We hit four – count ’em, four – major traffic jams on the … Continue reading →

Posted in Uncategorized | Tagged Alice in Wonderland, Anton Raphael Mengs, Antwerp, Arthur Miller, Beauty—Cooper Hewitt Design Triennial, Ben Brantley, Ben Wishaw, Charles Perrault, Chartres, Ciarán Hinds, Comme des Garçons, Cooper Hewitt, Crime Stories: Photography and Foul Play, duquesa de Huescar, Edgar Degas: A Strange New Beauty, Elisabeth Louise Vigée Le Brun, Eugene O'Neill, Fairy Tale Fashion, Fashion Institute of Technology, FIT, Gabriel Byrne, Hans Christian Andersen, Human Head Cake Box Murder, Ian Volner, Isaac Mizrahi, Isaac Mizrahi: An Unruly History, Jessica Lange, Jewish Museum, Job Smeets, John Dillinger's Feet, John Gallagher Jr., Long Day's Journey Into Night, Manish Arora, Marcel Broodthaers: A Retrospective, Marie Antoinette, Metropolitan Museum of Art, Michael Shannon, MOMA, Museum of Arts and Design, Museum of Modern Art, New Republic, New York Times, Nynke Tynagel, Portrait of Mariana de Silva y Sarmiento, Roundabout Theatre Company, Saoirse Ronan, snaphappy hordes, Sophie Okonedo, Studio Job, Studio Job MAD HOUSE, Terry Teachout, the Brothers Grimm, The Crucible, The Frick Collection, The Little Mermaid, The Met, The Met Breuer, Thierry Mugler, Thom Browne Selects, Train Crash, Unfinished: Thoughts Left Visible, Van Dyck: The Anatomy of Portraiture, Vigée Le Brun: Woman Artist in Revolutionary France, Wall Street Journal, Walter Kerr Theatre, Weegee | Leave a comment

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

Tag Archives: Fashion Institute of Technology

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

The Arts Seen in NYC (‘Modigliani Unmasked’ Edition)

The Arts Seen in NYC (Long Day’s Journey Edition)

The Arts Seen in NYC (The Divine Patti LuPone Edition)

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