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Tag Archives: Marcel Duchamp
The Arts Seen in NYC (New! Improved? MoMA Edition)
Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →
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Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi
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The Art Seen In New York (Magritte/Balthus Edition)
Well the Missus and I trundled down to The Big Town last weekend and say, it was swell. (After, that is, we crawled our way through the Mother-in-Law of All Traffic Jams: From the New York City line to the … Continue reading →
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Tagged 59E59 Theaters, Al Hirshfeld, Alexander Calder, All That Fall, American Modern, Balthus: Cats & Girls, Barneys New York, Calder Shadows, Cezanne, Charles Demuth, Dennis Freedman, Designing Modern Women, Dubuffet Frayeur, Eileen Atkins, Eykyn Maclean Gallery, Gauguin, I Saw the Figure Five in Gold, Interwoven Globe: The Worldwide Textile Trade, Lincoln Center Library, Magritte, Malkine Untitled 1927, Marcel Duchamp, Matisse, Metropolitan Museum of Art, Michael Gambon, MOMA, Mother-in-Law of All Traffic Jams, New York Public Library for the Performing Arts, New York Times, New-York Historical Society, Nude Descending a Staircase, Picabia, Picasso, Robert Indiana: Beyond Love, Roberta Smith, S.J. Perelman, Samuel Beckett, Surrealism and the Rue Blomet, The Armory Show at 100, the Big Town, The Line King, The Met, The Missus, Van Gogh, Venus Over Manhattan, Westward Ha!, Whitney Museum, WWD
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