Tag Archives: Constantin Brancusi Sculpture

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

Posted on March 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming this past weekend and say, it was swell. Having successfully fought our way down a Friday I-95, navigated the obstacle course from the FDR Drive crosstown … Continue reading →

Posted in Uncategorized | Tagged @ItalianModArt, A Queer History of Fashion, Anne Kong, Atea: Nature and Divinity in Polynesia, Barnett Newman, Boston Museum of Fine Arts, Brooklyn Museum, Carlo Carrà, Caterina Caputo, Center for Italian Modern Art, CIMA, Constantin Brancusi Sculpture, Department of Architecture, Easter Monday, Epic Abstraction: Pollock to Herrera, Exhibitionism: 50 Years of The Museum at FIT, Fashion and Surrealism, Fashion Institute of Technology, FIT, Frida Kahlo and Arte Populaire, Frida Kahlo: Appearances Can Be Deceiving, Fridabilia, Giorgio de Chirico, Giorgio Morandi, Harvard Graduate Student Center, Isamu Noguchi, Jackson Pollack, Jerome Robbins, Joan Miró: Birth of the World, Joan Miro, Kouros, Lincoln Center, Louise Nevelson, Mario Sironi, Metaphysical Masterpieces 1916-1920: Morandi, Metaphysical Masterpieces 1916-1920: Morandi Sironi and Carrà, Metropolitan Museum of Art, MFA, MFIT, Michel Leiris, MOMA, Montroig, Mrs. N's Palace, Museum of Modern Art, Neue Galerie, Playbill, Shimmer Bright, Sisters of Charity, St. Ignatius Loyola, The Art of Music, The Bauhaus and Harvard, The Corset, The New York Public Library for the Performing Arts, The Self-Portrait from Schiele to Beckmann, The Value of Good Design, Valerie Steele, Voice of My City: Jerome Robbins and New York, Walter Gropius, Willem de Kooning | 1 Comment

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

Posted on July 27, 2018 by Campaign Outsider

Well the Missus trundled me down to the Big Town for my birthday last weekend and, say, it was swell. (It also marked the start of a year’s worth of my saying, à la Raymond Chandler, that I’m pushing 70 … Continue reading →

Posted in Uncategorized | Tagged Alberto Giacometti, Anna D. Shapiro, Annette Arm, Armie Hammer, Bill Cunningham, Chaim Soutine, Château de Versailles, Clara Driscoll, Color, Conflict, Constantin Brancusi Sculpture, Cooper Hewitt, David Copperfield, Diego Rivera, Fashion Institute of Technology, Fashion Unraveled, FIT, Flesh, Fondation Giacometti, Guggenheim, Guggenheim Museum, Harry Houdini, Heavenly Bodies:Fashion and the Catholic Imagination, James Gardner, Josh Charles, Like Life: Sculpture Color and the Body (1300-Now), Louis Comfort Tiffany, Louis XIV, Metropolitan Museum of Art, Miles Malleson, Mint Theater Company, MOMA, Morgan Library, Museum of the City of New York, New-York Historical Society, Paul Schneider, Public Parks Private Gardens: Paris to Provence, pushing 70 hard enough to break a wrist, Raymond Chandler, Scofield Thayer Collection, Second Stage Theater, Stephen Payne, Straight White Men, Summer of Magic: Treasures from the David Copperfield Collection, Terry Teachout, The Jewish Museum, The Magic of Handwriting: The Pedro Corrêa do Lago Collection, The Met Breuer, The Met Cloisters, The Weekly Standard, Through a Different Lens: Stanley Kubrick Photographs, Visitors to Versailles, Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes, Wall Street Journal, Wearing Memories, Young Jean Lee | Leave a comment

Tag Archives: Constantin Brancusi Sculpture

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

Email Subscription

Twitter Updates

Blogroll

Archives

Archives

Blogroll