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Tag Archives: Isaac Mizrahi: An Unruly History
The Arts Seen in NYC (Long Day’s Journey Edition)
Well the Missus and I trundled down to The Big Town last weekend and, say, it was swell. Except for the drive to get there, of course. We hit four – count ’em, four – major traffic jams on the … Continue reading →
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Tagged Alice in Wonderland, Anton Raphael Mengs, Antwerp, Arthur Miller, Beauty—Cooper Hewitt Design Triennial, Ben Brantley, Ben Wishaw, Charles Perrault, Chartres, Ciarán Hinds, Comme des Garçons, Cooper Hewitt, Crime Stories: Photography and Foul Play, duquesa de Huescar, Edgar Degas: A Strange New Beauty, Elisabeth Louise Vigée Le Brun, Eugene O'Neill, Fairy Tale Fashion, Fashion Institute of Technology, FIT, Gabriel Byrne, Hans Christian Andersen, Human Head Cake Box Murder, Ian Volner, Isaac Mizrahi, Isaac Mizrahi: An Unruly History, Jessica Lange, Jewish Museum, Job Smeets, John Dillinger's Feet, John Gallagher Jr., Long Day's Journey Into Night, Manish Arora, Marcel Broodthaers: A Retrospective, Marie Antoinette, Metropolitan Museum of Art, Michael Shannon, MOMA, Museum of Arts and Design, Museum of Modern Art, New Republic, New York Times, Nynke Tynagel, Portrait of Mariana de Silva y Sarmiento, Roundabout Theatre Company, Saoirse Ronan, snaphappy hordes, Sophie Okonedo, Studio Job, Studio Job MAD HOUSE, Terry Teachout, the Brothers Grimm, The Crucible, The Frick Collection, The Little Mermaid, The Met, The Met Breuer, Thierry Mugler, Thom Browne Selects, Train Crash, Unfinished: Thoughts Left Visible, Van Dyck: The Anatomy of Portraiture, Vigée Le Brun: Woman Artist in Revolutionary France, Wall Street Journal, Walter Kerr Theatre, Weegee
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