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Tag Archives: Frank Sinatra Has a Cold
The Arts Seen in NYC (The Divine Patti LuPone Edition)
Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →
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Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971
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Correction o’ the Week (Frank Sinatra Toupee Edition)
From Saturday’s New York Times: EDITOR’S NOTE In the Talk interview in the Magazine this weekend, Barbara Sinatra, Frank Sinatra’s fourth wife, disputes an account by Gay Talese in a 1966 Esquire article, in which he described Sinatra’s toupees and the woman … Continue reading →
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Tagged Barbara Sinatra, Editors' Note, Frank Sinatra, Frank Sinatra Has a Cold, Gay Talese, New York Times, toupees
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