Tag Archives: Terry Teachout

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

New York Times Gives Boston’s ‘Moulin Rouge’ Big Thumbs Up

Posted on August 7, 2018 by Campaign Outsider

Turns out it’s not just the Wall Street Journal’s Terry Teachout who’s smitten with Boston theater productions. New York Times theater critic Ben Brantley likes them too. Songs to Sin By in a Smashing ‘Moulin Rouge!’ Its pieces zoom through … Continue reading →

Posted in Uncategorized | Tagged Alan Jay Lerner, Alfred P. Doolittle, Amanda Dehnert, Baz Luhrmann, Ben Brantley, Christopher Chew, Colonel Pickering, Company, Eliza Doolittle, Emerson Colonial Theater, Frederick Loewe, George Bernard Shaw, Henry Higgins, J.T. Turner, Jennifer Ellis, Light Up the Sky, Lyric Stage Company of Boston, Macy's Thanksgiving Day Parade, Melissa Errico, Moulin Rouge, My Fair Lady, New York Times, Oregon Shakespeare Festival, Playbill, playgoing staff, Pygmalion, Rafael Jaen, Remo Airaldi, Richard Chamberlain, Spiro Veloudos, Stephen Sondheim, Terry Teachout, TKTS booth, Wall Street Journal | Leave a comment

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

Posted on July 27, 2018 by Campaign Outsider

Well the Missus trundled me down to the Big Town for my birthday last weekend and, say, it was swell. (It also marked the start of a year’s worth of my saying, à la Raymond Chandler, that I’m pushing 70 … Continue reading →

Posted in Uncategorized | Tagged Alberto Giacometti, Anna D. Shapiro, Annette Arm, Armie Hammer, Bill Cunningham, Chaim Soutine, Château de Versailles, Clara Driscoll, Color, Conflict, Constantin Brancusi Sculpture, Cooper Hewitt, David Copperfield, Diego Rivera, Fashion Institute of Technology, Fashion Unraveled, FIT, Flesh, Fondation Giacometti, Guggenheim, Guggenheim Museum, Harry Houdini, Heavenly Bodies:Fashion and the Catholic Imagination, James Gardner, Josh Charles, Like Life: Sculpture Color and the Body (1300-Now), Louis Comfort Tiffany, Louis XIV, Metropolitan Museum of Art, Miles Malleson, Mint Theater Company, MOMA, Morgan Library, Museum of the City of New York, New-York Historical Society, Paul Schneider, Public Parks Private Gardens: Paris to Provence, pushing 70 hard enough to break a wrist, Raymond Chandler, Scofield Thayer Collection, Second Stage Theater, Stephen Payne, Straight White Men, Summer of Magic: Treasures from the David Copperfield Collection, Terry Teachout, The Jewish Museum, The Magic of Handwriting: The Pedro Corrêa do Lago Collection, The Met Breuer, The Met Cloisters, The Weekly Standard, Through a Different Lens: Stanley Kubrick Photographs, Visitors to Versailles, Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes, Wall Street Journal, Wearing Memories, Young Jean Lee | Leave a comment

WSJ and NYT Agree: John Lithgow Totally Gets Ring Lardner

Posted on January 15, 2018 by Campaign Outsider

For years now, the hardworking staff has expressed not fulsome (which means “effusive, excessive, or insincere praise”) but full-throated admiration for the work of Ring Lardner, who is either a minor major 20th century American writer or a major minor 20th … Continue reading →

Posted in Uncategorized | Tagged “How to Write Short Stories—With Samples”, Haircut, Jesse Green, John Lithgow, New York Times, P.G. Wodehouse, Ring Lardner, Stories by Heart, Terry Teachout, the Big Town, Uncle Fred Flits By, Wall Street Journal | 3 Comments

Hell-no, Dolly! NYT, WSJ Critics Make Very Different Bettes

Posted on April 23, 2017 by Campaign Outsider

It’s always fun when the bull goose theater critics in The Big Town provide the Broadway version of Bizarro World over some megabucks production. Case in point: The New York Times and Wall Street Journal reviews of Bette Midler as the … Continue reading →

Posted in Uncategorized | Tagged Barbra Streisand, Ben Brantley, Bette Midler, Carol Channing, Dolly Levi, Hello Dolly!, New York Times, Shubert Theater, Terry Teachout, Wall Street Journal | 6 Comments

WSJ’s Terry Teachout Totally Loves Boston’s Lyric Stage

Posted on September 12, 2016 by Campaign Outsider

As the playgoing staff has previously noted, Wall Street Journal theater critic Terry Teachout has a thing for Boston’s Lyric Stage Company. Start with this rave for Light Up the Sky last year: “[F]luffy, funny and performed with limitless panache … Continue reading →

Posted in Uncategorized | Tagged Alan Jay Lerner, Alfred P. Doolittle, Amanda Dehnert, Christopher Chew, Colonel Pickering, Company, Eliza Doolittle, Frederick Loewe, George Bernard Shaw, Henry Higgins, J.T. Turner, Jennifer Ellis, Light Up the Sky, Lyric Stage Company of Boston, Macy's Thanksgiving Day Parade, Melissa Errico, My Fair Lady, Oregon Shakespeare Festival, Playbill, playgoing staff, Pygmalion, Rafael Jaen, Remo Airaldi, Richard Chamberlain, Spiro Veloudos, Stephen Sondheim, Terry Teachout, TKTS booth, Wall Street Journal | 1 Comment

The Arts Seen in NYC (Long Day’s Journey Edition)

Posted on April 24, 2016 by Campaign Outsider

Well the Missus and I trundled down to The Big Town last weekend and, say, it was swell. Except for the drive to get there, of course. We hit four – count ’em, four – major traffic jams on the … Continue reading →

Posted in Uncategorized | Tagged Alice in Wonderland, Anton Raphael Mengs, Antwerp, Arthur Miller, Beauty—Cooper Hewitt Design Triennial, Ben Brantley, Ben Wishaw, Charles Perrault, Chartres, Ciarán Hinds, Comme des Garçons, Cooper Hewitt, Crime Stories: Photography and Foul Play, duquesa de Huescar, Edgar Degas: A Strange New Beauty, Elisabeth Louise Vigée Le Brun, Eugene O'Neill, Fairy Tale Fashion, Fashion Institute of Technology, FIT, Gabriel Byrne, Hans Christian Andersen, Human Head Cake Box Murder, Ian Volner, Isaac Mizrahi, Isaac Mizrahi: An Unruly History, Jessica Lange, Jewish Museum, Job Smeets, John Dillinger's Feet, John Gallagher Jr., Long Day's Journey Into Night, Manish Arora, Marcel Broodthaers: A Retrospective, Marie Antoinette, Metropolitan Museum of Art, Michael Shannon, MOMA, Museum of Arts and Design, Museum of Modern Art, New Republic, New York Times, Nynke Tynagel, Portrait of Mariana de Silva y Sarmiento, Roundabout Theatre Company, Saoirse Ronan, snaphappy hordes, Sophie Okonedo, Studio Job, Studio Job MAD HOUSE, Terry Teachout, the Brothers Grimm, The Crucible, The Frick Collection, The Little Mermaid, The Met, The Met Breuer, Thierry Mugler, Thom Browne Selects, Train Crash, Unfinished: Thoughts Left Visible, Van Dyck: The Anatomy of Portraiture, Vigée Le Brun: Woman Artist in Revolutionary France, Wall Street Journal, Walter Kerr Theatre, Weegee | Leave a comment

Dead Blogging ‘My Fair Lady’ at the Lyric Stage

Posted on October 1, 2015 by Campaign Outsider

Well the Missus and I trundled downtown last night to see the Lyric Stage production of My Fair Lady and say, it was . . . fabulous. (Bet you thought I was gonna say “loverly.” Well, it was that too.) … Continue reading →

Posted in Uncategorized | Tagged Alan Jay Lerner, Alfred P. Doolittle, Amanda Dehnert, Christopher Chew, Colonel Pickering, Eliza Doolittle, Frederick Loewe, George Bernard Shaw, Henry Higgins, J.T. Turner, Jennifer Ellis, Lyric Stage Company of Boston, Macy's Thanksgiving Day Parade, Melissa Errico, My Fair Lady, Oregon Shakespeare Festival, Playbill, Pygmalion, Remo Airaldi, Richard Chamberlain, Terry Teachout, TKTS booth, Wall Street Journal | 1 Comment

Why Tom Stoppard Is Right to Be a Snob

Posted on June 22, 2015 by Campaign Outsider

Several months ago British playwright Tom Stoppard created a tempest in a theaterpot with an interview he gave to the Telegraph. Quiz: Are Tom Stoppard’s plays too clever for you? As the playwright says he has to dumb down his … Continue reading →

Posted in Uncategorized | Tagged Dana Dusbiber, Goneril, Hamlet, King Lear, Macbeth, NatIonal Theatre, Rosencrantz and Guildenstern Are Dead, Shakespeare, Slings & Arrows, Terry Teachout, The Hard Problem, The Telegraph, Tom Stoppard, Travesties, Wall Street Journal, Washington Post | Leave a comment

Mike Wallace’s 1958 Dali-ance

Posted on January 18, 2013 by Campaign Outsider

From Wall Street Journal theater critic Terry Teachout’s invaluable About Last Night blog at ArtsJournal: First, marvel at the Parliament cigarette plug Wallace delivers. Then, marvelous Salvador Dali. The interview is two ships passing in the TV night: Wallace is … Continue reading →

Posted in Uncategorized | Tagged About Last Night, ArtsJournal, Midnight in Paris, Mike Wallace, Salvador Dali, Terry Teachout, WSJ. | 2 Comments