Tag Archives: Boston Museum of Fine Arts

New York Times Beats Boston Globe on MFA Mummy DNA

Posted on April 4, 2018 by Campaign Outsider

The Boston news bakeoff between the Big Town and the Beanie Town usually goes to the local broadsheet, but not yesterday. The New York Times Science section featured this piece by Nicholas St. Fleur. Cracking a Cold Case The F.B.I. … Continue reading →

Posted in Uncategorized | Tagged Boston Globe, Boston Museum of Fine Arts, Djehutynakht, F.B.I., Googletron, MFA, mummy DNA, New York Times, Nicholas St. Fleur, Opening of the Mouth Ceremony, stately local broadsheet | 1 Comment

MFA’s ‘Matisse in the Studio’ Gets Two WSJ Rave Reviews – And It Hasn’t Even Opened Yet

Posted on April 6, 2017 by Campaign Outsider

Get ready for the next Boston Museum of Fine Arts blockbuster. Matisse in the Studio opens this Sunday, but already it’s gotten two – count ’em, two – boffo reviews in the Wall Street Journal. Start with this swoon from … Continue reading →

Posted in Uncategorized | Tagged Boston Museum of Fine Arts, Eric Gibson, Matisse in the Studio, Susan Delson, Wall Street Journal | Leave a comment

MFA Says Security Guards Have No Beef in Contract Tussle

Posted on September 21, 2016 by Campaign Outsider

As you splendid readers might recall, on Monday the hardworking staff detailed the ongoing dustup between the Museum of Fine Arts and the Museum Independent Security Union over a new contract and what the union says are irresponsible personnel cuts. Exhibit A: … Continue reading →

Posted in Uncategorized | Tagged Architect's Security Group, Boston Globe, Boston Museum of Fine Arts, Facebook, hardtrundling staff, Katie Getchell, Matthew Teitelbaum, MFA, Museum Independent Security Union, Nicki Luongo, Nonprofit Quarterly, Smithsonian, Steve Keller | Leave a comment

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

Dead Blogging ‘Gordon Parks: Back to Fort Scott’ at the MFA

Posted on March 14, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Museum of Fine Arts the other day to catch Gordon Parks: Back to Fort Scott and, say, it was . . . stirring. From the MFA website: Gordon Parks, one of the … Continue reading →

Posted in Uncategorized | Tagged 100 Years of Ceramics, Adam and Eve, Boston Museum of Fine Arts, Gordon Parks, Gordon Parks: Back to Fort Scott, Gustave Klimt, Malcolm Rogers, MFA, Rothchild Family Treasures | 1 Comment

For the Love of God, Put #MuseumSelfie on the Shelfie!

Posted on January 24, 2015 by Campaign Outsider

The hardflinching staff has noted on several occasions the recent proliferation of museumgoers whose sole purpose is to record their presence adjacent to works of art, rather than actually looking at them. As if that wasn’t bad enough, now the art … Continue reading →

Posted in Uncategorized | Tagged #MuseumSelfie, Boston Globe, Boston Museum of Fine Arts, george leVines, Malcolm Rogers, Mark Check, Museum of Science, selfiepalooza | 4 Comments

Boston’s MFA: We’re Not Stalking Our Visitors

Posted on December 13, 2014 by Campaign Outsider

Friday’s Wall Street Journal featured this eye-popping piece by Ellen Gamerman on museums and Big Data. When the Art Is Watching You Museums are mining detailed information from visitors, raising questions about the use of Big Data in the arts One morning … Continue reading →

Posted in Uncategorized | Tagged Big Data, Boston Museum of Fine Arts, Edward Gargiulo, Ellen Gamerman, Goya beans, Goya exhibit, Goya: Order and Disorder, Margit Hotchkiss, MFA, Norman Rockwell Museum, Stockbridge, Wall Street Journal | 1 Comment

Another MFA Sell-Off ‘For the Benefit of the Collection’

Posted on September 20, 2014 by Campaign Outsider

As the hardworking staff has previously noted, the Boston Museum of Fine Arts periodically pawns some of its current holdings in order to acquire better stuff, as in the Great Degas Swap of 2003. Something similar happened last year when the MFA sold … Continue reading →

Posted in Uncategorized | Tagged African-American artworks, Belle Epoque, Boston Museum of Fine Arts, Doyle New York, Great Degas Swap., Jacob Lawrence, Louis Comfort Tiffany, Maverick Arts, MFA, Norma Nathan, Swann Galleries, Tiffany | 2 Comments

Welcome to Boston’s Museum of Fine Apps

Posted on August 30, 2014 by Campaign Outsider

During his two-decade tenure as director of Boston’s Museum of Fine Arts, Malcolm Rogers has consistently strained to stretch the locals’ definition of art, from the photographs of Herb Ritts to the motorcars of Ralph Lauren. Now, as Rogers prepares to … Continue reading →

Posted in Uncategorized | Tagged Big Baby Heads, Boston Globe, Boston Museum of Fine Arts, Conversation Piece, Geoff Edgers, Herb Ritts, iPhone app, Malcolm Rogers, Marina Abramovic, MFA, Miley Cyrus, Miranda July, Museum of Modern Art, Ralph Lauren cars, Somebody, The Artist Is Present, The Harvard Crimson | 2 Comments

Dead Blogging ‘Over There!’ at the MFA

Posted on August 12, 2014 by Campaign Outsider

Well the Missus and I trundled over to the Museum of Fine Arts the other day to catch a gallery talk about Over There! Posters from World War I and, say, it was swell. Curator Patrick Murphy took us on … Continue reading →

Posted in Uncategorized | Tagged Boston Athenaeum, Boston Museum of Fine Arts, I Want You for the U.S. Army, James Montgomery Flagg, John T. Spaulding, MFA, Over Here: World War I Posters, Over There! Posters from World War I, Patrick Murphy | 4 Comments