Tag Archives: Boston Museum of Fine Arts

Dead Blogging ‘Paul Cézanne: Influence’ at Boston’s MFA

Posted on May 3, 2021 by Campaign Outsider

Well the Missus and I trundled over to The Fenway the other day to wander around the Museum of Fine Arts (reservations required) and say, it was swell just to be back there after a year of staying away. Also … Continue reading →

Posted in Uncategorized | Tagged A-One, Boston Museum of Fine Arts, Cagnes-sur-Mer, Cézanne: In and Out of Time, Charles Sheeler, Collecting Stories: The Invention of Folk Art, ERO, Fab 5 Freddy, Fernande Olivier, Futura, Georges Braque, Henri Matisse, Jean-Baptiste Siméon Chardin, Jean-Baptiste-Camille Corot, Jean-Michel Basquiat, Keith Haring, Kool Koor, LA2, Lady Pink, Landscape, Lee Quiñones, Madame Cézanne in a Red Armchair, MFA, Pablo Picasso, Paul Cézanne: Influence, Rammellzee, Toxic, Vue sur L'Estaque et Le Château d'If, William H. Johnson, Woman with a Pink Shawl, Writing the Future: Basquiat and the Hip-Hop Generation | 2 Comments

The Arts (Not) Seen in NYC (Félix Fénéon at MoMA Edition)

Posted on September 1, 2020 by Campaign Outsider

In a world without coronavirus, the Missus and I would be trundling down to the Big Town in the next week or two to go a-museuming. And one of the places we’d certainly have gone is the newly reopened Museum … Continue reading →

Posted in Uncategorized | Tagged @novelsin3lines, Boston Museum of Fine Arts, faits divers, Félix Fénéon, Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond, Georges Braque, Georges-Pierre Seurat, Henri Matisse, Italian futurists, Julian Barnes, Le Journal, Le Matin, London Review of Books, MOMA, Museum of Modern Art, Pablo Picasso, Paul Signac, Pierre Bonnard, Pointillists, Queen of Joy, Roberta Smith, Stéphane Mallarmé, Thadée and Misia Natanson, The Thadees, Toulouse-Lautrec and the Stars of Paris | Leave a comment

New York Times Has a ‘Manifesto’ for Boston’s MFA

Posted on March 24, 2020 by Campaign Outsider

The other day the New York Times ran a big takeout by art critic Holland Cotter on what major U.S. museums should be doing nowadays with their time and money. For Big Museums, It’s Time to Change As the Metropolitan … Continue reading →

Posted in Uncategorized | Tagged Alice Neel, Ancient Nubia Now, “Why Are There No Great Women Artists?”, Boston Museum of Fine Arts, Holland Cotter, Linda Nochlin, Metropolitan Museum of Art, New York Times, Women Take the Floor | Leave a comment

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

Posted on March 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming this past weekend and say, it was swell. Having successfully fought our way down a Friday I-95, navigated the obstacle course from the FDR Drive crosstown … Continue reading →

Posted in Uncategorized | Tagged @ItalianModArt, A Queer History of Fashion, Anne Kong, Atea: Nature and Divinity in Polynesia, Barnett Newman, Boston Museum of Fine Arts, Brooklyn Museum, Carlo Carrà, Caterina Caputo, Center for Italian Modern Art, CIMA, Constantin Brancusi Sculpture, Department of Architecture, Easter Monday, Epic Abstraction: Pollock to Herrera, Exhibitionism: 50 Years of The Museum at FIT, Fashion and Surrealism, Fashion Institute of Technology, FIT, Frida Kahlo and Arte Populaire, Frida Kahlo: Appearances Can Be Deceiving, Fridabilia, Giorgio de Chirico, Giorgio Morandi, Harvard Graduate Student Center, Isamu Noguchi, Jackson Pollack, Jerome Robbins, Joan Miró: Birth of the World, Joan Miro, Kouros, Lincoln Center, Louise Nevelson, Mario Sironi, Metaphysical Masterpieces 1916-1920: Morandi, Metaphysical Masterpieces 1916-1920: Morandi Sironi and Carrà, Metropolitan Museum of Art, MFA, MFIT, Michel Leiris, MOMA, Montroig, Mrs. N's Palace, Museum of Modern Art, Neue Galerie, Playbill, Shimmer Bright, Sisters of Charity, St. Ignatius Loyola, The Art of Music, The Bauhaus and Harvard, The Corset, The New York Public Library for the Performing Arts, The Self-Portrait from Schiele to Beckmann, The Value of Good Design, Valerie Steele, Voice of My City: Jerome Robbins and New York, Walter Gropius, Willem de Kooning | 1 Comment

New York Times Beats Boston Globe on MFA Mummy DNA

Posted on April 4, 2018 by Campaign Outsider

The Boston news bakeoff between the Big Town and the Beanie Town usually goes to the local broadsheet, but not yesterday. The New York Times Science section featured this piece by Nicholas St. Fleur. Cracking a Cold Case The F.B.I. … Continue reading →

Posted in Uncategorized | Tagged Boston Globe, Boston Museum of Fine Arts, Djehutynakht, F.B.I., Googletron, MFA, mummy DNA, New York Times, Nicholas St. Fleur, Opening of the Mouth Ceremony, stately local broadsheet | 1 Comment

MFA’s ‘Matisse in the Studio’ Gets Two WSJ Rave Reviews – And It Hasn’t Even Opened Yet

Posted on April 6, 2017 by Campaign Outsider

Get ready for the next Boston Museum of Fine Arts blockbuster. Matisse in the Studio opens this Sunday, but already it’s gotten two – count ’em, two – boffo reviews in the Wall Street Journal. Start with this swoon from … Continue reading →

Posted in Uncategorized | Tagged Boston Museum of Fine Arts, Eric Gibson, Matisse in the Studio, Susan Delson, Wall Street Journal | Leave a comment

MFA Says Security Guards Have No Beef in Contract Tussle

Posted on September 21, 2016 by Campaign Outsider

As you splendid readers might recall, on Monday the hardworking staff detailed the ongoing dustup between the Museum of Fine Arts and the Museum Independent Security Union over a new contract and what the union says are irresponsible personnel cuts. Exhibit A: … Continue reading →

Posted in Uncategorized | Tagged Architect's Security Group, Boston Globe, Boston Museum of Fine Arts, Facebook, hardtrundling staff, Katie Getchell, Matthew Teitelbaum, MFA, Museum Independent Security Union, Nicki Luongo, Nonprofit Quarterly, Smithsonian, Steve Keller | Leave a comment

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

Dead Blogging ‘Gordon Parks: Back to Fort Scott’ at the MFA

Posted on March 14, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Museum of Fine Arts the other day to catch Gordon Parks: Back to Fort Scott and, say, it was . . . stirring. From the MFA website: Gordon Parks, one of the … Continue reading →

Posted in Uncategorized | Tagged 100 Years of Ceramics, Adam and Eve, Boston Museum of Fine Arts, Gordon Parks, Gordon Parks: Back to Fort Scott, Gustave Klimt, Malcolm Rogers, MFA, Rothchild Family Treasures | 1 Comment

For the Love of God, Put #MuseumSelfie on the Shelfie!

Posted on January 24, 2015 by Campaign Outsider

The hardflinching staff has noted on several occasions the recent proliferation of museumgoers whose sole purpose is to record their presence adjacent to works of art, rather than actually looking at them. As if that wasn’t bad enough, now the art … Continue reading →

Posted in Uncategorized | Tagged #MuseumSelfie, Boston Globe, Boston Museum of Fine Arts, george leVines, Malcolm Rogers, Mark Check, Museum of Science, selfiepalooza | 4 Comments