Tag Archives: Pablo Picasso

The Arts (Not) Seen in NYC (Félix Fénéon at MoMA Edition)

Posted on September 1, 2020 by Campaign Outsider

In a world without coronavirus, the Missus and I would be trundling down to the Big Town in the next week or two to go a-museuming. And one of the places we’d certainly have gone is the newly reopened Museum … Continue reading →

Posted in Uncategorized | Tagged @novelsin3lines, Boston Museum of Fine Arts, faits divers, Félix Fénéon, Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond, Georges Braque, Georges-Pierre Seurat, Henri Matisse, Italian futurists, Julian Barnes, Le Journal, Le Matin, London Review of Books, MOMA, Museum of Modern Art, Pablo Picasso, Paul Signac, Pierre Bonnard, Pointillists, Queen of Joy, Roberta Smith, Stéphane Mallarmé, Thadée and Misia Natanson, The Thadees, Toulouse-Lautrec and the Stars of Paris | Leave a comment

Newly Renovated MoMA Is Museum of Modern Arguing

Posted on October 12, 2019 by Campaign Outsider

From our Beaten to Death with Croutons desk Here’s what everyone can agree on: New York’s Museum of Modern Art will unveil its four-month, $450 million, 47,000-square-foot expansion on October 21st. Beyond that, it’s strictly an art critic slapfight. Let’s … Continue reading →

Posted in Uncategorized | Tagged American People Series #20: Die, Eric Gibson, Faith Ringgold, Holland Cotter, Les Damoiselles d'Avignon, MOMA, Museum of Modern Art, New York Times, Pablo Picasso, Wall Street Journal | 2 Comments

The Arts Seen in NYC (Pierre Cardin Is Totally Brilliant Edition)

Posted on September 3, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town the other weekend to spend some time a-museuming and say, it was swell. After navigating the usual midtown Manhattan mishegas to get to our usual hotel, we took the … Continue reading →

Posted in Uncategorized | Tagged Albrecht Dürer, Andrew Carnegie, Artistic License: Six Takes on the Guggenheim Collection, Basquiat’s “Defacement”: The Untold Story, Be Seen: Portrait Photography Since Stonewall, Berthe Morisot, Brooklyn Museum, Cai Guo-Qiang, Carrie Mae Weems, Edgar Degas, Edouard Manet, Edvard Munch, Elizabeth Cleland, Francisco Goya, Franz Kline, From Expressionism to Surrealism: Highlights of Modern Art from the Collection, Garry Winogrand: Color, Giovanni Battista Piranesi, Guggenheim Museum, Henri Matisse, James McNeill Whistler, Jenny Holzer, Jewelry for America, Joan Miro, Joseph Beuys, Julie Mehretu, Käthe Kollwitz, Louis Armstrong House Museum, Louise Nevelson, Mark Rothko, Max Ernst, Metropolitan Museum of Art, Nature—Cooper Hewitt Design Triennial, New York Times, Non-Brand, Pablo Picasso, Paul Chan, Peter Plagens, Pierre Cardin: Future Fashion, Relative Values: The Cost of Art in the Northern Renaissance, Rembrandt to Picasso: Five Centuries of European Works on Paper, Richard Prince, Roberta Smith, Sport and Leisure: Sailing on the Sound, The Bauhaus Spirit at the Wadsworth Atheneum, Vasily Kandinsky, Vincent Van Gogh, Wadsworth Atheneum, Wall Street Journal | Leave a comment

The Arts Seen in NYC (‘Summer with the Averys’ Edition)

Posted on June 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to check out this that and the other thing and, say, it was swell. After the usual funhouse ride through Six Flags Over Midtown Manhattan, we headed … Continue reading →

Posted in Uncategorized | Tagged Almeida Theatre, Bertie Carvel, Bruce Museum, Bryant Park, Camp: Notes on Fashion, Donald Margulies, Dora Maar, Edmund de Waal, Elective Affinities: Edmund de Waal at The Frick Collection, Elie Nadelman, Fox Broadcast Network, Fox News Channel, Gagosian Gallery, Ink, James McNeill Whistler, John Richardson, Jonny Lee Miller, Larry Lamb, Lincoln Kirstein's Modern, Long Lost, Man in the Open Air, Manhattan Theatre Club, March Avery, Marie-Thérèse Walter, Metropolitan Museum of Art, Milton Avery, Minimalism/Maximalism, Pablo Picasso, Phenomenal Nature: Mrinalini Mukherjee, Philip Johnson, Picasso's Women: Fernande to Jacqueline, Play It Loud: Instruments of Rock & Roll, Rock & Roll Hall of Fame, Rupert Murdoch, Sally Michel, Samuel J. Friedman Theatre, Sharks! Myths and Realities, starchitect, Summer with the Averys [Milton | Sally | March], Susan Sontag, The Art Newspaper, The Frick Collection, The Met Breuer, The Mirror, The Museum at FIT, The Red Flame Diner, The Sun, Whistler as Printmaker: Highlights from the Gertrude Kosovsky Collection, Yoga Night | 2 Comments

Donald Trump Is Truly America’s First Cubist President

Posted on April 28, 2017 by Campaign Outsider

From our Pablo Picasso desk Last fall the hardworking staff noted – Exclusive! – that Donald Trump Is Our First Cubist Presidential Candidate (Because He’s on Every Side of Every Issue). We even provided this handy clip ‘n’ save graphic, compliments of … Continue reading →

Posted in Uncategorized | Tagged cubist presidential candidate, Donald Trump, Doonesbury, flip-flops, Garry Trudeau, Pablo Picasso, PolitiFact, Trumpiacs | Leave a comment

Donald Trump Is Our First Cubist Presidential Candidate (Because He’s on Every Side of Every Issue)

Posted on September 9, 2016 by Campaign Outsider

Seriously, could Donald Trump be any more scattered in his policy positions? Handy clip ‘n’ save graphic, compliments of Garry Trudeau’s Doonesbury. Now come the latest examples of Trump’s Fractured Fairy Tales. Exhibit A (via Mediaite), after Trump … Continue reading →

Posted in Uncategorized | Tagged Bill O'Reilly, cubist presidential candidate, Donald Trump, Donald Trump chaos, Doonesbury, Fractured Fairy Tales, Garry Trudeau, Georges Braque, Hillary Clinton, IRS, Mediaite, MOMA, Mr. Deportation Force, NBC News, O'Reilly Factor, Pablo Picasso, tax audit, The Hill, Watergate | 3 Comments

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

Dead Blogging ‘Picasso to Warhol’ at Lowell Textile Museum

Posted on March 23, 2015 by Campaign Outsider

Well the Missus and I trundled up to Lowell over the weekend to catch Artist Textiles: Picasso to Warhol at the American Textile History Museum and, say, it was swell. From their website: The American Textile History Museum in Lowell, Massachusetts … Continue reading →

Posted in Uncategorized | Tagged American Textile History Museum, Artist Textiles: Picasso to Warhol, Claire McCardell, Henri Matisse, Jared Bowen, Open Studio, Pablo Picasso, Salvador Dali, WGBH | 2 Comments

The Arts Seen in NYC (Picasso Everywhere! Edition)

Posted on November 25, 2014 by Campaign Outsider

Well the Missus and I trundled down to the Big Town for the weekend and, say, it was swell. (Not to mention All Pablo All the Time.) Here, in roughly chronological order, is some of what we caught. FRIDAY • Picasso & … Continue reading →

Posted in Uncategorized | Tagged A Delicate Balance, BBC, Beauty Is Power, Ben Brantley, Carrot Nose, David Korins, Dora Maar, Edward Albee, El Museo del Barrio, Elaine Stritch, Firdous Bamji, Gagosian Gallery, George Grizzard, Gerald Gutierrez, Glenn Close, Helena rubenstein, Hortense Fiquet, Jacqueline Roque, Jean Dubuffet, Jed Perl, Jewish Museum, John Golden Theatre, John Lithgow, John Richardson, Julian Bell, Lee Krasner, Lindsay Duncan, Mac Conner: A New York Life, Madame Cézanne, Making Pottery Art, Man Ray, Marisol, Martha Plimpton, Mike Nichols, Museum of the City of New York, New York Review of Books, New York Times, Norman Lewis, Pablo Picasso, Pace Gallery, Paul Cezanne, Picasso & Jacqueline, Picasso & the Camera, René Magritte, Robert A. Ellison Jr., Robert Gober, Romola Garai, Rosemary Harris, The Heart Is Not a Metaphor, The Hour, The New Republic, The Paris of Toulouse-Lautrec, Three Tall Women, Vincent Canby, Who's Afraid of Virginia Woolf | 2 Comments

Correction o’ the Day (Pablo Picasso Edition)

Posted on April 23, 2014 by Campaign Outsider

From Tuesday’s New York Times: (Roger Fessaguet obit here.) But what if Picasso had visited the United States? What would have happened to his newspaper collages that featured French dailies Le Figaro and Le Journal? Representative samples: … Continue reading →

Posted in Uncategorized | Tagged Chronicling America, Historic American Newspapers, La Caravelle, Le Figaro, Le Journal, Library of Congress, National Endowment for the Humanities, New York Evening World, New York Times, New York Tribune, newspaper collages, Pablo Picasso, Roger Fessaguet | 1 Comment