Tag Archives: Edouard Manet

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

The Arts Seen in NYC (Pierre Cardin Is Totally Brilliant Edition)

Posted on September 3, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town the other weekend to spend some time a-museuming and say, it was swell. After navigating the usual midtown Manhattan mishegas to get to our usual hotel, we took the … Continue reading →

Posted in Uncategorized | Tagged Albrecht Dürer, Andrew Carnegie, Artistic License: Six Takes on the Guggenheim Collection, Basquiat’s “Defacement”: The Untold Story, Be Seen: Portrait Photography Since Stonewall, Berthe Morisot, Brooklyn Museum, Cai Guo-Qiang, Carrie Mae Weems, Edgar Degas, Edouard Manet, Edvard Munch, Elizabeth Cleland, Francisco Goya, Franz Kline, From Expressionism to Surrealism: Highlights of Modern Art from the Collection, Garry Winogrand: Color, Giovanni Battista Piranesi, Guggenheim Museum, Henri Matisse, James McNeill Whistler, Jenny Holzer, Jewelry for America, Joan Miro, Joseph Beuys, Julie Mehretu, Käthe Kollwitz, Louis Armstrong House Museum, Louise Nevelson, Mark Rothko, Max Ernst, Metropolitan Museum of Art, Nature—Cooper Hewitt Design Triennial, New York Times, Non-Brand, Pablo Picasso, Paul Chan, Peter Plagens, Pierre Cardin: Future Fashion, Relative Values: The Cost of Art in the Northern Renaissance, Rembrandt to Picasso: Five Centuries of European Works on Paper, Richard Prince, Roberta Smith, Sport and Leisure: Sailing on the Sound, The Bauhaus Spirit at the Wadsworth Atheneum, Vasily Kandinsky, Vincent Van Gogh, Wadsworth Atheneum, Wall Street Journal | Leave a comment

MoDo A No-Show For Bulger Trial Finale

Posted on August 14, 2013 by Campaign Outsider

Where’s MoDo? New York Times Op-It Girl Maureen Dowd came slumming a couple of times during the James “Whitey” Bulger hoedown and contributed, well, not much to the trial coverage. Representative sample: In return for being that most loathed thing … Continue reading →

Posted in Uncategorized | Tagged Edouard Manet, Federal Reserve, James "Whitey" Bulger, Jimmy Cagney, John Connolly, Larry Summers, Maureen Dowd, New York Times, Op-It Girl, Vice President Biden | 2 Comments

Why Sebastian Smee Won A Pulitzer

Posted on April 25, 2011 by Campaign Outsider

Last week Boston Globe art critic Sebastian Smee won the 2011 Pulitzer Prize for criticism, as the Globe was happy to report: Sebastian Smee, art critic of The Boston Globe, yesterday was awarded the 2011 Pulitzer Prize for criticism. In … Continue reading →

Posted in Uncategorized | Tagged Boston Globe, Edgar Degas, Edouard Manet, Musée d'Orsay, Pulitzer Prize, Sebastian Smee | Leave a comment

Tag Archives: Edouard Manet

The Arts Seen in NYC (New! Improved? MoMA Edition)

The Arts Seen in NYC (Pierre Cardin Is Totally Brilliant Edition)

MoDo A No-Show For Bulger Trial Finale

Why Sebastian Smee Won A Pulitzer

Email Subscription

Twitter Updates

Blogroll

Archives

Archives

Blogroll