Monthly Archives: March 2019

Latest New York Times ‘Truth’ Commercial Is Only Half-True

Posted on March 30, 2019 by Campaign Outsider

For the past two years the New York Times has been one of the leading voices in the news media’s Pep Squad for Truth – those preaching-to-the-choir ad campaigns aimed at convincing the American public that real news matters. The … Continue reading →

Posted in Uncategorized | Tagged Caliphate, Iraq, Islamic State, Maryam Saleh, New York Times, Pep Squad for Truth, Rukmini Callimachi, Sara Farhan, The Intercept, The ISIS Files | 1 Comment

Dead Blogging the Hot Rods at Larz Anderson Auto Museum

Posted on March 29, 2019 by Campaign Outsider

Well the Missus and I trundled over to Larz Anderson Park the other day to catch Lookin’ East: Art and Imagination of the New England Hot Rod and say, it was . . . sweeeet. The idea of customizing attainable … Continue reading →

Posted in Uncategorized | Tagged '36 Ford Three Window Coupe, 1951 Ford Shoebox, Hot Rod Network, Larz Anderson Auto Museum, Larz Anderson Park, Lookin' East: Art and Imagination of the New England Hot Rod | 2 Comments

Dead Blogging ‘Eaglemania’ at McMullen Museum of Art

Posted on March 21, 2019 by Campaign Outsider

Well the Missus and I trundled out to Boston College’s McMullen Museum yesterday to check out Eaglemania: Collecting Japanese Art in Gilded Age America and say, it was swell. Eaglemania: Collecting Japanese Art in Gilded Age America celebrates and contextualizes … Continue reading →

Posted in Uncategorized | Tagged Boston College, Eaglemania: Collecting Japanese Art in Gilded Age America, Edo period, Isabel Anderson, Larz Anderson, McMullen Museum of Art, Meiji period | 4 Comments

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

Posted on March 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming this past weekend and say, it was swell. Having successfully fought our way down a Friday I-95, navigated the obstacle course from the FDR Drive crosstown … Continue reading →

Posted in Uncategorized | Tagged @ItalianModArt, A Queer History of Fashion, Anne Kong, Atea: Nature and Divinity in Polynesia, Barnett Newman, Boston Museum of Fine Arts, Brooklyn Museum, Carlo Carrà, Caterina Caputo, Center for Italian Modern Art, CIMA, Constantin Brancusi Sculpture, Department of Architecture, Easter Monday, Epic Abstraction: Pollock to Herrera, Exhibitionism: 50 Years of The Museum at FIT, Fashion and Surrealism, Fashion Institute of Technology, FIT, Frida Kahlo and Arte Populaire, Frida Kahlo: Appearances Can Be Deceiving, Fridabilia, Giorgio de Chirico, Giorgio Morandi, Harvard Graduate Student Center, Isamu Noguchi, Jackson Pollack, Jerome Robbins, Joan Miró: Birth of the World, Joan Miro, Kouros, Lincoln Center, Louise Nevelson, Mario Sironi, Metaphysical Masterpieces 1916-1920: Morandi, Metaphysical Masterpieces 1916-1920: Morandi Sironi and Carrà, Metropolitan Museum of Art, MFA, MFIT, Michel Leiris, MOMA, Montroig, Mrs. N's Palace, Museum of Modern Art, Neue Galerie, Playbill, Shimmer Bright, Sisters of Charity, St. Ignatius Loyola, The Art of Music, The Bauhaus and Harvard, The Corset, The New York Public Library for the Performing Arts, The Self-Portrait from Schiele to Beckmann, The Value of Good Design, Valerie Steele, Voice of My City: Jerome Robbins and New York, Walter Gropius, Willem de Kooning | 1 Comment

Monthly Archives: March 2019

Latest New York Times ‘Truth’ Commercial Is Only Half-True

Dead Blogging the Hot Rods at Larz Anderson Auto Museum

Dead Blogging ‘Eaglemania’ at McMullen Museum of Art

The Arts Seen in NYC (Joan Miró’s ‘Birth of the World’ Edition)

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