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Tag Archives: Al Hirshfeld
The Arts Seen in NYC (The Divine Patti LuPone Edition)
Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →
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Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971
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The Art Seen In New York (Magritte/Balthus Edition)
Well the Missus and I trundled down to The Big Town last weekend and say, it was swell. (After, that is, we crawled our way through the Mother-in-Law of All Traffic Jams: From the New York City line to the … Continue reading →
Posted in Uncategorized
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Tagged 59E59 Theaters, Al Hirshfeld, Alexander Calder, All That Fall, American Modern, Balthus: Cats & Girls, Barneys New York, Calder Shadows, Cezanne, Charles Demuth, Dennis Freedman, Designing Modern Women, Dubuffet Frayeur, Eileen Atkins, Eykyn Maclean Gallery, Gauguin, I Saw the Figure Five in Gold, Interwoven Globe: The Worldwide Textile Trade, Lincoln Center Library, Magritte, Malkine Untitled 1927, Marcel Duchamp, Matisse, Metropolitan Museum of Art, Michael Gambon, MOMA, Mother-in-Law of All Traffic Jams, New York Public Library for the Performing Arts, New York Times, New-York Historical Society, Nude Descending a Staircase, Picabia, Picasso, Robert Indiana: Beyond Love, Roberta Smith, S.J. Perelman, Samuel Beckett, Surrealism and the Rue Blomet, The Armory Show at 100, the Big Town, The Line King, The Met, The Missus, Van Gogh, Venus Over Manhattan, Westward Ha!, Whitney Museum, WWD
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