Tag Archives: Jacob Lawrence

Dead Blogging ‘Learning to Look: The Addison at 90’

Posted on May 20, 2021 by Campaign Outsider

Well the Missus and I trundled up to Andover the other day to wander around the Addison Gallery of American Art at Phillips Academy (free, but reservations required) and say, it was swell to be back at that gem of … Continue reading →

Posted in Uncategorized | Tagged Addison Gallery of American Art, Agnes Martin, Arthur Dove, Black Trunk, Carrie Mae Weems, Cindy Sherman, David Nolan Gallery, Donald Judd, Franz Kline, Georgia O'Keeffe, I James McNeill Whistler: A Novel, Jackson Pollock, Jacob Lawrence, Jasper Johns, Jaune Quick-to-See Smith, McArthur Binion, Mel Kendrick: Seeing Things in Things, Nemo, Phillips Academy, Thomas Cochran, Thomas Eakins, Treasures of the Addison Gallery of American Art, Trunk Drawing, Winslow Homer | Leave a comment

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

Dead Blogging ‘Harlem: In Situ’ at Andover’s Addison Gallery

Posted on July 8, 2019 by Campaign Outsider

Well the Missus and I trundled up to Andover the other day to catch the current exhibitions at the Addison Gallery of American Art and, say, they were uniformly swell. Don’t let the “gallery” designation fool you – the Addison … Continue reading →

Posted in Uncategorized | Tagged 1920s–1950s (Harlem), 4 x 4, Aaron Siskind, Addison Gallery of American Art, Beaumont Newhall, Carl van Vechten, Chase National Bank, Dr. Walter O. Evans, Elie Nadelman, Harlem Document (1935), Harlem Heroes, Harlem Heroes (1930–1960), Harlem: In Situ, In and Out of Place, Jacob Lawrence, John Goodman: not recent color, Kissing the Moon, László Moholy-Nagy, Lucien Aigner, Paul Robeson, Romare Bearden, Roy DeCarava., Seated Woman, Smithsonian American Art Museum, The Sweet Flypaper of Life (1984), Twisted Planes, W.E.B. Du Bois, Winslow Homer | 2 Comments

Dead Blogging ‘Leap Before You Look’ at the ICA

Posted on October 18, 2015 by Campaign Outsider

Well the Missus and I trundled downtown yesterday to catch Leap Before You Look: Black Mountain College 1933-1957 at Boston’s Institute of Contemporary Art and say, it was . . . actually accessible. As I’ve mentioned before, I’m not really smart … Continue reading →

Posted in Uncategorized | Tagged Alexander Reed, Anni Albers, Asheville, Black Mountain College, Boston Globe, Buckminster Fuller, Carol Kino, Charles Olson, Elaine de Kooning, Gwendolyn Lawrence, ICA, Institute of Contemporary Art, Jacob Lawrence, John Cage, Josef Albers, Leap Before You Look: Black Mountain College 1933-1957, Merce Cunningham, Robert Creeley, Robert Motherwell, Robert Rauschenberg, Ruth Asawa, Sebastian Smee, Wall Street Journal, Watchmaker, Willem de Kooning | 1 Comment

Another MFA Sell-Off ‘For the Benefit of the Collection’

Posted on September 20, 2014 by Campaign Outsider

As the hardworking staff has previously noted, the Boston Museum of Fine Arts periodically pawns some of its current holdings in order to acquire better stuff, as in the Great Degas Swap of 2003. Something similar happened last year when the MFA sold … Continue reading →

Posted in Uncategorized | Tagged African-American artworks, Belle Epoque, Boston Museum of Fine Arts, Doyle New York, Great Degas Swap., Jacob Lawrence, Louis Comfort Tiffany, Maverick Arts, MFA, Norma Nathan, Swann Galleries, Tiffany | 2 Comments

Tag Archives: Jacob Lawrence

Dead Blogging ‘Learning to Look: The Addison at 90’

The Arts Seen in NYC (New! Improved? MoMA Edition)

Dead Blogging ‘Harlem: In Situ’ at Andover’s Addison Gallery

Dead Blogging ‘Leap Before You Look’ at the ICA

Another MFA Sell-Off ‘For the Benefit of the Collection’

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