Tag Archives: Martin Filler

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

More Brutal Treatment of Paul Rudolph’s Architecture

Posted on March 6, 2015 by Campaign Outsider

The hardworking staff has previously noted the beleaguered buildings designed by midcentury modernist architect Paul Rudolph, which include two local landmarks: the old Blue Cross Blue Shield building at 133 Federal Street and the Government Service Center. Now comes the … Continue reading →

Posted in Uncategorized | Tagged 133 Federal Street, After You Left/They Took It Apart, Art & Architecture Building, Blue Cross Blue Shield building, Chris Mottalini, CURBED, Gene Kaufman, Government Service Center, Julie V. Iovine, Martin Filler, Michael Kimmelman, New York Review of Books, New York Times, Orange County, Orange County Government Center, Paul Rudolph, Renzo Piano, Steve Belkin, Steven Neuhaus, The Architecture of Paul Rudolph, Timothy M. Rohan, Tommy's Tower, Tuskegee University Chapel, Wall Street Journal, Yale University | 2 Comments

The Ruins of Paul Rudolph’s Architecture

Posted on January 27, 2015 by Campaign Outsider

The hardworking staff has long admired the architectural work of Paul Rudolph, especially his Blue Cross Blue Shield building at 133 Federal Street in Boston. (Our 2008 WGBH commentary here.) But not everyone does. So we read with interest in the … Continue reading →

Posted in Uncategorized | Tagged 133 Federal Street, After You Left/They Took It Apart, Art & Architecture Building, Blue Cros Blue Shield building, Chris Mottalini, Martin Filler, New York Review of Books, Paul Rudolph, Renzo Piano, Steve Belkin, The Architecture of Paul Rudolph, Timothy M. Rohan, Tommy's Tower, Tuskegee University Chapel, Yale University | 14 Comments

Starkitect: The Two Facades of Frank Gehry

Posted on January 8, 2015 by Campaign Outsider

Frank Gehry is the Rorschach test of modern architecture. And his latest creation – Fondation Louis Vuitton – is the ultimate inkblot. From Joel Henning’s mash note in yesterday’s Wall Street Journal: A New Art Palace Sets Sail in Paris As you approach Frank … Continue reading →

Posted in Uncategorized | Tagged Bois de Boulogne, Boulevard Raspail, Bulgari, David Lynch, Dior, Donna Karan, Eiffel Tower, Eisenhower Memorial, Fendi, Fondation Cartier, Fondation Louis Vuitton, Foucault's pendulum, Francis Bacon, Frank Gehry, Frank Lloyd Wright, Gehry's Folly, Givenchy, Grand Palais, Guggenheim Museum Bilbao, Guillermo Kuitca, Jean Nouvel, Joel Henning, LMVH, Martin Filler, Moet Hennessy, Montgolfier balloon, New York Review of Books, Patti Smith, praeterition, Solomon R. Guggenheim Museum, Spirit of St. Louis, Vija Celmins, Wall Street Journal, Walt Disney Concert Hall | 6 Comments

Tag Archives: Martin Filler

The Arts Seen in NYC (New! Improved? MoMA Edition)

More Brutal Treatment of Paul Rudolph’s Architecture

The Ruins of Paul Rudolph’s Architecture

Starkitect: The Two Facades of Frank Gehry

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