Tag Archives: West Side Story

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

Dead Blogging ‘West Side Story’ at the Strand Theatre

Posted on October 19, 2015 by Campaign Outsider

Well the Missus and I trundled over to Uphams Corner to catch the Fiddlehead Theatre Company production of West Side Story and say, it felt pretty . . . swell. The Leonard Bernstein/Stephen Sondheim retelling of Romeo and … Continue reading →

Posted in Uncategorized | Tagged Fiddlehead Theatre Company, Jeffrey Zicker, Kim Corbett, Leonard Bernstein, Pamela Turpen, Ringling Bros. and Barnum & Bailey, Romeo and Juliet, Stacey Stephens, Stephen Sondheim, Strand Theatre, Theo Lencicki, Waldemar Quinones-Villanueva, Wendy Hall, West Side Story | Leave a comment

Editorial Smackdown: Herald Blowtorches Globe

Posted on May 4, 2013 by Campaign Outsider

Have some asbestos gloves handy if you’re reading the Boston Herald today. Here’s the lede of the lead editorial: The whole narrative confirms that while the radical motivations of the Tsarnaev brothers — and perhaps, it remains to be seen, … Continue reading →

Posted in Uncategorized | Tagged Boston Globe, Boston Herald, Brothers Tsarnaev, international jihadi, It's Good to Live in a Two-Daily Town, Officer Krupke, West Side Story, youthful nihilism | 1 Comment

Tag Archives: West Side Story

The Arts Seen in NYC (New! Improved? MoMA Edition)

Dead Blogging ‘West Side Story’ at the Strand Theatre

Editorial Smackdown: Herald Blowtorches Globe

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