Tag Archives: The Frick Collection

The Arts Seen in NYC (New! Improved? MoMA Edition)

Posted on December 30, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town to go a-museuming for a few days and say, it was swell. Just our luck, we arrived on an official Gridlock Alert Day, which meant it took us fully … Continue reading →

Posted in Uncategorized | Tagged Aloïse Corbaz, American Folk Art Museum, Anna Zemánková, August Klett, Augustin Lesage, Bard Graduate Center, Ben Shahn, Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, Bicycle Wheel, Bill Traylor, Billie Tsien, BODYWARP: Casting Series, Burke Prize 2019, Cabaret, Charles Sheeler, Charlie Willeto, Company, Dr. Valerie Steele, Edith Halpert and the Rise of American Art, Edouard Manet, Edouard Vuillard, Emery Blagdon, Ethel Barrymore, Félix Vallotton: Painter of Disquiet, Fiddler on the Roof, Fish and Shrimp, FIT Museum, French Fashion/Women/and the First World War, Gabrielle Rodrigues-Henriques, George Abbott, Georgia O'Keeffe, Henry Arnhold’s Meissen Palace: Celebrating a Collector, Herbert Muschamp, In Advance of the Broken Arm, In Pursuit of Fashion: The Sandy Schreier Collection, In the Company of Harold Prince, Indira Allegra., Jacob Lawrence, John Singer Sargent: Portraits in Charcoal, Laura Jacobs, Les Demoiselles d'Avignon, Les Nabis, Lindsay Pollock, MAD, Madame Manet, Making Marvels: Science & Splendor at the Courts of Europe, Manet: Three Paintings from the Norton Simon Museum, Marcel Duchamp, Martín Ramírez, Martin Filler, Memory Palaces: Inside the Collection of Audrey B. Heckler, Metropolitan Museum of Art, MOMA, Museum of Arts and Design, Museum of Modern Art, N.C. Wyeth, New York Public Library for the Performing Arts, New York Times, Norman Rockwell, Norton Simon Museum, Paris Capital of Fashion, Pierre Bonnard, Power Mode: The Force of Fashion, Printer of Disquiet, Rachel Feinstein: Maiden Mother Crone, Readymade in Paris and New York, Robert Johnson, Robin Pogrebin, Rodgers and Hammerstein, Smithsonian American Art Museum, Stephen Sondheim, Stuart Davis, Sweeney Todd, Swiss Army Wife, Sydney Franklin, Terry Teachout, The Architect's Newspaper, The Frick Collection, The Girl With the Gallery, The Last Knight: The Art Armor and Ambition of Maximilian I, The Met, The Morgan Library & Museum, The New York Review of Books, The Phantom of the Opera, The Ragpicker, The World of Anna Sui, theObjectified, Thornton Dial, Tod Williams, Vallotton Intimacies, Vanessa Friedman, Wall Street Journal, West Side Story, William Butler Yeats, William Edmondson, Winston Churchill, Yasuo Kuniyoshi | 2 Comments

The Arts Seen in NYC (‘Summer with the Averys’ Edition)

Posted on June 14, 2019 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to check out this that and the other thing and, say, it was swell. After the usual funhouse ride through Six Flags Over Midtown Manhattan, we headed … Continue reading →

Posted in Uncategorized | Tagged Almeida Theatre, Bertie Carvel, Bruce Museum, Bryant Park, Camp: Notes on Fashion, Donald Margulies, Dora Maar, Edmund de Waal, Elective Affinities: Edmund de Waal at The Frick Collection, Elie Nadelman, Fox Broadcast Network, Fox News Channel, Gagosian Gallery, Ink, James McNeill Whistler, John Richardson, Jonny Lee Miller, Larry Lamb, Lincoln Kirstein's Modern, Long Lost, Man in the Open Air, Manhattan Theatre Club, March Avery, Marie-Thérèse Walter, Metropolitan Museum of Art, Milton Avery, Minimalism/Maximalism, Pablo Picasso, Phenomenal Nature: Mrinalini Mukherjee, Philip Johnson, Picasso's Women: Fernande to Jacqueline, Play It Loud: Instruments of Rock & Roll, Rock & Roll Hall of Fame, Rupert Murdoch, Sally Michel, Samuel J. Friedman Theatre, Sharks! Myths and Realities, starchitect, Summer with the Averys [Milton | Sally | March], Susan Sontag, The Art Newspaper, The Frick Collection, The Met Breuer, The Mirror, The Museum at FIT, The Red Flame Diner, The Sun, Whistler as Printmaker: Highlights from the Gertrude Kosovsky Collection, Yoga Night | 2 Comments

The Arts Seen in NYC (Long Day’s Journey Edition)

Posted on April 24, 2016 by Campaign Outsider

Well the Missus and I trundled down to The Big Town last weekend and, say, it was swell. Except for the drive to get there, of course. We hit four – count ’em, four – major traffic jams on the … Continue reading →

Posted in Uncategorized | Tagged Alice in Wonderland, Anton Raphael Mengs, Antwerp, Arthur Miller, Beauty—Cooper Hewitt Design Triennial, Ben Brantley, Ben Wishaw, Charles Perrault, Chartres, Ciarán Hinds, Comme des Garçons, Cooper Hewitt, Crime Stories: Photography and Foul Play, duquesa de Huescar, Edgar Degas: A Strange New Beauty, Elisabeth Louise Vigée Le Brun, Eugene O'Neill, Fairy Tale Fashion, Fashion Institute of Technology, FIT, Gabriel Byrne, Hans Christian Andersen, Human Head Cake Box Murder, Ian Volner, Isaac Mizrahi, Isaac Mizrahi: An Unruly History, Jessica Lange, Jewish Museum, Job Smeets, John Dillinger's Feet, John Gallagher Jr., Long Day's Journey Into Night, Manish Arora, Marcel Broodthaers: A Retrospective, Marie Antoinette, Metropolitan Museum of Art, Michael Shannon, MOMA, Museum of Arts and Design, Museum of Modern Art, New Republic, New York Times, Nynke Tynagel, Portrait of Mariana de Silva y Sarmiento, Roundabout Theatre Company, Saoirse Ronan, snaphappy hordes, Sophie Okonedo, Studio Job, Studio Job MAD HOUSE, Terry Teachout, the Brothers Grimm, The Crucible, The Frick Collection, The Little Mermaid, The Met, The Met Breuer, Thierry Mugler, Thom Browne Selects, Train Crash, Unfinished: Thoughts Left Visible, Van Dyck: The Anatomy of Portraiture, Vigée Le Brun: Woman Artist in Revolutionary France, Wall Street Journal, Walter Kerr Theatre, Weegee | Leave a comment

Tag Archives: The Frick Collection

The Arts Seen in NYC (New! Improved? MoMA Edition)

The Arts Seen in NYC (‘Summer with the Averys’ Edition)

The Arts Seen in NYC (Long Day’s Journey Edition)

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