Tag Archives: New-York Historical Society

The Arts Seen in NYC (#StraightWhiteMen Preview Edition)

Posted on July 27, 2018 by Campaign Outsider

Well the Missus trundled me down to the Big Town for my birthday last weekend and, say, it was swell. (It also marked the start of a year’s worth of my saying, à la Raymond Chandler, that I’m pushing 70 … Continue reading →

Posted in Uncategorized | Tagged Alberto Giacometti, Anna D. Shapiro, Annette Arm, Armie Hammer, Bill Cunningham, Chaim Soutine, Château de Versailles, Clara Driscoll, Color, Conflict, Constantin Brancusi Sculpture, Cooper Hewitt, David Copperfield, Diego Rivera, Fashion Institute of Technology, Fashion Unraveled, FIT, Flesh, Fondation Giacometti, Guggenheim, Guggenheim Museum, Harry Houdini, Heavenly Bodies:Fashion and the Catholic Imagination, James Gardner, Josh Charles, Like Life: Sculpture Color and the Body (1300-Now), Louis Comfort Tiffany, Louis XIV, Metropolitan Museum of Art, Miles Malleson, Mint Theater Company, MOMA, Morgan Library, Museum of the City of New York, New-York Historical Society, Paul Schneider, Public Parks Private Gardens: Paris to Provence, pushing 70 hard enough to break a wrist, Raymond Chandler, Scofield Thayer Collection, Second Stage Theater, Stephen Payne, Straight White Men, Summer of Magic: Treasures from the David Copperfield Collection, Terry Teachout, The Jewish Museum, The Magic of Handwriting: The Pedro Corrêa do Lago Collection, The Met Breuer, The Met Cloisters, The Weekly Standard, Through a Different Lens: Stanley Kubrick Photographs, Visitors to Versailles, Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes, Wall Street Journal, Wearing Memories, Young Jean Lee | Leave a comment

The Arts Seen in NYC (The Divine Patti LuPone Edition)

Posted on July 23, 2015 by Campaign Outsider

Well the Missus and I trundled down to the Big Town last weekend to catch one thing and another and say, it was swell. First, of course, there was crosstown traffic, which takes roughly 30 minutes to navigate. Official Campaign … Continue reading →

Posted in Uncategorized | Tagged ABC, Al Hirshfeld, Albert Maysles + David Maysles, Alexei von Jawlensky, All Or Nothing At All, America Is Hard to See, and Venice, Andy Warhol, Andy Warhol: Campbell's Soup Cans and Other Works 1953–1967, Arthur Dove, Bauhaus, Bing Crosby, Boston Museum of Fine Arts, Bruce Museum, China: Through the Looking Glass, Christopher Kane, Crosstown Traffic, Cut Piece, David Leopold, Douglas Carter Beane, Ella Fitzgerald, Erich Heckel, Ernie Kovacs, Ernst Ludwig Kirchner, Everything Is Design, Everything Is Design: The Work of Paul Rand, Fairfield/Westchester Museum Alliance, Fashion Institute of Technology, FIT, Folk City, Folk City: New York and the Folk Music Revival, Fractured Fairy Tales, Francis Seymour Haden, Frank Sinatra, Frank Sinatra Has a Cold, From Bauhaus to Buenos Aires, From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola, Gabriele Münter, Gay Talese, Gilbert and Lila Silverman Fluxus Collection Gift, Gilded New York, Global Fashion Capitals, Gothamist, Grete Stern, Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold, HBO, Heather Nolin, Horacio Coppola, IBM, James Gardner, Jerry Saltz, Jewish Museum, Jimi Hendrix, John Singer Sargent, José Luis Sert, Joseph Pennell, Léonide Massine, Le Tricorne, Lincoln Center, London, Marcel Breuer, Metropolitan Museum of Art, Mikhail Larionov, MOMA, Mortimer Menpes, Museum of Modern Art, Museum of the City of New York, Natalia Goncharova, Neue Galerie, New York magazine, New York Public Library for the Performing Arts, New-York Historical Society, NeXT, One Club Creative Hall of Fame, Pablo Picasso, Patti LuPone, Paul Rand, Revolution of the Eye: Modern Art and the Birth of American Television, Ringo Starr, Robert Louis Stevenson, Rorschach test, Russian Modernism: Cross-Currents of German and Russian Art 1907-1917, Sargent: Portraits of Artists & Friends, Saving Place: 50 Years of New York City Landmarks, Saving Places, Sergei Diaghilev, Shows Every Day, Shows For Days, Sinatra: An American Icon, Stettheimer Dollhouse, Steve Jobs, The Hirschfeld Century: The Art of Al Hirschfeld, The Seven Deadly Sins: Pride, The Weekly Standard, Tiffany & Co., UPS, Vasily Kandinsky, W. Graham Robertson, Walls of Color: The Murals of Hans Hofmann, Whistler in Paris, Whitney Museum of American Art, Yale University Art Gallery, Yoko Ono, Yoko Ono: One Woman Show 1960-1971 | 4 Comments

The Arts Seen in NYC (Central Park Edition)

Posted on June 4, 2014 by Campaign Outsider

Well the Missus and I trundled down to the Big Town over the weekend and say, it was swell . . . weather. It’s not so much that what we caught at the museums was bad. But what we caught outside … Continue reading →

Posted in Uncategorized | Tagged 1909–1944: Reconstructing the Universe, Act One, Andrea Martin, Belvedere Castle, Bill Cunningham: Facades, Central Park, Charles James: Beyond Fashion, Cindy Sherman, Daniel Goodman, Editta Sherman, Gauguin: Metamorphoses, Guggenheim, Italian Futurism, Jewish Museum, Jonathan Galassi, Judith Thurman, Lygia Clark: The Abandonment of Art 1948–1988, MAD, Masterpieces and Curiosities: Diane Arbus’s Jewish Giant, MOMA, Multiple Exposures: Jewelry and Photography, Museum of Modern Art, New York Review of Books, New Yorker, New-York Historical Society, Re:Collection, Self-Taught Genius: Treasures from the American Folk Art Museum, Strawberry Fields, The Black Fives, The Met, Tony Shaloub, Weekly Standard | 4 Comments

The Art Seen In New York (Magritte/Balthus Edition)

Posted on November 29, 2013 by Campaign Outsider

Well the Missus and I trundled down to The Big Town last weekend and say, it was swell. (After, that is, we crawled our way through the Mother-in-Law of All Traffic Jams: From the New York City line to the … Continue reading →

Posted in Uncategorized | Tagged 59E59 Theaters, Al Hirshfeld, Alexander Calder, All That Fall, American Modern, Balthus: Cats & Girls, Barneys New York, Calder Shadows, Cezanne, Charles Demuth, Dennis Freedman, Designing Modern Women, Dubuffet Frayeur, Eileen Atkins, Eykyn Maclean Gallery, Gauguin, I Saw the Figure Five in Gold, Interwoven Globe: The Worldwide Textile Trade, Lincoln Center Library, Magritte, Malkine Untitled 1927, Marcel Duchamp, Matisse, Metropolitan Museum of Art, Michael Gambon, MOMA, Mother-in-Law of All Traffic Jams, New York Public Library for the Performing Arts, New York Times, New-York Historical Society, Nude Descending a Staircase, Picabia, Picasso, Robert Indiana: Beyond Love, Roberta Smith, S.J. Perelman, Samuel Beckett, Surrealism and the Rue Blomet, The Armory Show at 100, the Big Town, The Line King, The Met, The Missus, Van Gogh, Venus Over Manhattan, Westward Ha!, Whitney Museum, WWD | 5 Comments

What We Caught In The Big Town

Posted on December 27, 2012 by Campaign Outsider

Well the Missus and I trundled down to the Big Town for most of last week, and here’s a taste of the arts seen there. Wednesday After an uneventful, if costly, drive to the City (seriously – they’re raising the extortionate … Continue reading →

Posted in Uncategorized | Tagged American Legends: From Calder to O'Keeffe, Boston Globe, Ellen Barkin, Extravagant Inventions: The Princely Furniture of the Roentgens, Frick Collection, George Bellows, Guggenheim, Madeleine Martin, Mare Cunningham, Matisse: In Search of True Painting, Museum of Arts and Design, New-York Historical Society, Picasso Black and White, Picnic, Portrait of a Peasant, Regarding Warhol, Rosalind Russell, Sebastian Smee, Sebastian Stan, The Art of Scent, The Met, The Société Anonyme: Modernism for America, The Whitney, Vincent Van Gogh, Weekly Standard, William Holden, William Inge, WWII & NYC, Yale University Art Gallery | 4 Comments

Zippying Us Back To 89th & Third

Posted on July 16, 2012 by Campaign Outsider

The hardworking staff is a longtime fan of Bill Griffith’s (pin)headscratching Zippy comic strip, and today’s installment is especially welcome. We grew up in the shadow of the Third Avenue El, not to mention downwind of the venerable Ruppert Brewery. … Continue reading →

Posted in Uncategorized | Tagged Bill Griffith, New-York Historical Society, Ruppert Brewery, Third Avenue El, Wizard of Oz, Zippy | 1 Comment