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Tag Archives: Gagosian Gallery
The Arts Seen in NYC (‘Summer with the Averys’ Edition)
Well the Missus and I trundled down to the Big Town last weekend to check out this that and the other thing and, say, it was swell. After the usual funhouse ride through Six Flags Over Midtown Manhattan, we headed … Continue reading
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Tagged Almeida Theatre, Bertie Carvel, Bruce Museum, Bryant Park, Camp: Notes on Fashion, Donald Margulies, Dora Maar, Edmund de Waal, Elective Affinities: Edmund de Waal at The Frick Collection, Elie Nadelman, Fox Broadcast Network, Fox News Channel, Gagosian Gallery, Ink, James McNeill Whistler, John Richardson, Jonny Lee Miller, Larry Lamb, Lincoln Kirstein's Modern, Long Lost, Man in the Open Air, Manhattan Theatre Club, March Avery, Marie-Thérèse Walter, Metropolitan Museum of Art, Milton Avery, Minimalism/Maximalism, Pablo Picasso, Phenomenal Nature: Mrinalini Mukherjee, Philip Johnson, Picasso's Women: Fernande to Jacqueline, Play It Loud: Instruments of Rock & Roll, Rock & Roll Hall of Fame, Rupert Murdoch, Sally Michel, Samuel J. Friedman Theatre, Sharks! Myths and Realities, starchitect, Summer with the Averys [Milton | Sally | March], Susan Sontag, The Art Newspaper, The Frick Collection, The Met Breuer, The Mirror, The Museum at FIT, The Red Flame Diner, The Sun, Whistler as Printmaker: Highlights from the Gertrude Kosovsky Collection, Yoga Night
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The Nude York Times (Lucian Freud ‘Monumental’ Edition)
From our Grey Lady pearl-clutching desk As the hardblushing staff has dutifully noted for the past handful of years, the New York Times is increasingly willing to bare all in the name of art – or commerce – in its … Continue reading
New York Times: All the Nudes That’s Fit to Print
As the hardblushing staff has noted on previous occasions (see here and here), the Grey Lady has been opening the kimono more and more of late, from an ulp-skirt Louis Vuitton ad several years ago to this eye-popping Christie’s ad last fall. … Continue reading
The Nude York Times
As the hardblushing staff has noted, the Grey Lady has slowly been opening the kimono in its print pages, starting with this ulp-skirt Louis Vuitton image a couple of years ago. Then there was this Gagosian Gallery ad a … Continue reading
Oh, My! The Grey Lady Opens the Kimono All the Way
As the eyeverting staff has noted on several occasions, the New York Times has gradually become more – ahem – adventurous in the images it’s willing to publish. There was, for example, this ulp-skirt image in a Louis Vuitton ad a couple … Continue reading
While We Were Out (The Art Seen In New York)
Well the Missus and I trundled down to the Big Town last week and here’s some of what we saw. For starters, a couple of galleries in Chelsea. (Sign o’ the Times: A billboard for a storage facility that said, … Continue reading
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Tagged Against the Grain, Ai Weiwei, Chelsea, Chim, Claes Oldenburg, DC Moore Gallery, Duane Michals, Edwardian Opulence, Ernst Ludwig Kirchner, Gagosian Gallery, German Expressionism 1900-1930, Giovani Boldini, Helen Frankenthaler, ICP, International Center of Photography, James McNeill Whistler, Karl Schmidt-Rottluff, Laura Roth, Leonard Lauder, Met, MFA, MOMA, Museum of Art and Design, Museum of Modern Art, Neue Galerie, Painted on 21st Street, Roman Vishniac, Ron Lauder, Société Anonyme, The Painted Photograph, The Street and the Store, Wear it or Not, Yale Art Gallery, Yale Center for British Art
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Call It The Ga-GO-sian Gallery
The other day the hardlooking staff noted that Art Shark Damien Hirst had dumped his longtime partner Gagosian Gallery, which last year, as the New York Times Artsbeat blog reported, “gave Damien Hirst all 11 of its spaces around the world … Continue reading
Like A Shark, Damien Hirst Needs To Keep Moving
Call him Dimien Hirst. The British celebropop artist who made his bones with a shark carcass and a platinum human skull covered with 8,601 diamonds is now reaping skeletal returns on his artwork, as this recent Businessweek piece reported: For all … Continue reading
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Tagged ArtsBeat, Businessweek, Damien Hirst, Gagosian Gallery, Jumping the Shark, New York Times
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Like A Trolling Stone
Bob Dylan, it turns out, is a transmedia pickpocket. The legendary song/writer has already been accused of lifting material for his 2006 album “Modern Times” from obscure Civil War poet Henry Timrod; stealing passages from Junichi Saga’s Japanese gangster novel “Confessions of … Continue reading
