Tag Archives: Addison Gallery of American Art

Dead Blogging ‘Regarding America’ at the Addison Gallery

Posted on July 21, 2022 by Campaign Outsider

Well the Missus and I trundled up to Andover yesterday to wander around Phillips Academy’s Addison Gallery of American Art and say, it was swell. The major exhibit there right now is Regarding America: 19th-Century Art from the Permanent Collection (through July … Continue reading →

Posted in Uncategorized | Tagged Addison Gallery of American Art, Arthur Wesley Dow: Nearest to the Divine, Boston Globe, Braque Picasso (1978), Georgia O'Keefe, James Monroe Whitfield, Murray Whyte, Past Is Prologue: History in Contemporary Art, Phillips Academy, Regarding America: 19th-Century Art from the Permanent Collection, Sarah G. Austin, Sarah G. Austin Foundation, Walt Whitman | Leave a comment

Dead Blogging ‘Learning to Look: The Addison at 90’

Posted on May 20, 2021 by Campaign Outsider

Well the Missus and I trundled up to Andover the other day to wander around the Addison Gallery of American Art at Phillips Academy (free, but reservations required) and say, it was swell to be back at that gem of … Continue reading →

Posted in Uncategorized | Tagged Addison Gallery of American Art, Agnes Martin, Arthur Dove, Black Trunk, Carrie Mae Weems, Cindy Sherman, David Nolan Gallery, Donald Judd, Franz Kline, Georgia O'Keeffe, I James McNeill Whistler: A Novel, Jackson Pollock, Jacob Lawrence, Jasper Johns, Jaune Quick-to-See Smith, McArthur Binion, Mel Kendrick: Seeing Things in Things, Nemo, Phillips Academy, Thomas Cochran, Thomas Eakins, Treasures of the Addison Gallery of American Art, Trunk Drawing, Winslow Homer | Leave a comment

Dead Blogging ‘Gordon Parks: The New Tide’ @ Addison Gallery

Posted on February 12, 2020 by Campaign Outsider

Well the Missus and I trundled up to Andover this past weekend to check out the new exhibits at the Addison Gallery of American Art and say, they were swell. We started off with Man Up! Visualizing Masculinity in 19th-Century America … Continue reading →

Posted in Uncategorized | Tagged A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America, Addison Gallery of American Art, Come As You Are: American Youth, Ella Watson, Expanding the Narrative: Recent Acquisitions, Farm Security Administration, George Bellows, Gordon Parks, Gordon Parks: Back to Fort Scott, Gordon Parks: The New Tide Early Work 1940–1950, Langston Hughes, Lewis Wickes Hine, Man Up! Visualizing Masculinity in 19th-Century America, Office of War Information, Ralph Ellison, Richard Wright, Roy Stryker, Standard Oil (New Jersey), Thomas Eakins | Leave a comment

Dead Blogging ‘Harlem: In Situ’ at Andover’s Addison Gallery

Posted on July 8, 2019 by Campaign Outsider

Well the Missus and I trundled up to Andover the other day to catch the current exhibitions at the Addison Gallery of American Art and, say, they were uniformly swell. Don’t let the “gallery” designation fool you – the Addison … Continue reading →

Posted in Uncategorized | Tagged 1920s–1950s (Harlem), 4 x 4, Aaron Siskind, Addison Gallery of American Art, Beaumont Newhall, Carl van Vechten, Chase National Bank, Dr. Walter O. Evans, Elie Nadelman, Harlem Document (1935), Harlem Heroes, Harlem Heroes (1930–1960), Harlem: In Situ, In and Out of Place, Jacob Lawrence, John Goodman: not recent color, Kissing the Moon, László Moholy-Nagy, Lucien Aigner, Paul Robeson, Romare Bearden, Roy DeCarava., Seated Woman, Smithsonian American Art Museum, The Sweet Flypaper of Life (1984), Twisted Planes, W.E.B. Du Bois, Winslow Homer | 2 Comments

Dead Blogging ‘Alfred Maurer’ at Addison Gallery

Posted on June 10, 2015 by Campaign Outsider

Well the Missus and I trundled up to Andover yesterday to catch Alfred Maurer: At the Vanguard of Modernism at the Addison Gallery of American Art and, say, it was swell. Maurer was an early 20th Century artist who morphed from … Continue reading →

Posted in Uncategorized | Tagged Addison Gallery of American Art, Alfred Maurer, Alfred Maurer: At the Vanguard of Modernism, Boston Globe, cubism, fauvism, Henri Matisse, impressionism, Light/Dark White/Black, On the Scene: 20th Century Street Photography, Searching for the Real, Sebastian Smee | 2 Comments

Dead Blogging ‘Whistler and the Thames’ at Addison Gallery

Posted on March 10, 2014 by Campaign Outsider

Well the Missus and I trundled up to Andover to catch An American in London: Whistler and the Thames at the Addison Gallery of American Art and say, it was swell. From the Addison’s website: In the 1860s and 1870s, … Continue reading →

Posted in Uncategorized | Tagged A Story of the Beautiful, Addison Gallery of American Art, An American in London: Whistler and the Thames, Barry Schwabsky, Black Lion Wharf, Brown and Silver: Old Battersea Bridge, Daniel E. Sutherland, I James McNeill Whistler: A Novel, James McNeill Whistler, John Ruskin, Lawrence Williams, Nocturne in Black and Gold: The Falling Rocket, Phillips Academy, Ruth Scurr, The Nation, Wall Street Journal, Whistler, Whistler's Battles | 2 Comments

Dead Blogging ‘American Vanguards’ At The Addison Gallery

Posted on October 21, 2012 by Campaign Outsider

So the Missus and I trundled up to Andover yesterday to catch the American Vanguards: Graham, Davis, Gorky, De Kooning, and Their Circle, 1927-1942 at the Addison Gallery of American Art. And it’s a corker. John Graham, Stuart Davis, and … Continue reading →

Posted in Uncategorized | Tagged Addison Gallery of American Art, American Modernism, American Vanguards, Andover, David Smith, Edgar Levy, Jackson Pollack, Jan Matulka, John Graham, Stuart Davis, Willem de Kooning | 2 Comments