I Just Saw an SUV Repo’d – or Stolen – Next Door (Take 2)

Actually, it was neither.

Yesterday I noted that a silver SUV had been hooked up and hauled away from the parking lot next door in a midnight tow truck trawl.

I subsequently quizzed two older gents in said parking lot about the SUV snatch and they told me that a towing service comes by every night to make sure all the vehicles in the lot have a proper parking sticker.

So there’s that.

In my defense, I’m a nightly habitué of the back porch and I’ve never seen a tow truck come around before (including last night) in the two months I’ve lived here.

So there’s that.

Regardless, the interloper got towed away and it SUVs him right.

As for the rest, never mind.

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I Just Saw an SUV Repo’d – or Stolen – Next Door

Time: 11:50 pm Friday Night

Place: Halfway between Brookline Village and Coolidge Corner

Players: Two guys and a blonde with a world-class ponytail.

Action: Two tow trucks pull up to a parking lot behind the apartment complex next door. There are maybe three dozen motor vehicles there. One guy hooks up the back of a silver SUV while the other guy and the blonde flashlight a sportscar opposite.

The first guy and the blonde put a steel rod under the front of the SUV and attach little wheels to either side. I start thinking I should call the Brookline Police, ’cause wouldn’t someone who wanted his vehicle towed likely be there?

Too late. They first guy and the blonde jump into the truck and drive away. The other guy follows in the second tow truck.

Total elapsed time: Under five minutes.

Amazing fact: No one from the apartment complex next door seemed to notice any of it, so some would say SUV’s them right.

Update: 2 am Saturday morning

Tow truck back, first guy flashlighting other cars in lot.

Called the Brookline Police, where I’m met with some confusion and apparent unconcern.

Tow truck drives off without more booty.

Hmmmm.

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Benjamin Moore Paints the Olde Towne Boston Red

. . . and Green Monster, Boston Blue, Baseline White and Foul Pole Yellow.

From MediaPost’s Out to Launch:

NEW! Red Sox Fans, Rejoice. Benjamin Moore Launches Fenway Collection With Colors Like Boston Redbenjaminmoore

Benjamin Moore is the official paint of the infamous Green Monster at Fenway Park. Now, Boston Red Sox fans can give their own homes a Green Monster flair with the Fenway Collection, made and sold locally in Milford, Mass . . . Supporting the paint line is a TV spot, online video and microsite, MonsterEverywhere.com.

The spot:

 

Yeah, that works fine. The microsite is here, and “[f]or every gallon sold of the Fenway Collection, Benjamin Moore will help renovate youth league ballparks in the Boston area, as seen in this online video.” It shows the paintmaker renovating a ballfield in West Roxbury.

Smart marketing all around.

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Time Inc.’s Norman Pearlstine Is Two-Timing His Readers

From our Late to the Party Pooper desk

For almost a year now, the hardtracking staff has been dutifully recording the Fall of the House of Luce, as Time Inc. leases out its editorial content to advertisers. The latest installment comes in this WWD Media People interview with Time Inc.’s chief content officer (read: stealth marketer) Norman Pearlstine.

Representative sample of Pearlstine’s approach to native advertising (read: ads in sheep’s clothing) in Time Inc. publications:

I think that the balancing act is that you would like to find appropriate ways to have editorial talent working with [head of corporate advertising Mark Ford] and his team to come up with content solutions for advertisers and, at the same time, you have to be obviously mindful of potential conflicts if you are not careful in how you structure these things. The Time Inc. Content Solutions model is one to follow in that it’s got some very experienced journalists working on those products but they don’t engage in magazines on editorial where they’d be covering the people that they are writing about.

Translation: Time Inc. journalists will have to produce marketing material about whatever they don’t cover.

Pearlstine engages in plenty of doublespeak like that throughout the WWD interview, which anyone who cares about editorial integrity should read in its entirety.

Least believable quote . . .

Read the rest at Sneak Adtack.

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When a Nation Forgets Its Own Clichés . . .

. . . well that’s just sad.

As you splendid readers might – or might not – recall, the hardworking staff has diligently recorded mangled phrases in the media over the past few years. All too often, what once were familiar American idioms have become, regrettably, unfamiliar.

Several recent examples:

• On NPR’s All Things Considered last month, a commentator noted that federal lawmakers were not “falling over their swords” to take responsibility about disclosure of Congressional trips paid for by interest groups.

Uh, you either fall on your sword or fall all over yourself, yes? Not to get technical about it.

• On a local public broadcast show last month, an observer noted that the Massachusetts legislature had “snubbed their noses” at a Supreme Court ruling about abortion clinic accessibility.

Actually, the lawmakers either snubbed the ruling or thumbed their noses at it. Not to get technical about it.

• In a Studio 360 piece about Richard Renaldi’s photos of strangers touching one another, one of the subjects he approached said, “I’m kind of shy, so it took me for a loop.”

Sorry, but it either took you by surprise or threw you for a loop. One.

But there’s hope yet for the idiom-impaired.

From Monday’s Wall Street Journal Bookshelf (by Barton Swaim):

All Worn Out

It’s Been Said Before

by Orin Hargraves

I’m inclined to listen to any politician who warns his listeners about the dangers of deficit spending—right up until he talks about “kicking the can down the road.” The use of that deplorable old cliché suggests to me that the speaker isn’t, in fact, interested in persuading anybody of anything, since he BN-EA846_bkrvcl_D_20140810135420can’t be bothered to express himself on the issue without relying on a worn-out phrase that he’s heard a thousand times before. And anyway, why should kicking a can down a road signify putting off financial obligations? Will I have to pick the can up later? Can I not just leave it lying in the road?

Although Orin Hargraves doesn’t discuss kicking the can in “It’s Been Said Before: A Guide to the Use and Abuse of Cliché,” it must be one of the few he’s missed. The book is an incisive and engaging catalog of stock phrases, organized into grammatical categories and listed alphabetically.

The book is not a dictionary of clichés, Swaim adds, but rather “a tour of the language at its most tired and tawdry: from the seemingly innocuous collocations ‘all and sundry’ and ‘by no means’ to the weird yet commonplace ‘kith and kin’ and ‘in high dudgeon’ to the culpably stupid ‘it goes without saying’ and ‘for all intents and purposes.'”

By all means, check it out.

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Dead Blogging ‘Over There!’ at the MFA

Well the Missus and I trundled over to the Museum of Fine Arts the other day to catch a gallery talk about Over There! Posters from World War I and, say, it was swell.

Curator Patrick Murphy took us on a lively tour of the exhibit, described this way on the MFA’s website:

Timed to coincide with the 100th anniversary of the outbreak of WWI, this exhibition features fifty wartime posters from the United States and Europe—including select examples from Britain, France, Germany, and Russia. Many of the works were used to encourage enlistment in the US Army, Navy, Marines, and Air Service, while others appeal to the American citizenry to buy war bonds, conserve food, support the Red Cross and other relief agencies, and maintain a strong work ethic on the home front. This exhibition is the first time since 1938 that many of these works will be on view, and marks the MFA’s first display of the newly acquired poster I Want You for U. S. Army (1917) by James Montgomery Flagg.

Said poster:

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Its British antecedent:

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All the posters, outside of the newly acquired I Want You for U.S. Army, were donated to the MFA in 1937 by John T. Spaulding. From an MFA press release:

Works on view in the exhibition are drawn primarily from the collection of John T. Spaulding, which was given to the Museum in 1937. Spaulding, along with his brother, was also responsible for much of the Museum’s world-famous collection of Japanese prints.

But that’s not all.

Later this fall, Over There! Posters from World War I will coincide with the exhibition, Over Here: World War I Posters from Around the World at The Boston Athenæum (September 10, 2014–January 31, 2015), which includes over 50 posters from 10 countries.

Overjoyed to hear it.

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Hey, Jeff Bezos: Welcome to the Amazone!

For several months now, online giant Amazon has been leaning on publishing pygmy Hachette in order to exact more, well, tribute for its bookselling.

Improbably, Hachette has fought back, taking a hatchet to the Beast of Bezos.

From Deadline Hollywood:

Grisham, Stephen King And 900+ Authors Assail Jeff Bezos’ Amazon Thuggery

More than 900 authors including heavyweights Stephen King and John Grisham lent their names to a Sunday New York Times ad decrying AmazonCEO Jeff Bezos for pressure tactics hurting writers published by Hachette.The Paris-based owner of Little, Brown, Grand Central, Hyperion and other publishers is locked in a very public pricing battle with the online retailer.While Amazon has repeatedly said it tries to bring consumers the lowest price, the writers pointed to thuggish tactics to delay shipping and convince its customers to read authors not published by those imprints.

The Times two-page (!) ad:

 

Screen Shot 2014-08-11 at 1.19.10 AM

 

The issue, in a nutshell:

Screen Shot 2014-08-11 at 1.20.25 AM

And etc.

Nuts-to-them graf:

Screen Shot 2014-08-11 at 1.05.58 PM

Random sampling of authors:

Screen Shot 2014-08-11 at 1.21.45 AM

For your convenience, the ad also includes Jeff Bezos’ email address: jeff@amazon.com.

Writers on!

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Sharkn-AD-o 2: SyFy Flexes in NYT

In the wake of the boffo debut of Sharknado 2 last week, SyFy ran this full-page ad in yesterday’s New York Times:

 

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Our favorite bit:

 

Screen Shot 2014-08-09 at 1.28.29 AM

 

Miley and Kimye, shark your hearts out.

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Legal Sea Foods: We’re No Chain, Gang

Legal Sea Foods, the local restaurant chain whose menu is largely as tasteless as its ad campaigns, is biting back with a new series of TV spots.

From Thursday’s New York Times:

Call It What You Like, but Not a Chain

WHITE CASTLE claims with pride that it is the first fast-food hamburger chain, and for good reason. It opened in 1921, just 15 years after Upton Sinclair’s “The Jungle” exposed horrific conditions in meat-processing plants. With its pure-sounding name, white interiors and fully viewable food preparation areas, White Castle helped restore America’s appetite for beef, promising consistency regardless of which location a customer Adco-master675visited.

But today chain ownership is sometimes viewed as a negative by food aficionados seeking one-of-a-kind food trucks and microbreweries, and locavores celebrating restaurants that use ingredients close to home.

Now Legal Sea Foods, which has about 35 locations, most in the Boston area, is railing against the term. Its chief executive, Roger Berkowitz, argues in a series of new commercials that its seafood restaurants should never be called a chain.

Representative samples:

Sorry – just as with Legal’s menu offerings, we’re once again left unsatisfied.

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Correction o’ the (Yester)Day (La Famiglia Cuomo Edition)

From Thursday’s New York Times Department of Corrections:

NEW YORK

Because of an editing error, an article in some editions on Tuesday about the lowering of the speed limit on Broadway to 25 miles per hour misidentified the governor of New York, who is expected to sign legislation reducing the speed limit throughout the rest of New York City. The governor is Andrew M. Cuomo, of course — not Mario M. Cuomo, who is Andrew’s father and was the 52nd governor of New York, from 1983 to 1994.

Of course.

But still – ouch.

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