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Tag Archives: Jed Perl
The Arts Seen in Philly (Tim & Julia’s Excellent Wedding Edition)
Well the Missus and I trundled down to Philadelphia this past weekend for the wedding of our nephew Tim and, say, it was swellegant. On the endless drive down there (hey, Friday . . . summer . . . 95 … Continue reading →
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Tagged Albert Barnes, Brett Miller, Bush-Holley House Museum, Cezanne, Childe Hassam, City of Brotherly Love, Cos Cob Art Colony, El Greco, Ernest Lawson, Free Library of Philadelphia, Isabella Stewart Gardner Museum, J. Alden Weir, Jed Perl, John Henry Twachtman, Lance Esplund, Matisse, New Republic, New York Times, Paul Philippe Cret, Philadelphia Museum of Art, Picasso, Renior, Roberta Smith, Rodin Museum, The Barnes Foundation, The Weekly Standard, Theodore Robinson
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The Arts Seen in NYC (Picasso Everywhere! Edition)
Well the Missus and I trundled down to the Big Town for the weekend and, say, it was swell. (Not to mention All Pablo All the Time.) Here, in roughly chronological order, is some of what we caught. FRIDAY • Picasso & … Continue reading →
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Tagged A Delicate Balance, BBC, Beauty Is Power, Ben Brantley, Carrot Nose, David Korins, Dora Maar, Edward Albee, El Museo del Barrio, Elaine Stritch, Firdous Bamji, Gagosian Gallery, George Grizzard, Gerald Gutierrez, Glenn Close, Helena rubenstein, Hortense Fiquet, Jacqueline Roque, Jean Dubuffet, Jed Perl, Jewish Museum, John Golden Theatre, John Lithgow, John Richardson, Julian Bell, Lee Krasner, Lindsay Duncan, Mac Conner: A New York Life, Madame Cézanne, Making Pottery Art, Man Ray, Marisol, Martha Plimpton, Mike Nichols, Museum of the City of New York, New York Review of Books, New York Times, Norman Lewis, Pablo Picasso, Pace Gallery, Paul Cezanne, Picasso & Jacqueline, Picasso & the Camera, René Magritte, Robert A. Ellison Jr., Robert Gober, Romola Garai, Rosemary Harris, The Heart Is Not a Metaphor, The Hour, The New Republic, The Paris of Toulouse-Lautrec, Three Tall Women, Vincent Canby, Who's Afraid of Virginia Woolf
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Dead Blogging ‘Calder and Abstraction’ at PEM
Well the Missus and I trundled up to Salem yesterday to catch Calder and Abstraction: From Avant-Garde to Iconic at the Peabody Essex Museum and, say, it was swell. Alexander Calder’s abstract works revolutionized modern sculpture and made him one … Continue reading →
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Tagged Alexander Calder, Burgess Meredith, Calder and Abstraction: From Avant-Garde to Iconic, Creative Salem, Herbert Matter, IMDB, Jed Perl, Jeff Koons, John Cage, LACMA, Los Angeles County Museum of Art, New York Review of Books, On Redefining Sculpture, Peabody Essex Museum, PEM, Stephanie Barron, The New Republic, The Penguin, Whitney Museum of American Art, Works of Calder
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