The Weekly Standard Gives Alex Beam a Shoutout

Boston Strange!

The Hub’s proudest contrarian has popped up in the current edition of The Weekly Standard’s ever-lively Scrapbook.

The Cosby Crisis

If one good thing comes out of the Bill Cosby Crisis, The Scrapbook is fairly certain what it will be. For as the New York Times reported in a recent story, the 60 or so institutions of bill cosbyhigher learning in America that have, during the past few decades, conferred honorary degrees on Bill Cosby are now agonizing about what to do. Some have chosen not to act in response to the allegations against Cosby; others have officially revoked their degrees; still more have rules against such retroactive gestures.

As readers might have guessed, The Scrapbook pleads the Fifth Amendment on this question. What colleges and universities do in these circumstances is their own business; and in any case, honorary degrees are essentially meaningless.

How meaningless? Go ask Alex.

Indeed, as the Boston Globe’s Alex Beam once memorably demonstrated, even Cosby’s “earned” doctorate in education from the University of Massachusetts is essentially honorary.

(The hardsearching staff tried to find a link to that memorable piece, but we failed miserably. Perhaps the author himself can help us out with that.)

In either case, memo to Mr. Beam: We read The Weekly Standard so you don’t have to.

You’re welcome.

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To Know Trump (‘Donald the Menace’ Edition)

As if Donald Trump wasn’t enough of a cartoon, a focus group in Indianapolis this week was asked to compare the GOP candidates to fictional characters, and Trump came through – as he might say – incredible.

Sort of.

Via NBC News:

The GOP Presidential Field As Cartoon Characters

If the Republican presidential candidates were cartoon characters, who would they be?

Over more than two hours on Tuesday night, pollster Peter Hart asked a focus group of Republican voters in Indianapolis a battery of questions about the 2016 hopefuls. While their answers included thoughtful assessments of policy positions and incisive observations about each candidate’s style, it may have been the cartoons that were the most revealing.

Asked to match the 2016 hopefuls with a fictional character, these voters managed to capture some core perceived traits of the hopeful next leaders of the free world. Here’s how they described some of the 2016 hopefuls — quite literally, in two dimensions.

Money quote . . .

Read the rest at Dustup 2016.

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Dead Blogging ‘West Side Story’ at the Strand Theatre

Well the Missus and I trundled over to Uphams Corner to catch the Fiddlehead Theatre Company production of West Side Story and say, it felt pretty . . . swell.

 

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The Leonard Bernstein/Stephen Sondheim retelling of Romeo and Juliet is wonderful material to work with, and director Stacey Stephens does a notable job of retelling it once again. The staging is dynamic, Wendy Hall’s choreography is delightfully kinetic, and the cast is uniformly terrific.

Special mention should go to Theo Lencicki as Riff and Waldemar Quinones-Villanueva as Bernardo. The voices of Kim Corbett’s Maria and Jeffrey Zicker’s Tony blend beautifully, and Pamela Turpen fairly sizzles as Anita.

It’s at the Strand through next weekend. Seriously, go see it.

P.S.

Two things the Missus and I noted:

1) This production drew the most diverse audience we’ve seen since we went to the Ringling Bros. and Barnum & Bailey circus six years ago.

2) The audience was infinitely better-behaved than any we’ve encountered on Broadway in umpteen years.

Just sayin’.

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Dead Blogging ‘Leap Before You Look’ at the ICA

Well the Missus and I trundled downtown yesterday to catch Leap Before You Look: Black Mountain College 1933-1957 at Boston’s Institute of Contemporary Art and say, it was . . . actually accessible.

As I’ve mentioned before, I’m not really smart enough to understand most of what the ICA exhibits, but this show turns out to be the rare exception.

Background:

A small, experimental liberal arts college founded in 1933, Black Mountain College (BMC) has exerted enormous influence on the postwar cultural life of the United States. Influenced by the utopian ideals of the progressive education movement, it placed the arts at the center of liberal arts education and believed that in doing so it could better educate citizens for participation in a democratic society. It was a dynamic crossroads for refugees from Europe and an emerging generation of American artists. Profoundly interdisciplinary, it offered equal attention to painting, weaving, sculpture, pottery, poetry, music, and dance.

Everyone went to Black Mountain: “Figures such as Anni and Josef Albers, John Cage, Merce Cunningham, Robert Rauschenberg, Elaine and Willem de Kooning, Buckminster Fuller, Ruth Asawa, Robert Motherwell, Gwendolyn and Jacob Knight Lawrence, Charles Olson, and Robert Creeley, among many others, taught and studied at BMC.”

Representative samples in the exhibit include Willem de Kooning’s Asheville:

 

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Jacob Lawrence’s Watchmaker:

 

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And Neck Piece by Anni Albers and Alexander Reed.

 

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In related news:

Last week’s WSJ Magazine featured an engaging Carol Kino piece about Black Mountain College.

And the Boston Globe’s redoubtable Sebastian Smee filed this review, which is smarter than anything I could ever muster.

But I can say one thing:

This exhibit – which includes recreations of poetry readings and dance performances – is thoroughly impressive and entirely enjoyable. You have until January 24 to catch it.

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We Are All Mets Now

Sweet win for the New York Mets in last night’s NLDS Game 5 against the Los Angeles Dodgers.

Full disclosure: Before the hardworking staff was a Made Yankee Fan in Boston (check out our excellent new header photo!), we were a Made Mets Fan in Cincinnati (no Facebook back then), where we did a seven-year hitch from 1967 to 1974.

(We were still a Made Yankee Fan as well, but the Bronx Bummers kind of sucked back then.)

Mostly, we just wanted to pit the Big Town against Cincinnati’s Big Red Machine, whose insufferability we have previously chronicled in detail.

And we had a pretty good run during that stretch.

To wit:

The Mets beat the Orioles 4-1 in the 1969 World’s Serious.

Happily, the Orioles beat the Reds 4-1 in the ’70 Serious.

Also happily, the A’s beat the Reds 4-3 in the ’72 Serious.

Not so happily, the A’s beat the Mets 4-3 in the ’73 Serious.

But . . .

The Mets did beat the Reds 3-2 in the ’73 NLCS, a series that featured the legendary Pete Rose/Bud Harrelson dustup in Game 3.

 

 

And now, a decade and a half after the 2000 Subway Series stirred – but did not shake – our happy home, I proudly join the Missus in saying:

Let’s Go Mets!

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You Don’t Need a Weatherman to Know Which Way Dylan Blows

It’s not like the Bard of Hibbing hasn’t gone commercial before. There was that 2004 Victoria’s Secret ad, which featured Dylan on LuciferCam.

 

 

And, of course, Dylan’s 2014 Chrysler Super Bowl spot.

 

 

But this new one is the worst.

Great headline from Jonathan Vanian at Fortune:

Bob Dylan gets tangled up in Big Blue

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Bob Dylan stars in a new IBM commercial in which he talks to Watson, the Jeopardy winning computer.

Legendary songwriter Bob Dylan, whose anti-establishment lyrics served as a rallying cry for a generation, is now hawking IBM’s data crunching service Watson.

The folk rock icon stars in an IBM commercial that premiered this week in which he talks with the Watson supercomputer about music, love, and, of course, its knack for coming up with smart answers. IBM is trying to push Watson as a key technology service that could help put an end the company’s declining revenues.

Dylan’s credentials include a songbook of lyrics that attack the government, war, and, occasionally, corporations. In It’s Alright, Ma (I’m Only Bleeding), he famously sang, “Advertising signs, they con you into thinking you’re the one, that can do what’s never been done.”

In this case, Dylan’s doing what’s already been done – cashing in.

 

 

Hey, Bob: doo-be-doo-be-don’t, just for once, eh?

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Ads ‘n’ Ends From the Campaign Trail

Itemizing some deductions from the 2016 presidential race.

Item: Local TV Stations Love All White House Wannabes

Nobody profits from a presidential race more than the broadcast and cable outlets in the early primary states.

From Bloomberg Politics:

Local TV Stations Booming From Super-PAC Windfall

For some strategically located TV stations, all those (mostly) negative campaign ads are helping create highly positive bottom lines.

1x-1

Dale Woods, general manager of WHO-TV in Des Moines, always knew Christmas would arrive early this year. He just didn’t anticipate just how big it would be.

Every four years, the NBC affiliate in the state that kicks off the presidential nominating process enjoys a windfall of advertising as the candidates vie for the attention of the small slice of the population that shows up for the midwinter Iowa caucuses. This year’s bonus, however, is eye-popping. According to data compiled by Kantar Media’s Campaign Media Analysis Group (CMAG), political advertising in Iowa is up more than 300 percent over the 2012 campaign.

Money quote . . .

Read the rest at Dustup 2016.

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Dead Blogging ‘A Number’ at New Repertory Theatre

Well the Missus and I trundled out to Watertown last night to catch A Number at the New Rep and say, it was . . . headspinning.

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In this stark and startling drama, a son confronts his emotionally distant father, learning a horrifying truth about his past. As anger and abandonment issues emerge, a mystery is exposed, revealing a disturbing incident involving a number of “others.” A Number is an illuminating and provocative work by internationally acclaimed playwright Caryl Churchill in which she examines individuality and the theory of nature versus nurture.

It’s all about cloning . . . and conflict . . . and identity, with dialogue that spurts forth in broken sentences that start and stop and restart and restop and eventually collapse into themselves.

Dale Place is terrific as the father, and Nael Nacer (who we last saw in a heartwrenching turn in the Lyric Stage’s Intimate Apparel) is fabulous in his depiction of a double-helix trifecta of characters.

The production, directed by Clay Hopper, runs through November 1st.

Preview:

 

 

A captivating night of theater. Do yourself a favor and see it.

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Civilians Who Run Full-Page Ads in the New York Times (Umpteenth Yoko Ono Edition)

Yoko Ono pays for full-page ads in the New York Times almost as often as Lord & Taylor does.

So it was again yesterday, when the Rift Beatle ran this ad in the Times to mark John Lennon’s 75th birthday.

 

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Imagine John Lennon at 75.

God damn it.

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Boston Is One Crappy Baseball Town

Full disclosure: The hardworking staff has been a Made Yankee Fan in Boston for over 40 years. And for almost all of them, we’ve contended that people here are not baseball fans.

They’re Red Sox fans.

Exhibit Umpteen:

It’s 11:50 Friday night, the Los Angeles Dodgers and New York Mets are locked in a 1-0 NLDS nail biter, and no Boston radio station is broadcasting the game.

The one that should be – WEEI, the local ESPN radio station – has some lame Patriots palaver on the air right now.

(To be sure graf goes here)

To be sure, you could listen to the game on WEEI’s website.

 

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But seriously, no local radio gamecast?

This is one crappy baseball town.

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