Quote o’ the Day (Fact-Free Donald Trump Edition)

From our Department of Redundancy department

This week’s cover story in New York magazine, Gabriel Sherman’s Operation Trump, contains this priceless, factually challenged quote from the GOP’s Hair Apparent (tip o’ the pixel to Politico’s New York Playbook):

Trump is cheap, and proud of it. … [Corey] Lewandowski’s bonus for winning New Hampshire was a paltry $50,000. … ‘I don’t spend much money,’ [Trump] told me. ‘In New Hampshire, I spent $2 million’ — actually $3.7 million — ‘Bush spent $48 million’ — actually $36.1 million — ‘I came in first in a landslide, he came in sixth’ — actually fourth. ‘Who do you want as your president?’

We dunno – maybe someone who can get at least one fact straight in a single sentence?

Or is that asking too much these days?

 

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Kasich’s Attack Ad Makes Him Look Worse Than His Target

Obviously, Donald Trump is contagious.

How else to explain this through-the-looking-glass TV spot from pro-John Kasich Super PAC New Day for America attacking Ted Cruz?

 

 

Seriously? Very much so, according to FishbowlDC:

“When will it end?” you ask yourself.

“What mind creates such a thing?” you wonder.

The answer clarifies. It is the mind of Fred Davis, the creator of one of the most iconically bizarre campaign ads ever, Demon Sheep.

Save you a click:

 

 

Which spot’s more demented?

Photo finish.

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The Weekly Standard Pimps Out Another Writer to an Advertiser

As the hardworking staff noted several weeks ago, The Weekly Standard has taken to renting its writers out to ad clients.

Last month it was Joseph Bottum who was auctioned off to Xanterra Parks & Resorts for a promotional piece about Mount Rushmore that masqueraded as editorial content, when its real purpose was to market Xanterra’s offerings.

This time it’s the estimable Geoffrey Norman (who wrote the first piece in the Xanterra aditorial series, Death Valley Days) laboring once again in the fields of the lowered with this piece about Zion National Park.

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Note especially the discreet banner at the top of the page:

CELEBRATING 100 YEARS OF THE NATIONAL PARKS SERVICE: A SPECIAL SECTION SPONSORED BY XANTERRA AND PRODUCED BY THE WEEKLY STANDARD

Of course, “produced by The Weekly Standard” doesn’t necessarily require the services of Weekly Standard editorial writers, but why get technical about it.

As a charter subscriber to the Standard, the hardworking staff has long dismissed the agitprop stylings of Bill Kristol and the Kristolettes, while long admiring the arts, culture, and history coverage provide by writers such as Bottum and Norman.

It’s a shame to see them dragged into the magazine’s cheap money grabs.

Hey, Weekly (Lowered) Standard: Hire some freelancers, yeah?

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Dead Blogging ‘Speech and Debate’ at Calderwood Pavilion

Well the Missus and I trundled down to the South End yesterday to catch the Bad Habit Productions production of Stephen Karam’s Speech and Debate (through April 10) and, say, it was . . . hilarious.

Three teenage misfits in Salem, Oregon, discover they are linked Screen Shot 2016-03-28 at 12.15.27 AMby a sex scandal that’s rocked their town. When one of them sets out to expose the truth, secrets become currency, the stakes get higher, and the trio’s connection grows deeper in this searching, fiercely funny dark comedy with music.

And that’s not the half of it.

As directed by Rebecca Bradshaw, the play mixes social media, time travel, and flat-out burlesque into a stew of alienated teens stewing about adult authority – and impropriety.

The cast is uniformly terrific: Veronica Anastasio Wiseman as the teacher/NPR reporter, Evan Vihlen as the expressive gay teen Howie, Ross Magnant as the unexpressive gay teen Solomon.

But it’s Katie Elinoff who steals the show with her inspired performance as Diwata, the drama queen who can’t get a lead role in any of the school plays.

More details here, but really, go see it. It’s a total hoot.

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Havana Cabana? Airbnb Checks in to Cuba

Once Pres. Obama ventured down to Cuba, you knew the forces of capitalism would soon follow.

One of the early corporate Cubano$: Airbnb, which ran the full-page ad in yesterday’s New York Times.

 

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Text:

The only thing in between is 90 miles and 50 years of history. Celebrating the Cubans and Americans who by sharing homes are becoming neighbors again.

And who by sharing homes are becoming cash cows.

Cuba libré, eh?

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You Can Kiss the Prouty Garden Goodbye

Our kissin’ cousins at Two-Daily Town were apparently premature in posting a reader’s comment that Boston Children’s Hospital was already in the process of demolishing the Prouty Garden, which the medical facility wants to replace with a billion-dollar expansion.

Premature, but not necessarily wrong.

Because today we received this note from Jim McManus of Slowey/McManus Communications, a consultant to The Friends of the Prouty Garden.

Dr. Michael Rich of BCH wrote this today for [WBUR’s] cognoscenti.

The hospital is planning to cut down the tree and pull out the garden in preparation for construction of the new building — thumbing its nose at the state and the DoN process, which has just begun.

Dr. Rich’s essay says, in part:

As physicians, we pledge the Hippocratic oath: “First, do no harm.” To ignore substantial research evidence of the healing Screen Shot 2016-03-25 at 4.31.06 PMpower of nature is bad medicine.

Cutting down our redwood and destroying our garden, thinking that we can build something better than nature, betrays our commitment to preserving life. Once Prouty Garden is gone, it is lost forever, taking with it the memories and meaning of many lives lost and many more saved at Boston Children’s Hospital — and denying its healing to future patients.

As it happens, just who those future patients will be is an integral part of this whole tug-of-war over the Prouty.

Jim McManus again:

The context of this dispute is that BCH plans to double in size to accommodate international patients, who pay the full costs of care. The hospital has contracts with governments to provide patients (according to their own filings). BCH doesn’t just attract patients from around the world because of its reputation — it actively recruits them.

That would be fine, except that taxpayers and residents of Massachusetts pay for much of the hospital’s costs. And the share of local patients is declining.

So this is as much about market share as health care.

That’s good to know next time Children’s runs one of its gauzy Do It for the Kids ads in the Boston Globe.

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There’ll Always Be a New York Times (Sex Shop Edition)

(With apologies to The New Yorker)

Yesterday’s New York Times Thursday Styles section had the Grey Lady showing lots of leg.

Raiding the Sex Shop, Eyes Wide Open

Fetish wear has woven itself into the fabric of fashion

 

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“Hmm … I’ll have what she’s having,” I thought last week as I watched the Saint Laurent spring runway show online, the model’s ball-bearing hips sheathed in a black latex bodysuit.

A true believer, I lost no time tracking down its slick approximation, zipping myself into it and styling it with some vintage Chanel tweeds.

When I worked up the nerve to wear it, reactions were swift and incisive. “Is it Wang?” a friend asked brightly. “Vuitton?” another inquired.

Neither, actually, as Times reporter Ruth La Ferla (no relation to La Perla) notes.

As is happened, I had plucked that much-coveted swathe of rubber-and-raunch straight off the rack at Purple Passion, a cavelike emporium in Chelsea trading in leather-wrapped paddles, harnesses, spiked chokers and demonic masks that might have wandered off the set of “Eyes Wide Shut.”

Eyes Wide Shut? That’s the Times all over.

Then again, once the Times has its eyes wide open, the trend in question is just about shut.

Bringing up the rear: La Ferla’s final flourish.

At Tic Tac Toe, the Pink Pussycat’s sister store on West Fourth Street, jeweled handcuffs, pastel tutus and black patent pumps perched on four-inch platform soles attract a mostly female weekend clientele, a sales clerk said.

Among the shop’s more eye-catching attractions last week was a pair of thigh-high red vinyl boots, ringers for those that stalked the Dior runway last spring, but at $99, a bargain for sure.

Reader, I bought them.

Writer, of course you did.

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Nadal’s Last Stand: Fail Better

The hardrooting staff has long been a fan of Rafael Nadal, the Half-Volley Hamlet of the men’s professional tennis tour. Rafa has been one of the most likable, ferocious, and – openly, sometimes painfully – introspective tennis players the game has ever seen.

So it is with a great sense of sadness that we witness The Twilight of Nadal, as Gerald Mazorati just detailed in The New Yorker.

It’s not easy—it’s wistful-making, like the first shortening days of high summer—to watch a great tennis champion begin to fade. Basketball stars and football heroes have teammates to magnify what they still have left, to mask their diminishments and even carry them, with luck, to one last big victory. Tennis players are always alone. When age and wear catch up to them, Marzorati-TheTwilightofNadal-690when they lose a step or a few miles per hour on their serves and forehands, and then the confidence that their speed and strength had engendered, they are isolated for scrutiny. They, of course, understand what’s going on, and try to feign or adjust, though body language and facial expressions have a way of revealing the true state of things: not the decline itself but the disappointment and, sometimes, an angry disbelief that what once was is somehow no more. Their opponents sense it, and pounce. We fans see all this, and find ourselves fidgeting before our TVs—it’s so subtly excruciating—and taking longer strolls during the commercials that come with those crossovers after every other game.

Rafael Nadal is fading . . .

There are so many signs, Mazorati writes. “He’s injury-free, but his record so far this year against players in the top fifty is 0-4. He is the greatest clay-court player tennis has ever seen, but over the past two years he has lost on clay five times to players ranked outside the top fifteen.”

The list could go on, and it does. And after every loss to a has-been or never-will-be, Nadal runs the same script: praise the opponent, ruminate about focus and confidence, talk about redoubling his efforts and working harder to get back to where he was and almost certainly never will be again.

It’s gotten so that being beaten less badly by the top players is something of a victory for Nadal.

Exhibit A: Nadal’s straight-set loss to Novak (I Own Rafa) Djokovic at Indian Wells yesterday.

From today’s New York Times:

Djokovic Makes Final at Indian Wells After Beating a More Confident Nadal

Screen Shot 2016-03-20 at 5.12.06 PM

INDIAN WELLS, Calif. — Even for the sport’s best, any success against top-ranked Novak Djokovic — however relative — must be appreciated.

In the 48th installment of one of the longest rivalries in men’s tennis, Djokovic dispatched Rafael Nadal, 7-6 (5), 6-2, on Saturday in the semifinals of the BNP Paribas Open. Djokovic withstood an inspired start from the fifth-ranked Nadal before ultimately pulling away for his 25th victory over Nadal. He will face 14th-ranked Milos Raonic in the final on Sunday.

Though Nadal, a 14-time Grand Slam champion, has now lost six straight matches and 13 straight sets to Djokovic, this match still represented progress . . .

Right. After all, Djokovic beat him 6-1, 6-2 in the final of the Qatar Open earlier this year. That came after Nadal’s first-round exit in the Australian Open.

So, yeah – making progress, eh? But that’s hardly the yardstick Rafael Nadal has wanted to be judged by for a long, long time.

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Things Go Better with . . . Koch?

For the past few years, the liberati have been on the Koch brothers like Brown on Williamson. And, apparently, that’s hurt the billionaire industrialists’ feelings.

So they’ve launched a $15 million feel-good campaign designed to burnish their image.

As part of of their this ad that turned up on the back cover of the current edition of The Weekly Standard.

 

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Go to WeAreKoch.com and you’ll find inspiring corporate stories like this one.

 

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Coincidentally, this piece on the Kochs by Jane Mayer just popped up on The New Yorker website. Go there, and you’ll find stories like this one:

Over the July 4th weekend of 2010, I attended the fourth annual Defending the American Dream Summit, in Austin, Texas, which served in part as a training session for local Tea Party activists. The summit was sponsored by Americans for Prosperity, which purported to be a nonpartisan grass-roots political-advocacy group devoted to the cause of small government, free markets, and liberty. It was in fact an organization that had been founded and heavily funded by the Kochs, whose early activism was entwined in fearmongering and racial intolerance.

We Are Koch?

Oh, brothers.

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Correction: Union-Busting Front Group Didn’t Hijack Jackie Robinson’s Photo – Just His Image

As the hardtracking staff [at Sneak Adtack] noted yesterday, corporate gunsel Rick Berman’s stealth non-profit, Center for Union Facts, has been running this ad lately in the Weekly Standard.

Screen%20Shot%202016-03-11%20at%205.12.52%20PM

That raised a couple of questions for us, one of which was this:

Did Berman actually acquire the rights to that photograph? ‘Cause it sure doesn’t look like it from the ad.

So we sent a note to the Center for Union Whatever and here’s what came back from James Bowers at UnionFacts.com:

Dear [Hardtracking Staff],

Thanks for the email about the ad. While the Robinson photo may be in the Getty library, the original copyright expired in 1997. We accessed the file from the Library of Congress.

https://www.loc.gov/item/97519505/

Thanks for your concern,

James

Fair enough. But that still doesn’t answer our other question:

Would Jackie Robinson really want himself associated with some union-busting creep like Rick Berman?

We think not, public domain or otherwise.

Originally posted at Sneak Adtack.

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