We have two daily editorial cartoonists in Boston. We are very lucky.
Details at IGTLTDT.
As you splendid readers might (or more likely might not) remember, the hardworking staff noted the other day that Missouri Senate hopeful (and rape rapier) Todd Akin dope slapped Massachusetts Sen. Scott Brown (R-Dope Slapped) pretty good regarding Brown’s position on abortion rights.
Of course the hardworking staff, which is all about fair play, immediately contacted Brown campaign spokeswoman Alleigh Marré for the senator’s response.
To: <amarre@scottbrown.com>
Subject: Response to Todd Akin Swipe at Sen. Brown?Dear Ms. Marré,
Todd Akin has sent out a fundraising letter that takes a direct swipe at Sen. Brown and his position on abortion rights.
Details here: http://bit.ly/QD1SN0
Does Sen. Brown have a response?
Apparently, Sen. Brown does not have a response, since we’ve heard exactly nothing from his campaign.
So . . .
Like that, Sen. Brown?
P.S. We’ll be sending this post to the Brown campaign.
Slap!
From Jeffrey Toobin’s New Yorker profile (boink! sorry, paywall) of Elizabeth Warren:
[Scott] Brown is a reassuring, if not exactly dynamic, presence. He speaks softly, and he doesn’t put on airs.
Seriously? Scott Brown, who hobnobs with kings and queens? Scott Brown, who’s always getting phone calls from his BFF Hillary Clinton? That Scott Brown?
Quick! Someone get Toobin some smelling salts.
You won’t see this story in the Boston Globe (at least until tomorrow): AshleyMadison.com cozies up to Mitt Romney, gets dumped.
But the Herald has it. Details at IGTLTDT.
Olympic gymnast and pride of Needham Aly Raisman made the New York Fashion Week scene, and the local dailies were right behind her. Details at IGTLTDT.
Ad in Monday’s Boston Globe Metro section, one page before the obituaries:
Yes, Legal Sea Foods has a long and spotty history of controversial advertising.
And yes, any publicity is good publicity, as they say.
But this ad is a disgrace.
“I’m not really trying to offend anybody,” Legal Sea Foods CEO of [sic] Roger Berkowitz tells Boston.com.
Hey, Roger.
You’re full of carp.
Judith Zobrzynski, the Real Clear Arts blogger at ArtsJournal, has some real clear artistic differences with Boston Museum of Fine Arts director Malcolm Rogers.
The MFA’s Misguided New European Art Gallery
Not every new gallery or exhibition is automatically or immediately reviewed. Yet I expected some reaction by the Boston media to the newly refurbished and rehung Koch Gallery at the Museum of Fine Arts in Boston, which was unveiled on Saturday.
Why? This was the first (I believe) gallery that Malcolm Rogers, MFA’s director, has specifically taken charge of since he named himself “acting” director of the Art of Europe there late last year, after the former chair of Art of Europe, George Shackelford, announced his departure to the Kimbell Art Museum in Ft. Worth, Tex.
The MFA is calling this gallery its “Great Hall,” harking back to the castles built in Europe in the Middle Ages. This biggest, most impressive room in the museum seems tailor-made for billionaire William Koch, its namesake. Not aligned with his conservative brothers David and Charles Koch, Bill Koch is a bit of a renegade — he gives to both parties — and Rogers has been courting him for years, even giving his eclectic collection an exhibition in 2005. It was controversial. At the time, the Boston Globe said the 100 objects on display ranged from “antique firearms to French Impressionist paintings and 20th-century sculptures,” plus of course his two (in)famous “racing sailboats, their masts rising 125 feet in the air — nearly twice the height of the MFA’s roof.” Few people applauded.
In the last few years, the MFA’s installations have been less controversial: not everyone loves the new Art of the Americas wing or the Linde Family wing for contemporary art, but they are defensible.
But now, with the Koch gallery, Rogers seems to be returning to his strategy of being iconoclastic to stir things up, despite the fact that he told me in 2010 that ”I don’t feel the need to be controversial anymore, but I want to do new things,” which I used in an article for the Wall Street Journal.
Paging Sebastian Smee. Paging Boston Globe art critic Sebastian Smee.
Eric Convey, a former reporter/editor at the Boston Herald, had this op-ed in yesterday’s Wall Street Journal:
Massachusetts Lessons About a President Romney
Its more likely he will try to reform Obamacare than make good on his promise to repeal it.
Nut graf:
What does Mr. Romney’s Massachusetts experience suggest about how he’d run things from the Oval Office? It’s a safe bet that defenders of government spending from both parties will have to bolster their data with well-founded economic arguments if they want him to stay his hand.
There’s a good chance his champions in corporate America and on Wall Street will find themselves disappointed—even severely disappointed—if he makes good on his promise to rein in business-tax loopholes and other government pandering to companies.
The voice of experience, no?