Tag Archives: Georges Braque

Dead Blogging ‘Fabricating Modernism’ at the Currier Museum

Posted on November 21, 2023 by Campaign Outsider

Well the Missus and I trundled up to the Granite State over the weekend to check out the newly installed exhibits at Manchester’s Currier Museum of Art and say, they were swell. We started at Fabricating Modernism: Prints from the … Continue reading →

Posted in Uncategorized | Tagged Al Held, Alexander Calder, Currier Created, Currier Museum of Art, Ernest Hemingway, Fabricating Modernism: Prints from the School of Paris, Georges Braque, Georges Rouault, Gertrude Stein, Heart of a Museum: Saya Woolfalk, Henri Matisse, James Baldwin, Jim Mooney, Joan Miro, Joan Mitchell, Josef Albers, Keith Spiro, Kurt Sundstrom, L'Echo, Marc Chagall, Michelle Peterson, Pablo Picasso, Sam Francis, Sanaa Gateja: Selected Works, Sonia Delaunay, The Bead King, Toward the New: A Journey into Abstraction, Woman Seated in a Chair | Leave a comment

Dead Blogging ‘Paul Cézanne: Influence’ at Boston’s MFA

Posted on May 3, 2021 by Campaign Outsider

Well the Missus and I trundled over to The Fenway the other day to wander around the Museum of Fine Arts (reservations required) and say, it was swell just to be back there after a year of staying away. Also … Continue reading →

Posted in Uncategorized | Tagged A-One, Boston Museum of Fine Arts, Cagnes-sur-Mer, Cézanne: In and Out of Time, Charles Sheeler, Collecting Stories: The Invention of Folk Art, ERO, Fab 5 Freddy, Fernande Olivier, Futura, Georges Braque, Henri Matisse, Jean-Baptiste Siméon Chardin, Jean-Baptiste-Camille Corot, Jean-Michel Basquiat, Keith Haring, Kool Koor, LA2, Lady Pink, Landscape, Lee Quiñones, Madame Cézanne in a Red Armchair, MFA, Pablo Picasso, Paul Cézanne: Influence, Rammellzee, Toxic, Vue sur L'Estaque et Le Château d'If, William H. Johnson, Woman with a Pink Shawl, Writing the Future: Basquiat and the Hip-Hop Generation | 2 Comments

The Arts (Not) Seen in NYC (Félix Fénéon at MoMA Edition)

Posted on September 1, 2020 by Campaign Outsider

In a world without coronavirus, the Missus and I would be trundling down to the Big Town in the next week or two to go a-museuming. And one of the places we’d certainly have gone is the newly reopened Museum … Continue reading →

Posted in Uncategorized | Tagged @novelsin3lines, Boston Museum of Fine Arts, faits divers, Félix Fénéon, Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond, Georges Braque, Georges-Pierre Seurat, Henri Matisse, Italian futurists, Julian Barnes, Le Journal, Le Matin, London Review of Books, MOMA, Museum of Modern Art, Pablo Picasso, Paul Signac, Pierre Bonnard, Pointillists, Queen of Joy, Roberta Smith, Stéphane Mallarmé, Thadée and Misia Natanson, The Thadees, Toulouse-Lautrec and the Stars of Paris | Leave a comment

Donald Trump Is Our First Cubist Presidential Candidate (Because He’s on Every Side of Every Issue)

Posted on September 9, 2016 by Campaign Outsider

Seriously, could Donald Trump be any more scattered in his policy positions? Handy clip ‘n’ save graphic, compliments of Garry Trudeau’s Doonesbury. Now come the latest examples of Trump’s Fractured Fairy Tales. Exhibit A (via Mediaite), after Trump … Continue reading →

Posted in Uncategorized | Tagged Bill O'Reilly, cubist presidential candidate, Donald Trump, Donald Trump chaos, Doonesbury, Fractured Fairy Tales, Garry Trudeau, Georges Braque, Hillary Clinton, IRS, Mediaite, MOMA, Mr. Deportation Force, NBC News, O'Reilly Factor, Pablo Picasso, tax audit, The Hill, Watergate | 3 Comments