Wall Street Journal Goes All Wimbledamus

From our Nostradamus desk

Monday’s Wall Street Journal featured this in its Sports section:

Wimbledon Could Get Even Weirder

After last week’s upsets, injuries and shoe-sole theatrics, will the ball keep bouncing funny?

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If you love Andy Murray, Novak Djokovic or Serena Williams, admit it: You’re nervous. You just can’t shake the feeling—maybe you’re starting to sweat—that Wimbledon is about to get weirder.

The first week at the All England Club was among the strangest the tournament has seen. Defending champion Roger Federer was told to keep his orange-soled shoes off Wimbledon’s precious lawns. Players slipped all over the grass and hurt themselves: 13 either retired or withdrew from matches, tied for the most ever in the Open era at Wimbledon. Old age was an asset: Nine players 30 or older reached the fourth round, tying an Open-era Wimbledon record set in 1975.

And of course, there were upsets—the kind of spectacular upsets that used to be more common in tennis, but that have become rare in an era of dominant champions. Federer and Rafael Nadal both lost to unseeded players. Maria Sharapova, seen as one of the few women who could contend with Williams, was quickly rendered a spectator.

Nut graf:

Strangest of all, of course, would be a takedown of Williams. She hasn’t lost a set so far and mercilessly battered Kimiko-Date Krumm, a 42-year-old, 6-2, 6-0 on Saturday evening. Williams loves Wimbledon, where she has won five singles titles, and says she feels like she’s just starting to peak. But there are two women in this tournament who could stun Williams, under the right circumstances. Her next opponent, Sabine Lisicki, is one of them.

Strangest of all, of course, was the takedown of Williams by Lisicki.

The comeback from 0-3 down in the third set:

 

The finish:

 

And the unusually graceful press conference by Williams afterwards:

 

A classy affair, all the way around.

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The ‘Ray Donovan’ Rumpus? It Ends Tonight!

As the hardworking staff at Campaign Outsider noted earlier, the Times-Industrial Complex rendered a split decision on Showtime’s new series Ray Donovan. New York Times critic Alessandra Stanley found it “grandiose, predictable and painfully slow,” while kissin’ cousin Boston Globe critic Matthew Gilbert considered it “fantastic.”

So the hardworking staff went to a tiebreaker: Wall Street Journal critic Dorothy Rabinowitz, who called it a “hard-bitten and buoyant tale.”

But then came Boston Herald critic Mark Perigard, who hated it . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Ask Dr. Ads: What’s Up With The New Apple Ads?

fallin2Well the Doc opened the old mailbag today and here’s what poured out.

Dear Dr. Ads,

Apple has always run breakthrough ads promoting its breakthrough products. But we think its latest campaign is kind of  . . . meh.

What do you think?

– Adam and Eve

Dear Adam and Eve,

The new Apple ads have, as the saying goes, fallen pretty far from the tree, yeah?

A little history is in order here . . .

Read the rest at Ask Dr. Ads.

 

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Battle Of The Bulger: Globe Sketchy, Herald E-pistol-ary

Monday coverage of the James “Whitey” Bulger trial is always challenging for the local dailies, there being no weekend court sessions. So enterprise stories are the order of the day for both papers.

Start with the Boston Globe, which features Page One portraits of the three sketch artists chronicling the trial.

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The three freelancers –  Jane Flavell Collins of Duxbury,  Margaret Small of Cambridge, and Christine Cornell , a New Jersey artist drawing the Bulger trial for CNN –  all use binoculars to get up close to their subjects for their pastel sketches. And all three have good stories to tell.

Crosstown at the Boston Herald, it’s a different side of Bulger that’s on display . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

 

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The DOMA Money Machine

Now that the U.S. Supreme Court has struck down one part of the Defense of Marriage Act, it’s time for the raising of funds on a variety of fronts.

The hardworking staff is on the lookout for alarums from gay-marriage opponents, but in the meantime we note these two DOMA-revenue-seeking ads on consecutive right-hand pages of Sunday’s New York Times.

First up, this full-page ad from the American Civil Liberties Union on page A19 of the New England Edition.

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Then this full-page number for a New York Times/Byliner Original E-Single on A21.

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And that’s just the beginning of the Defen$e of Marriage Activity.

We’ll keep you posted.

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Our ‘Beat The Press Party’ Bakeoff

This week’s edition of the Great Boston MediaWatch Dogfight features an interesting contrast in coverage by the local news media of Aaron Hernandez’s alleged murder spree.

Start with the Underdog Press Party, which promoted itself, as usual, in Friday’s Boston Herald:

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The Wayne’s World webcast had this take on the Hernandez rumpus. (The Herald has yet to haul itself into the YouTube era.) The Press Party panelists mostly focused on the news-media race to be first, but did mention that the press needs to do a better job covering violent crime in the black community.

Crosstown at WGBH, Big Dog broadcast program Beat the Press addressed the Hernandez media kerfuffle this way (via – welcome to 2005, ‘GBH! – YouTube):

 

Here the emphasis was mostly on the media’s double standard about which murders get covered and why.

Conclusion: It’s good to live in a two-Media Watchdog town.

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Dead Blogging ‘Portrait Photographs of Artists’ At WAM

Well the Missus and I trundled out to Worcester to catch Portrait Photographs of Artists at the Worcester Art Museum and say, it’s a corker.

From WAM’s website:

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“Almost 110 years ago, WAM became one of the first institutions to exhibit photography as a fine art. It knew what it was doing then. It knows what it’s doing now.”
Mark Feeney, The Boston Globe (read the full review)

It is a long-held truism of art history that representational artists often invent figures that look like themselves. For many viewers, there is a perception that knowing how an artist looks helps one better understand the artist’s experience, and perhaps relate more directly to their work. Drawn from the permanent collection of the Worcester Art Museum, “Portraits of Artists” will present sixty photographic portraits chronicling over a century of American and European artists. There are formal portraits, images intended for publication, and snapshots of artists at work and play. Further, many of the wide-ranging painters, sculptors, photographers, and printmakers featured in this exhibition are can be found in other galleries throughout the Museum.

Other images include Robert Doisneau’s spare portrait of Otto Dix:

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and Doisneau’s playful photo of Pablo Picasso with baguettes for fingers:

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The whole show is a revelation, and well worth the drive west.

 

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Herald Sox It To Globe

It’s no secret that Red Sox owner John Henry is one on the bidders lining up to buy the Boston Globe. Here’s how the Globe itself addressed Henry’s bid yesterday:

At least six groups submit bids to buy The Boston Globe

At least six groups are believed to have submitted bids to buy The Boston Globe, according to several people involved in or briefed on the offers.

The bidders, whose offers were due Thursday at 5 p.m., include several of the names previously reported to have been exploring bids, as well as Red Sox owner John Henry and his Fenway Sports Group . . .

Henry made his bid along with his New England Sports Network co-owner, Delaware North Cos. Delaware is owned by Boston Bruins owner Jeremy Jacobs.

The New York Times Co., which is selling the Globe, previously owned a stake in the Red Sox.

Leave it to the Boston Herald, however, to expose the dark underbelly of the potential deal . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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It’s Good To Live In A Two-Times Co. Town (‘Ray Donovan’ Edition)

Showtime’s new series Ray Donovan premieres this Sunday, and the Times-Industrial Complex renders a split decision on the crime drama.

Start with the mothership. Here’s New York Times critic Alessandra Stanley’s take on the   show.

Family Ties, Boston Style, in Los Angeles

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If a series is going to go full Boston Irish, with battered former boxers, pedophile priests, barflies and fathers who do time in prison, all of it infused with the R-less accent of Dorchester, there really should be a Wahlberg in the cast.

Mark, or at least Donnie.

An Affleck brother wouldn’t hurt.

Instead, “Ray Donovan,” a new series beginning on Sunday on Showtime, stars Liev Schreiber as the title character, a South Boston transplant who works as a fixer for the rich and powerful of Hollywood. Jon Voight plays his bad-penny father, Mickey, a Boston mobster who moves to Los Angeles after 20 years behind bars.

It should be good. Crime stories pay, Mr. Schreiber is a compelling actor, and Ann Biderman, who created this show, was responsible for the wonderful series “Southland.” But the first few episodes of “Ray Donovan” are disappointing — grandiose, predictable and painfully slow.

But wait – here’s the kicker:

It’s a chore to watch. Tom Breen, a public affairs associate at the University of Connecticut, may have put it best in a Twitter comment: “Can’t tell you how disappointed I am that the show ‘Ray Donovan’ is not about the Reagan-era secretary of labor.”

Ouch.

On the other hand, witness the redoubtable Matthew Gilbert’s review in the Times’s wholly owned (for now) subsidiary Boston Globe:

‘Ray Donovan’ brings Southie to Lala Land

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It isn’t clear from the title, or from the advance publicity, exactly what “Ray Donovan” is about, beyond the inscrutable face of star Liev Schreiber, which is all over the ad campaign.

That’s because this fantastic new Showtime drama is that wonder of TV wonders, a low concept series that can’t be easily reduced to a quick sentence. “Ray Donovan” is about many, many rich things, among them the PR underbelly of Hollywood stardom, the loathing between a man and his father, South Boston thugs on the wide streets of Los Angeles, the enduring injury of having been abused by a priest, a marriage in turmoil, and the lasting grief of the loss of a sister. You have to see it, to some extent, to get it.

So who really got it? Let’s go to the Times’s arch-nemesis Wall Street Journal for the tie-breaker. From Dorothy Rabinowitz’s review:

The Moral Life of a Fixer

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Everything about this hard-bitten and buoyant tale, larded with touches of “The Sopranos,” reflects its own high confidence, and it’s well deserved. The hero, Ray Donovan, isn’t a New Jersey crime boss. He’s an enforcer of sorts who straightens things out for Los Angeles studio heads, their stars, and assorted other important people with dangerous tastes who are about to be ruined by scandal. As the closemouthed Ray—a man of finer sensibility, you’ve already guessed, than the thuggish-looking one shown in the ads for the series—Liev Schreiber is immensely persuasive.

“It’s all terrifically satisfying,” Rabinowitz concludes.

Our conclusion: We’ll give it a try.

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Herald Once Again DisADvantaged

Why do advertisers keep snubbing Boston Herald readers?

Today this open letter to the Boston Bruins and the City of Boston appeared in the Boston Globe.

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Here’s the text of the letter, which is signed by Rocky Wirtz, Chairman of the Wirtz Corporation and Owner of the Chicago Blackhawks, and Blackhawks President & CEO John McDonough . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

 

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