More Non-Disclosure By NYT Public Editor

Turns out New York Times Public Editor Arthur S. Brisbane omitted more than one relevant fact in his latest column.

As the hardworking staff noted earlier, Brisbane wrote this in his piece about the challenges the paper faces in a digital age:

Indeed, taking sufficient care on the front end of reporting and publishing is one of the most difficult challenges for The Times as news consumption shifts rapidly to digital venues like the Web, tablets and cellphones. The newspaper scored a clear victory in this respect with its handling of the WikiLeaks material. With its deep roster of experienced reporters and computer-aided reporting expertise, The Times carefully mounted a responsible assemblage of coverage.

Floyd Abrams, the prominent First Amendment lawyer, gives The Times’s WikiLeaks work very high marks. And he notes that the stakes are huge, given the peril that news organizations face when dealing with secret material — dealings that could potentially subject them to prosecution under the Espionage Act.

Problem #1:

Brisbane failed to note that Abrams represented the Times in the Pentagon Papers and Judith Miller cases, making the paper a once and (likely) future client of the First Amendment mogul. And making Brisbane less than a model of transparency in a job that demands it.

Bad enough. But . . .

Problem #2:

Brisbane also forgot to mention that Abrams wrote a Wall Street Journal op-ed the other week whacking WikiLeaks founder Julian Assange for “[assaulting] the very notion of diplomacy that is not presented live on C-Span.”

The recent release of a torrent of State Department documents is typical. Some, containing unflattering appraisals by American diplomats of foreign leaders of France, Germany, Italy, Libya and elsewhere, contain the very sort of diplomacy-destructive materials that Mr. Ellsberg withheld. Others—the revelation that Syria continued selling missiles to Hezbollah after explicitly promising America it would not do so, for example—provide a revealing glimpse of a world that few ever see. Taken as a whole, however, a leak of this elephantine magnitude, which appears to demonstrate no misconduct by the U.S., is difficult to defend on any basis other than WikiLeaks’ general disdain for any secrecy at all.

So the release is “difficult to defend” but the Times gets “very high marks” for publishing the State Department documents?

Floyd Abrams needs to get sorted out – by himself first, and by Arthur S. Brisbane soon after.

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No Disclosure By NYT Public Editor

In his latest column New York Times Public Editor Arthur S. Brisbane catalogues some of the major reader complaints and journalistic challenges the paper faces in a new-media world.

Brisbane starts with the blending of opinion with news, moves on to the shape-shifting of stories online, and then addresses loosened reporting standards for the Times website:

Indeed, taking sufficient care on the front end of reporting and publishing is one of the most difficult challenges for The Times as news consumption shifts rapidly to digital venues like the Web, tablets and cellphones. The newspaper scored a clear victory in this respect with its handling of the WikiLeaks material. With its deep roster of experienced reporters and computer-aided reporting expertise, The Times carefully mounted a responsible assemblage of coverage.

Floyd Abrams, the prominent First Amendment lawyer, gives The Times’s WikiLeaks work very high marks. And he notes that the stakes are huge, given the peril that news organizations face when dealing with secret material — dealings that could potentially subject them to prosecution under the Espionage Act.

At which point maybe Abrams could represent the Times in court again, as he’s done in the Pentagon Papers and Judith Miller cases. But Brisbane doesn’t mention that the paper has been (and will likely be again) Abrams’ client. That’s a strange omission from someone whose objective is, in part, transparency at the Times.

As of now, there are no references to the non-disclosure among the 29 comments on the piece.

But there will be one when I post mine.

UPDATE:

Here’s the aforementioned comment.

Campaign Outsider
Boston
January 9th, 2011
10:34 pm
Why is there no disclosure in this piece that Floyd Abrams has represented the Times in the Pentagon Papers and Judith Miller cases? Wouldn’t that be appropriate in situations where Abrams praises and/or endorses the way the paper handles potential legal issues?

See http://campaignoutsider.com… more.

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What To See In The Big Town (con.)

As promised, more from the New York mu-see-um scene:

Charles LeDray: Workworkworkworkwork at the Whitney

An amazingly ingenious and inexhaustible survey of LeDray’s handiwork. From the Whitney’s website:

Over the past twenty years, New York-based sculptor Charles LeDray (b. 1960, Seattle) has created a highly distinctive and powerful body of work using such materials as sewn cloth, carved human bone, and glazed ceramics. This major survey, which includes works from the 1980s to the present, celebrates both the artist’s virtuosity with materials and his uncanny manipulation of scale to create seemingly familiar objects that engage the collective memory. His techniques of sewing, carving bone, and throwing clay pots find precedents in the traditions of folk art and visionary art, yet rise to a level of unprecedented virtuosity and artistic invention.

Exhibit A:

And that’s just a small sample.

The Artistic Furniture of Charles Rohlfs at the Metropolitan Museum of Art

From the Met’s website:

This is a small, scholarly focused exhibition of about fifty pieces of the distinctive “artistic furniture” and related objects produced by the workshop of Charles Rohlfs(American, 1853–1936) in Buffalo, New York. His unusually inventive forms and imaginative carving combined many influences, from the abstract naturalism of Art Nouveau to the bold forms of the Arts and Crafts movement. The exhibition explores Rohlfs’s work in the context of new research that reveals his success in Europe as well as in America, and traces his influence on other twentieth-century furniture designers.

Exhibit A:

Have a seat.

John Baldessari: Pure Beauty at the Met

“Pioneer of conceptual art” John Baldessari had a clever idea to start out: Use the art world to mock art.

But eventually Baldessari’s art became an exercise in selling himself.

Exhibit A: His video “I Am Making Art,” in which every small gesture he makes is accompanied by his intoning, “I am making art.”

It’s crazy-making.

• From Pace MacGill’s Irving Penn Archaeology exhibit of bone/skull/metal still-lifes:

Marvel among yourselves.

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The Boo Hoo Boehner Chronicles, II

Cryin’ John got the trend treatment in Saturday’s Boston Globe.

Lede:

Speaker of the House John Boehner dabbed tears away Wednesday while waiting for Nancy Pelosi to hand him the gavel. Mitch McConnell, the Senate minority leader, choked up last month while delivering a farewell to departing Senator Judd Gregg of New Hampshire. And, at the other extreme of celebrity, overnight sensation Ted Williams, the homeless man hired by the Cleveland Cavaliers this week, cried on the “Today’’ show Thursday when talking about his mother.

It’s enough to make one think that it’s suddenly become acceptable for men to cry in public.

But, predictably, it’s not.

Yet despite all the high-profile bawling, regular guys say they’re no more comfortable tearing up in front of others.

From there, it’s all predictable. But definitely relatable.

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It’s Good To Live In A Two-Daily Town (Paul Levy Edition)

Saturday’s Boston Herald front page:

Saturday’s Boston Globe front page:

Nuf ced.

 

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Why We Need ‘Penelope’s Law’

Friday’s Boston Herald buried the story in its News in Brief section:

Snake on a train? Watch out, Charlie

Where’s Samuel Jackson when you need him?

The MBTA halted service on a Red Line train yesterday afternoon as a passenger reported her pet snake was missing and was possibly slithering among the riders. T inspectors searched a passenger car at Andrew Station and again at JFK Station to no avail. T cops are looking for a scaly, beady-eyed passenger who likes mice . . .

But Friday’s Boston Globe, as often happens, had more details:

The MBTA held up a Red Line train at JFK/UMass station and again at the Braintree terminus after a female passenger reported losing a snake on the subway just before noon yesterday, T spokesman Joe Pesaturo said.

The woman became concerned that she could not find Penelope, her pet snake, as the train surfaced between Andrew and JFK/UMass stations. At the stop, the MBTA held the train for about four minutes as T employees helped search the car in which the woman was riding, but Penelope was nowhere to be found.

And, as nightly news follows the dailies, WBZ provided the video.

Obvious conclusion: Beacon Hill should enact Penelope’s Law. That is, all reptiles on MBTA vehicles should be on a leash.

Sorted, as the Brits say.

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The Boo Hoo Boehner Chronicles (pat. pending)

From our Late to the Party desk:

Cryin’ John Boehner in Thursday’s Boston Globe:

Cryin’ John Boehner in Thursday’s Wall Street Journal:

Bonus WSJ headline:

In Come the Republicans, and Out Comes John Boehner’s Handkerchief

That’ll be the hardest-working piece of cloth outside of the American flag the next two years in D.C., we’re guessing.

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What To See In The Big Town

Well the Missus and I came down to the Big Town for a couple of days and here’s some of what we caught:

– Irving Penn Archaeology at Pace MacGill

A fabulous exhibit of gravity-defying photographic arrangements of bones, skulls, and rusted metal pieces from bolts to washers to drill bits

– Paul Thek, Charles Ledray, and Edward Hopper at the Whitney

Thek is weird, Ledray is wonderfully inventive, and Hopper is wonderfully . . . Hopper

– Joan Miro, Charles Rohlfs, and John Baldessari at the Met

Miro’s Dutch Interiors are fascinating, Rohlfs’s furniture is fabulous, and Baldessari’s conceptual work is . . . Konceptual.

More to come when the hardworking staff is back in the Global Worldwide Headquarters. Right now, we’re still iPadalyzed.

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The People’s Choice Ad-wards

The CBS People’s Choice Awards broadcast Wednesday night was an adstravaganza, featuring more plugs than Joe Biden’s head.

(Sorry, no links, since I’m iPadalyzed.)

Among the Sneak ADtacks: CVS, Wheat Thins, Cover Girl, and MoviePhone.

Seriously, aren’t you insulted by all this?

Or is it just the new-media cover charge?

If so, I’ll gladly take the two-drink minimum.

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The Accidental NYT Page One Photo

Tuesday New York Times front page photo:

Back story, via Romenesko:

NYTer gets Page One balloons photo by boarding wrong train

New York Times
“Thank you,” photographer Fred R. Conrad whispered, as he spotted the balloon deliveryman and pulled out a digital camera that David W. Dunlap reports “just happened to have the right lens already on it.”

Don’t you love it when that just happens?

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