Campaign Outsider Book Club™ Selection

From time to time the hardworking staff actually manages to read a book, so it just made sense to launch the Campaign Outsider Book Club.

This week’s/month’s/who knows selection is:

Motherless Brooklyn, Jonathan Lethem’s 1999 novel.

From the Google Books overview:

“Tell your story walking.” St. Vincent’s Home for Boys, Brooklyn, early 1970s. For Lionel Essrog, a.k.a. The Human Freakshow, a victim of Tourette’s syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach, rearrange objects), Frank Minna is a savior. A local tough guy and fixer, Minna shows up to take Lionel and three of his fellow orphans on mysterious errands: they empty a store of stereos as the owner watches; destroy a small amusement park; visit old Italian men. The four grow up to be the Minna Men, a fly-by-night detective agency-cum-limo service, and their days and nights revolve around Frank, the prince of Brooklyn, who glides through life on street smarts, attitude, and secret knowledge. Then one dreadful night, Frank is knifed and thrown into a Dumpster, and Lionel must become a real detective.

In the process, Lionel quotes Raymond Chandler (“About the only part of a California house you can’t put your foot through is the front door” – The Big Sleep) and riffs on The Artist Formerly Known as Prince:

I don’t know whether The Artist Formerly Known as Prince is Tourettic or obsessive-compulsive in his human life, but I know for certain he is deeply so in the life of his work. Music had never made much of an impression on me until the day in 1986 when, sitting in the passenger seat of Minna’s Cadillac, I first heard the single ‘Kiss’ squirting its manic way out of the car radio. To that point in my life I might have once or twice heard music that toyed with feelings of claustrophobic discomfort and expulsive release, and which in so doing passingly charmed my Tourette’s, gulled it with a sense of recognition, like Art Carney or Daffy Duck – but here was a song that lived entirely in that territory, guitar and voice twitching and throbbing within obsessively delineated bounds, alternately silent and plosive. It so pulsed with Tourettic energies that I could surrender to its tormented, squeaky beat and let my syndrome live outside my brain for once, live in the air instead.

By all means, surrender to the tormented, squeaky beat of Lionel Essrog.

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Coincidence? We Think Not.

Here’s what the hardworking staff at Campaign Outsider is wondering:

What are the odds that both Obamas would be featured in unauthorized advertisements on the same day?

Exhibit A: Michelle Obama in this “Fur-Free and Fabulous!” ad from People for the Ethical Treatment of Animals (via the Boston Globe).

The White House said People for the Ethical Treatment of Animals is using Michelle Obama’s image without her permission in a new ad campaign. It also features Carrie Underwood (from left), Oprah Winfrey, and Tyra Banks.

Exhibit B: Barack Obama on this WEATHERPROOF billboard in Times Square (via the New York Times).

Who was it again that warned about the threat posed by the advertising-industrial complex?

Oh, right. Us.

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Dead Blogging the ‘GBH Classical Radio Rumpus, Part 2

Grace notes from Tuesday night’s future-of-classical-music-in-Boston hoedown (all statistics via WGBH general manager John Voci):

• Classical audience for WGBH: 120,000; for WCRB: 340,000

• WGBH classical audience: 71% are 55 or older; WGBH news audience: 1o-15 years younger

• While public radio audiences overall are up 30% over the past decade, WGBH’s numbers have been flat

• WGBH has cut its operating budget by $10 million and cut 50 employees loose

• It would cost $20,000-$30,000 to reinstate the Friday afternoon Boston Symphony Orchestra broadcasts

• FCC regulations prohibit WGBH from increasing the broadcast power of WCRB

• “Repeater stations” would be prohibitively costly and are not in WGBH’s plans

(P.S. to splendid reader Michael P: It was neither confirmed nor denied that “much of the music on WCRB is programmed by a Minneapolis syndicate.” Your educated guess goes here.)

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Dead Blogging the ‘GBH Classical Radio Rumpus

Tuesday evening The Boston Musical Intelligencer presented a panel discussion – “What Can We Do for Classical Music Radio in Boston?” – at the Old South Church in Copley Square.

The moderator:

William M. Bulger, former Massachusetts Senate President and President, University of Massachusetts, board member of the Boston Public Library and Boston Symphony Orchestra

The panelists:

Richard Dyer, former classical music critic, The Boston Globe; Christopher Lydon, Radio Talk Host; Dave MacNeill, for many decades announcer, then general manager at the old WCRB; andJohn Voci, general manager, WGBH

The issues, occasioned by WGBH’s purchase of all-classical WCRB, which allows ‘GBH to offload its classical radio programming to ‘CRB and refashion 89.7 FM as a news and talk station:

• Friday afternoon broadcasts of the Boston Symphony Orchestra are cancelled.

• In Boston’s Back Bay, Beacon Hill, and areas south of Boston, listeners are

unable to receive a clear signal from “all-classical” WCRB.

• Much of the music on WCRB is programed by a Minneapolis syndicate.

• Area listeners have lost fifty hours a week of quality classical music.

• Do we really need more talk radio and duplicative NPR programming?

• Are WGBH contributors pleased with the changes?

• Are WCRB listeners pleased?

•Will the administration at WGBH reconsider?

Let’s start, as always, with the optics: Beautiful place, the Old South Church, and arrayed in front of the altar were 12 people (moderator, panelists, and “respondents” from The Boston Musical Intelligencer – one of whom was a woman and none of whom was a person of color.

Billy Bulger (who’s got to have a portrait in the attic) delivered a series of introductions that ranged from the interminable to the unlistenable. (He also, despite being a board member of the Boston Symphony Orchestra, referred to the HAYden Society.)

But it was the sight of Chris Lydon and Bulger within several feet of one another (isn’t there some Temporary Restraining Order still in effect?) that was most attention-getting, especially when Bulger tweaked Lydon about his tony address, then said, “How nice to give a needle to Chris Lydon . . . a gentle needle . . . he’s an old friend.”

Good to know Bulger hasn’t lost an ounce of his oozing insincerity.

Lydon, for his part, was entirely sincere in highlighting “really just two points:”

1) “If we can cover the Red Sox, we can cover everything James Levine does.”

2)  “This town we live in is wildly interesting” – from traditional Boston to Cambridge, “the frontal lobe of the universe.”

As for the other panelists, Richard Dyer sounded like an auctioneer making his comments, and John Voci stuck to the WGBH party line, which is that ‘GBH saved classical music in Boston by buying WCRB, is presenting a 140% increase in Boston Symphony Orchestra performances (despite cancelling Friday afternoon BSO broadcasts)

Meanwhile, former WCRBnik Dave MacNeill – how to say this? – totally HIJACKED the proceedings with his long-winded and repetitive bloviations about ‘CRB minutia, radio-industry inside baseball, and revisionist history.

And then there was the audience segment of the program.

The commenters ranged from classical gasbags to insufferable Me-Me’s to the crowd favorite who 1) complained about “the dumbing down of music on WCRB,” 2) asked “how many times can we hear Vivaldi’s ‘The Seasons’?” and 3) concluded “I don’t believe the purpose of art and music is to make us relax.”

All the while, the panel sat like some stonefaced government body listening to victim impact statements.

In the end, the once-iron-handed Bulger allowed the proceedings to descend into a public broadcast pity party. Exhibit A: half the house left before Bulger could issue his perfunctory thank-yous.

And so we come to the takeaway, as they have it on WGBH: Two-thirds of the audience gets crappy reception of WCRB.

That’s the most telling detail of all.

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It’s Good to Live in a Three-Newspaper Town

Open up the New York Times Tuesday and here’s what tops page A11:

For Cape Cod Wind Farm, New Hurdle Is

Spiritual

Julia Cumes/Associated Press

Two Massachusetts Indian tribes have objected to the Cape Wind project, saying it would block their unimpeded view of the sunrise.

Lede:

BOSTON — In a new setback for a controversial wind farm proposed off Cape Cod, the National Park Service announced Monday that Nantucket Sound was eligible for listing on the National Register of Historic Places, guaranteeing further delays for the project.

But check out Tuesday’s Boston Globe and here’s what you find on Page One:

A decision in sight on Cape Wind dispute

Interior secretary orders parties to meet next week

In this Feb. 24, 2006 file photo, a wind turbine stands generating power next to Hull High School in the shadow of Boston.(Stephan Savoia/AP)In this Feb. 24, 2006 file photo, a wind turbine stands generating power next to Hull High School in the shadow of Boston.

Lede:

The Obama administration signaled a sudden urgency yesterday to resolve the nine-year dispute over building a wind farm off Cape Cod, as US Interior Secretary Ken Salazar announced he would summon key parties to a meeting next week in hope of concluding the decision process within two months.

So, who knows?

Certainly not the Boston Herald. They had, as the saying goes, nothin’.

Regardless, long live all newspapers.

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Fox in the Henhouse

Nice front-page New York Times piece Monday about the Fox/Time Warner Cable rumpus over retransmission fees (see here and here), which seems to have been settled by – wait for it – the two sides splitting the difference.

The Times, in value-added mode (translation: what does this mean for me?), focuses on the consumer impact of the pact.

Next Up on Cable TV, Higher Bill for

Consumers

Nut graf:

On New Year’s Day, the News Corporation, the media empire controlled by Rupert Murdoch,wrangled new payments from Time Warner Cable, including subscriber fees for the Fox Broadcasting network, which is free for viewers with over-the-air antennas.

Fox in the henhouse is only the beginning, the Times notes:

[T]he Food Network and HGTV disappeared from Cablevision’s lineups in New York and New Jersey on Friday after talks broke down with the owner of the channels, Scripps Networks.

The Food Network costs distributors 8 cents a viewer on average now; Scripps wants a roughly 300 percent raise, according to people briefed on the negotiations. That might seem drastic, but 30 other channels, some with lower ratings, already earn that much. “We were really, really undervalued,” said Brooke Johnson, the president of the Food Network.

Also undervalued: The Food Network full-page ad in the same edition of the Times, which the piece failed to mention.

Regardless, how great would it be if the sure-to-accelerate broadcast/cable dustups turn out to be a significant ad revenue source for the Times?

Imagine the front-page headline in some future Sunday Times:

Financial Turmoil in Broadcast

World Eases Financial Turmoil at Newspaper

Your nut graf goes here.

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Who’s Got Rabbit Ears Now?

One side dish served up by the Time Warner Cable/Fox rumpus in New York is the possibility that broadcast networks will go cable.

The lure of turning a broadcast network into a cable network,complete with advertising revenues and subscribers’ fees, has always been too tempting, with the attraction of not one, but dual revenue streams.

Or not.

There’s a premium left in being a broadcast network, as advertisers still pay up for a medium that reaches virtually everyone. Up to 15% of U.S. households do not get cable or satellite. Cut off those sets, says one senior network executive, and “the network premium drops off considerably.” It’s also unclear how much the cable distributors would pay the broadcasters to carry their shows. Some pay fees to local network affiliates but not as much as the cable channels get, say analysts. Could those fees grow? Maybe. But only after striking agreements with a gazillion cable and satellite players. And Andrew Schwartzman, CEO of the Media Access Project, says Job One for a network mulling a switch is “crawling on your hands and knees to Comcast” to get on its cable systems—and not at channel 739.

Just to be sure, the National Association of Broadcasters (NAB) has launched an ad campaign that features this TV spot, which shows everyday Americans looking troubled or frazzled or wind-whipped, while an announcer says:

It’s our connection to our community.

It’s our lifeline to the emergency information we need.

It’s a free service that provides free entertainment.

But one day soon, it could be taken away.

There’s a movement among special interest groups to limit free antenna TV . . .

Among those special interest groups:

Broadcast networks, which supply the programming for most members of the NAB.

Meanwhile, the antennasphere (help yourself) is up in arms over the possibility they’ll have to pay for cable.

Place your bets on who wins this Capitol Hill lobbyist shootout.

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Jingle All the Way

Headline in Saturday’s Boston Globe Business section:

Classic jingle gets a tuneup

Having all but faded, catchy songs are calling consumers once again

True to its subject, the piece featured a number of catchy lines, but the best came from Robert Thompson, “a TV history and pop culture professor at Syracuse University.”

Thompson said, “A good jingle is like paying once for an advertising campaign and having it run in people’s heads until the day they die.’’

Excellent.

The one snappy quote the Globe story lacked was this classic ad industry assessment of jingles: “When you have nothing to say about your product, set it to music.”

Everybody, sing!

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Peggy Noodnik

(This one’s for Charlie.)

How in the world does someone write an entire column about leaders and institutions that “forget the mission” during the past ten years and never once mention the name George W. Bush?

Ask Peggy Noonan.

Her Wall Street Journal column today features this nut graf:

Maybe the most worrying trend the past 10 years can be found in this phrase: “They forgot the mission.” So many great American institutions—institutions that every day help hold us together—acted as if they had forgotten their mission, forgotten what they were about, what their role and purpose was, what they existed to do.

Peggy in Wonderland goes on to cite examples of a “diminished sense of mission” in journalism, in the Catholic Church, in Congress, on Wall Street. But not G.I. George. Not “Mission Accomplished” Bush.

Was she she asleep throughout the – Name That Decade alert! – Taughts (or Tauts)? Raise your hand if you want somebody to wake her up.

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From Our Late to the Party Bureau

Happy New Year!

[Your hats, horns, and hangovers go here.]

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