To all appearances, the Boston Museum of Fine Art’s eight-for-one swap to acquire Gustave Caillebotte’s “Man at His Bath” has gone over like the metric system.
Exhibit A: Boston Globe columnist Scot Lehigh.
Now wait a minute, Mr. Malcolm Rogers, prestigious Ann and Graham Gund Director of the Museum of Fine Arts. You are going to sell eight paintings from the MFA collection – eight paintings worth up to $24 million – to raise money to buy a view of a gentleman’s just-bathed backside?
Call me a philistine, but somehow this just doesn’t strike me as an astute trade. Why not? Well, let me count the ways.
This painting, “Man at His Bath,” is not an eye-catching celebration of the human form, a la Michelangelo’s “David.” Rather, it’s an everyday view of… well, mostly of an everyday butt. Which is basically what George Shackelford, chairman of the museum’s Art of Europe Department, said in Monday’s Globe.
“This guy is no Arcadian bather,” he noted. “It’s perfectly mundane – and expressly so.” One would think that self-evidently accurate appraisal would lead to this equally obvious notion: It’s probably not worth selling scenes by Monet, Gauguin, Sisley, Pissarro, and Renoir to acquire that perfectly mundane scene.
Said mundane scene:

Exhibit Umpteen: ArtsJournal’s CultureGrrl.
I strongly believe that museum-quality works that are in the public domain should stay in the public domain. If they belong in the museum, they should stay there. As I’ve stated time and again, they are held in public trust and should not be used as trading chips.
Here are the images of the soon-to-be-auctioned works, supplied (at my request) by the museum. See for yourself what Boston will cast off to bring home the rosy derrière. (The online version of the Globe article did not publish these images.)

Claude Monet, “The Fort of Antibes,” 1888
Presale estimate: $5-7 million

Paul Gauguin, “Forest Interior,” 1884
Presale estimate: $1.2-1.8 million

Camille Pissarro, “View from the Artist’s Window, Eragny,” 1885
Presale estimate: $1.8-2.5 million

Pierre-Auguste Renoir, “Bust Portrait of a Young Woman,” c. 1890
Presale estimate: $1.8-2.5 million

Alfred Sisley, “Overcast Day at Saint-Mammès,” c. 1880
Presale estimate: $1.5-2 million

Alfred Sisley, “Saint-Mammès: Morning (Le Matin),” 1881
Presale estimate: $2-3 million

Vasily Vereshchagin, “Pearl Mosque, Delhi,” late 1880s
Presale estimate: $3-5 million

Maxime Camille Louis Maufra, “Gust of Wind,” 1899
Presale estimate: $300,000-500,000
Splendid readers, you be the judge: Is this a good deal or not?