O’Really? Part Two

From our Strange Interlude™ file:

In all the excitement over seeing Bill O’Reilly at BU’s Gala Alumni Weekend Hoedown, I  failed to mention the guy who walked up to me and said, “You’re Jay Severin, right?”

It was almost as rich as when Severin himself walked up to me at a holiday party several years ago and called me Alex Beam.

I’m pretty sure Alex wouldn’t be any happier about that than Severin was.

Numbers Racket

Also during his star turn at BU, O’Reilly said that six million people watch him every night.

Not to get technical about it, but the number is actually about 3.5 million.

That audience inflation has led the hardworking staff at Campaign Outsider to formulate our official Bill O’Reilly Verbal Markdown©:

Reduce everything the Factor Actor says by 40%.

Happy calculating.

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“Precious” Revenues

So it turn out Sunday’s New York Times magazine cover story – “The Audacity of ‘Precious’” – isn’t just the potential viper’s nest of identity politics and PC policing that the hardworking staff at Campaign Outsider flagged yesterday.

It’s also a potential source of revenue.

An ad in Friday’s Times says “Lionsgate Invites You to Be a Part of A Special Screening Program for New York Times Readers.” It promotes advance screenings of the film “Precious” in New York, Philadelphia, Chicago, Los Angeles, and San Francisco.

Surrounding the film, though, is a Rubik’s Cube of Hollywood finagling, which only makes the Times entanglement look more suspect.

No reasonable media observer would begrudge newspapers access to legitimate sources of income.

It just depends on your definition of legitimate.

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Soupy Sales, R.I.P.

The great TV jester Soupy Sales has taken the Big Pie in the Face.

The Associated Press obit notes:

Soupy Sales, the rubber-faced comedian whose anything-for-a-chuckle career was built on 20,000 pies to the face and 5,000 live TV appearances across a half-century of laughs, died yesterday. He was 83.

The AP piece also cites the signature Soupy Sales pitch:

Mr. Sales, who was typically clad in a black sweater and oversized bow-tie, was suspended for a week after telling his legion of tiny listeners to empty their mothers’ purse and mail him all the pieces of green paper bearing pictures of presidents.

But what I remember most is the musical tour de force “(Hold Your Head and Shout) Your Brains Will Fall Out” (sorry, can’t find a link) . . .  Black Tooth and White Fang . . . The Mouse . . . Words of Wisdom . . .Pachalafaka . . .  Blink Your Eyes, Pookie.

Soupy Sales was the James Joyce of children’s television. As legendary humorist S.J. Perelman once wrote (legendarily about himself):

Before they made him, they broke the mold.

Ditto for Soupy Sales.

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O’Really?

On Friday, Bold Fresh Piece of Humanity Bill O’Reilly returned to Boston University for Alumni Weekend and regaled a largely admiring audience with a variety of Fact(ors) from the O’Reilly Files.

The event was previewed by veteran Boston journalist Daniel Gewertz earlier this week:

The BU college hosting the event? The College of Communication (COM), home to the university’s Department of Journalism. In addition to a “conversation” between the face of FOX’s “The O’Reilly Factor” and another BU alum, Bill Wheatley (retired executive vice-president of NBC News), the evening will include a presentation of six “Distinguished Alumni Awards,” an honor already bestowed upon Mr. O’Reilly.

At that point, Gewertz got Geworked up:

See anything wrong with this picture? Not COM Dean Tom Fiedler, the man responsible for choosing O’Reilly as the night’s star attraction.

“I would argue that Bill O’Reilly is a role model for our students,” Fiedler told me recently. “I grant that his is a controversial path, and it may not be the path that all would choose.”

A role model?

“We are honoring Bill O’Reilly for living an honorable life,” Fiedler explained. “He has generously supported Boston University.”

“An honorable life.” It would take an article far longer than this one to catalog the deceptions, evasions and bullying tactics of O’Reilly.

Let me mention, but not stress, the millions of dollars that, according to theWashington Post, O’Reilly paid to his former producer, Andrea Mackris, to settle her sexual harassment case in 2004.

Another, more recent case:

On May 31, 2009, Dr. George Tiller, the Kansas abortion provider, was murdered at his local church. During the months leading up to this crime, O’Reilly often referred to the doctor as “Tiller the baby killer.” When criticized for his frequent use of the phrase, O’Reilly claimed he was directly quoting others. This was quickly disproved with voluminous videotape evidence.

None of that, of course, came up at Friday night’s O’Reilly love-in. Instead, here’s what we learned:

* O’Reilly has spent his career facing machine guns and Barney Frank with equal fearlessness

* As a result, he now needs bodyguards for his family and himself

* He couldn’t allow his Potemkin interview to be taped because there might be an untoward “incident” that could wind up on YouTube. (Not to get technical about it, but isn’t that what his “bodyguards” are supposed to prevent?)

* If afforded the chance, he wouldn’t recommend or even take again the career path he did because it was “too hard”

One thing Bill O’Reilly will never be called?

A Bold Fresh Piece of Humility.

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“Precious” Big?

The hardworking staff at Campaign Outsider hasn’t found the time yet to read “The Audacity of ‘Precious'” – the cover story in Sunday’s New York Times magazine. (Times tease: “Is America ready for a movie about an obese Harlem girl raped and impregnated by her abusive father?”)

Regardless of any actual knowledge of the piece, our oft-overlooked Campaign Outsider Prediction® desk is comfortable issuing the following statement:

“The cover piece in this Sunday’s Times magazine will produce a viper’s nest of identity politics and  PC witch-hunting.”

Forewarned is forearmed.

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Death by a Thousand Paper Cuts

So it turns out (via the New York Times) that Texas executes too many people for the state’s daily newspapers to cover them all.

The state has put 441 inmates to death since 1982, more than the next six states combined. That includes 334 since the start of 1997, a period in which Texas accounted for 41 percent of the national total.

Hey, Texas: You’re Number One!

Given the routine nature of the state-sponsored executions – along with a knee-buckling freefall in advertising revenues – cash-strapped newspapers all across Texas have abandoned comprehensive coverage of capital punishment, relying instead on one Michael Graczyk, who has witnessed more than 300 deaths in the past 25 years.

From the Times report:

An Associated Press reporter based in Houston, Mr. Graczyk covers death penalty cases in Texas, the state that uses capital punishment far more than any other, and since the 1980s, he has attended nearly every execution the state has carried out — he has lost track of the precise count.

What we have here is one man watching Texas exercise the government’s ultimate power. The Lone Star State has turned into the Lone Stare State.

(Your groan goes here.)

Another groaner:

Newspapers sometimes use The A.P.’s reporting rather than their own — or they do not cover the executions at all. What was once a statewide story has become of strictly local interest.

Representative case study:

This year, the state has put to death five inmates in cases from Tarrant County, which includes Fort Worth. The [Fort Worth] Star-Telegram covered one, wrote about two other cases in the days before the executions, and on the remaining two did not publish any articles, either its own or The A.P.’s.

“It depends on whether the crime was particularly newsworthy,”  [executive editor Jim] Witt said.

Geez, and all this time I thought it was the execution that was newsworthy.

I must be wrong.

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Over Five Billion (Tweets) Served

Twitter – The Official Microblog of People With Nothing Else to Do – has (according to itself) surpassed 5,000,000,000 tweets, as the (U.K.) Telegraph reports. Headline:

Twitter’s five billionth tweet – the ‘pentagigatweet’ – sent

The pentagigatweet. Sweet.

Also sweet: this piece from Wired that predicts actual revenue for Twittter – The Official Microblog of Other People Making Money While Twitter Doesn’t.

The company’s revenue will be a modest $4 million or so this year. Even so, Twitter reportedly turned down a $500 million acquisition offer from Facebook last November and seems perfectly happy to burn through its roughly $150 million in investor funds.

Twitter – The Official Microblog of Other People’s Money, Period.

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Dead Blogging the Boston Mayoral Debate

For all of you who stubbornly cling to the 21st century:

dead blog v. tr. To wait until an event is over before writing about it.

So, the Boston mayoral debate tonight between Mayor Tom Menino and City Councilor Michael Flaherty. Let’s start with the most important part of any televised debate:

Cosmetics.

The doublewide podiums didn’t do much for either candidate, the sound went all Barry White at the beginning, and the lighting was strictly Spooky World. But why get technical about it. It just goes to show what you can do when a consortium of four different media organizations sponsors one debate. (Your loss-of-consortium punchline goes here.)

The two anchors, WGBH‘s Emily Rooney and NECN‘s RD Sahl, and two reporters, the Boston Globe‘s Scott Helman and WBUR‘s Bob Oakes, had to divvy up the moderating/questioning chores, which had sort of a pinball effect on the proceedings. But that wasn’t the biggest problem tonight.

The biggest problem was that the debate featured more bromides than an old-fashioned drugstore and needed to be close-captioned for the govspeak-impaired.

So a debate that should have provided some answers for Boston voters mostly left them with questions.

For example, which of these makes for a better bumper sticker –  “Tom Menino: We haven’t been charged with anything” or “Under a Flaherty administration, we’ll have FiOS”?

Did most of the debate viewers/listeners have the foggiest idea what GIC, FOIA, and CORI stand for? If not (and that was a lot of them), they don’t know what Menino and Flaherty stand for.

Is it just me, or was Tom Menino more incoherent than usual tonight? It felt like he was totally channeling James Joyce.

Was the most uncomfortable moment of the night when Menino was pressed about the lack of diversity in his administration by an all-white panel of journalists?

You call this a choice? Flaherty: We need financial literacy courses for Boston residents. Menino: I got your financial literacy courses right here. Flaherty: We need SAT prep for Boston high schoolers. Menino: I got your SAT prep right here.

Really?

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Shepard Fairey Is A Phony

This Sunday New York Times piece is one more nail in poster-boy Shepard Fairey’s artistic coffin. The lede says it all:

Shepard Fairey, the artist whose “Hope” poster of Barack Obama became an iconic emblem of the presidential campaign, has admitted that he lied about which photograph from The Associated Press he used as his source, and that he then covered up evidence to substantiate his lie.

The back story, via the Times:

The A.P. claimed in January that Mr. Fairey owed it credit and compensation for using the photograph. But in February Mr. Fairey sued The A.P., seeking a declaratory judgment that the poster did not infringe on the agency’s copyrights and that he was entitled to the image under the “fair use” exception of the copyright law. The A.P.countersued in March, saying Mr. Fairey had misappropriated the photograph.

Beyond Fairey’s pathetic document-altering is the really phony part:

Last year Fairey sued a Texas graphic designer for doing to Fairey’s Andre the Giant “Obey Giant” posters what Fairey did to the AP’s Obama photograph. As the Austin Chronicle reported:

It all comes down to one of the great contemporary visual icons, called Obey Giant. The strange, stylized, brooding image of a face has become a global brand, a 20-year art phenomenon that melds street art, propaganda, and viral marketing. Created by graphic artist Shepard Fairey, the ubiquitous image has been an inspiration for a generation of graffiti, collage, and mash-up artists. One of those influenced was Austin graphic designer Baxter Orr, who did his own take on Fairey’s work: a piece called Protect, with the iconic Obey Giant face covered by a SARS (respiratory) mask. He started selling prints, marked as his own work, through his website.

Fairey, who claims his Obama Hope poster is “transformative” – and thus exempt from copyright restrictions –  seems to believe Baxter Orr’s transformation of Obey Giant isnt.

Fairey says Orr is [a] profiteer – not an artist but a mimic and “parasite” speculating in the secondary art market, by which dealers snap up a limited-edition print run of a work to resell at an artificially inflated price. It’s not illegal, but it is widely viewed in the art community as unethical. Fairey says Orr, in addition to copying his work, has been guilty of its mercenary exploitation as well. “I want people who are fans of the work to get them,” said Fairey, who sells his prints for $25-35 but has found them sold online for hundreds of dollars more. To crimp speculation, Fairey introduced a one print per customer limit. But Orr, he says, has used proxies to buy extra prints, to corner and gouge the market – an allegation Orr rejects.

Fairey can slice it thin as prosciutto, but the truth of the matter is:

Shepard Fairey is a phony.

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Fear And Self-Loathing At The New Republic

Jonathan Chiat, a senior editor at The New Republic, has written a journo-dyspeptic piece headlined, “The Case Against Awards: Why the wrong person always wins.

One of Chiat’s awards-bashing examples hits close to home:

In my field, we have something called the National Magazine Awards. Magazine writers tend to be both obsessed with who wins and convinced the process is a pathetic joke. This isn’t just sour grapes, either. The last time The New Republic won a National Magazine Award, it was for publishing Betsy McCaughey’s infamous anti-Clintoncare screed “No Exit,” which is probably the worst article in the history of TNR. It’s as if the last American to win the Nobel Peace Prize was Timothy McVeigh.

Coincidentally (or not), the current edition of The New Republic features a Michelle Cottle profile of McCaughey that is flat out self-flagellating.

From the second paragraph:

A constitutional scholar by training, McCaughey (pronounced “McCoy”) blazed to fame in 1994 as the person who drove a stake through the heart of Hillarycare, with a detailed (and, as it turned out, false) takedown of the plan published in this very magazine.

Cottle’s TNR report continued:

With the help of a friend on the board of the Manhattan Institute, Betsy landed a fellowship at the conservative think tank, with a mandate to write about electoral reform and the legal system. Instead, in early 1994, she published a scathing vivisection of the Clinton health care plan in The New Republic. Touting her academic experience, McCaughey painted herself as a dispassionate truth-seeker who felt an obligation to read the entire 1,342-page bill (something few lawmakers were willing to do) and flag its malignancies for the rest of us. To emphasize how judicious her research was, McCaughey sprinkled her article with page numbers, directing readers to the exact subsections and footnotes of the text on which her criticisms were based. But, while McCaughey’s reading may have been uncommonly thorough, it was also fundamentally incorrect–or grossly dishonest, depending on your view of her (and of a recent Rolling Stone article exposing her consultations with Big Tobacco during the writing). One of her most resonant claims, that the bill would bar people from paying their doctors for care beyond what the government plan covered, was utter bunk. And the analysis went downhill from there, as tnr staffers, among others, later detailed. (“The force of her articles derived from her claim that there was ‘no exit’ from [Clinton’s] mandatory insurance plans. She was wrong,” Mickey Kaus wrote the following year.) By the time such misinformation was dismantled, however, it was too late. Prominent reform opponents from Senator Bob Dole to columnist George Will ran with her claims, and Betsy soon found herself the new darling of the GOP. From the ashes of Hillarycare a political star was born.

A political star who continues, according to Cottle’s TNR piece, to “[spin] out an indefensibly sinister, apocalyptic translation of the text that no amount of countervailing evidence can shake.”

Currently Betsy McCaughey 2.0 is trying to work her special magic on Obamacare, crusading against – according to one critic – “death panels, euthanasia and withholding care from the disabled.”

Not surprisingly, now is the autumn of TNR’s discontent.

With itself.

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