Doug Rubin Thinks You’re An Idiot

From Thursday’s Boston Globe:

Ex-Patrick aide now lobbyist for gambling firm

Doug Rubin, a former close political adviser to Governor Deval Patrick and the state treasurer, has registered as a Beacon Hill lobbyist for GTech Corp., the gambling giant that holds multimillion-dollar contracts with the Massachusetts State Lottery.

The partnership raises questions because last year Rubin served as a $60,000 campaign consultant to Steve Grossman in his bid for the treasurer’s job.  As treasurer, Grossman now oversees the lottery.

Swell photo (via massdems.org):

To continue:

From 2003 to 2005, Rubin also worked as first deputy to state Treasurer Timothy P. Cahill, a position that required him to supervise the lottery.

Rubin said he is well aware of the potential conflict and has informed clients of Northwind Strategies, his consulting firm, that they cannot expect him to draw on his connections to gain access to or influence government officials.

Raise your hand if you believe that.

Just as I thought.

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Lies, Damned Lies And Statistics (Public Sector Compensation Edition)

Very passionate op-ed in Wednesday’s Boston Globe by local labor union exec Mark Erlich about the public-sector-union dustup kick started in Wisconsin:

Wisconsin is only the most dramatic site of a broader strategy of absolving Wall Street and scapegoating public employees and their unions. While there are legitimate and critical public policy issues about education reform, spiraling health costs, and pension liabilities at a time of state and municipal budget deficits, why is the fault laid at the feet of teachers, police, and firefighters? Today’s pension obligations are the product of massive investment losses, not excessively generous public pensions that, in fact, average about $19,000 a year. For that matter, a 2010 Economic Policy Institute study showed that, controlled for educational achievement, public sector workers actually earn less than their private sector counterparts.

Except for these numbers from a recent Weekly Standard piece by the always readable Andrew Ferguson:

USA Today story last month [reported], “Federal employees’ average compensation . . . has grown to more than double what private sector workers earn.” The figures from an analysis by the newspaper’s Dennis Cauchon were jaw-dropping. Over the last decade, the average federal salary has risen 33 percent faster than the inflation rate. When total compensation is measured—salary plus benefits like health insurance and pension guarantees—government workers have seen an increase of more than 36 percent, adjusted for inflation. Over the same period, private workers got an 8.8 percent increase. The result: Average private sector compensation is $61,051; the average federal compensation is $129,049.

So whose numbers do you believe? Dial 1-800-CAMPOUT to register your vote.

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It’s Good To Live In A Three-Daily Town (BRA Edition)

Real estate development in Boston is like a box of chocolates: You never know what you’re gonna get . . . approved.

(Although Boston Mayor-for-Life Tom Menino does. Just ask Don Chiafaro.)

Regardless, there is some real estate activity underway in the Hub, as Wednesday’s New York Times chronicled in a Square Feet feature that provides a better overview of local residential development than anything the Boston Globe or the Boston Herald have published recently.

To wit:

As Boston’s Economy Grows, Demand for Rental Units Outpaces Condo Market

BOSTON — Investments in multifamily rentals have been one of the few hot spots in a sputtering economy, and nowhere is that more evident than in the Boston area, where a high-tech economy is enjoying comparatively strong job growth.

In the last several weeks, city officials have allowed developers of three buildings with nearly 1,000 units to decrease or eliminate condominiums in favor of additional rentals. Over all, the Boston Redevelopment Authority expects construction to start this year on 21 buildings with a total of 1,855 apartments, nearly all rentals, compared with just 600 starts last year. Of those units 830 were once planned as condominiums, said the authority’s director, John Palmieri.

So BRA doesn’t stand for Boston Rejects Advances.

Who knew – reading the local papers at least?

(Pictured: Millennium Partners’ proposed Hayward Place residential development in Boston’s theater district.)

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Salon: NYT’s “journalistic obedience”

Tuesday’s New York Times featured a Page One piece about CIA operative Raymond Davis, who allegedly shot and killed two Pakistanis last month, thereby exacerbating the uneasy alliance between Pakistan and the U.S.

Problem is, according to Salon.com, the Times sat on the story for the past month, as the paper acknowledged in its belated report:

The New York Times had agreed to temporarily withhold information about Mr. Davis’s ties to the agency at the request of the Obama administration, which argued that disclosure of his specific job would put his life at risk. Several foreign news organizations have disclosed some aspects of Mr. Davis’s work with the C.I.A.

And that has the folks at Salon all lathered up:

It’s one thing for a newspaper to withhold information because they believe its disclosure would endanger lives.  But here, the U.S. Government has spent weeks making public statements that were misleading in the extreme — Obama’s calling Davis “our diplomat in Pakistan” — while the NYT deliberately concealed facts undermining those government claims because government officials told them to do so.  That’s called being an active enabler of government propaganda.

The Salon piece then echoes what the hardworking staff noted last month:

Following the dictates of the U.S. Government for what they can and cannot publish is, of course, anything but new for the New York Times.  In his lengthy recent article on WikiLeaks and Julian AssangeNYT Executive Editor Bill Keller tried to show how independent his newspaper is by boasting that they published their story of the Bush NSA program even though he has “vivid memories of sitting in the Oval Office as President George W. Bush tried to persuade [him] and the paper’s publisher to withhold the eavesdropping story”; Keller neglected to mention that the paper learned about the illegal program in mid-2004, but followed Bush’s orders to conceal it from the public for over a year — until after Bush was safely re-elected.

New slogan for the Times:

All the news that’s fit to print (says the White House).

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The Mexican Suitcase: WSJ’s Lost Luggage

The Mexican Suitcase, a terrific exhibit at the International Center of Photography, features 4500 photos (rediscovered in 2007) from the 1936-39 Spanish Civil War by legendary shutterbugs Robert Capa, Gerda Taro, and David “Chim” Seymour.

As the hardworking staff noted. Four months ago.

The Wall Street Journal – Hallelujah! – has finally caught up:

Mishandled Baggage Arrives 70 Years Later

The good news:

What assistant curator Cynthia Young and her team have done with this material in less than three years is valiant. Along with reprinting a select group of photographs from the negatives for an exhibition, ICP has published a two-volume catalog of wide-ranging essays by 22 contributors. Maps track movements of the photographers year by year. All 4,500 negatives have been reprinted as contact sheets and annotated.

The bad news, according to the Journal:

The only flaw in this ambitious plan is that the contents of “The Mexican Suitcase” are not very arresting, at least not as photographs. Where is the dazzle promised in the title, with its film-noir overtones of secret riches? The media build-up may leave some ICP visitors feeling as let down as Kasper Gutman and Joel Cairo were on finding that the black bird in “The Maltese Falcon” was not studded with emeralds.

Regardless, better late than never.

But better never late.

The exhibit runs through May 8.

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Times Three (The Gray Lady Sings Like A Trio*)

Three from the New York Times:

1) State of the Patent Review (pat. pending)

Monday’s Times featured an overview of the U.S. Patent and Trademark Office, which currently has a backlog of 1.2 million applications.

That’s a lot of potential jobs sitting idle. Maybe someone can patent a Hurry Up machine.

2) Reporting While Female

The Sunday Times Week in Review section featured an essay by Sabrina Tavernise that vividly detailed the dangers of international coverage by female reporters.

Representative sample:

The risk of something happening is especially high when all the rules have fallen away and society is held together by a sense that anything can happen. This was the case for me in Baghdad in 2003 at the gun market, when a crowd of young men, impoverished and not used to seeing foreigners, first started touching me, and then began ripping at my clothes. A colleague helped me fend them off.

But there was one discordant note when Tavernise addressed the recent incident in Tahrir Square involving CBS correspondent Lara Logan:

Last week, CBS News said that its reporter Lara Logan was assaulted by a crowd of men in Cairo. CBS News did not detail the circumstances, but the network’s statement — that she had suffered a “brutal and sustained sexual assault” — said enough. Threatening had turned frightening. The moment when you hold your breath in a crowd did not pass safely for her.

I have worked in Gaza, and a half-dozen countries since the late 1990s, including Lebanon, Pakistan, Turkey and Russia. In none of these places was I dragged off and raped, but I have encountered abuse in many of them.

Except Logan wasn’t raped, at least according to current news reports.

A small point, perhaps, but a serious one.

3) Frank (That’s) Rich Whacks Mitt Romney . . . Again

Times columnist Frank Rich piñated former Massachusetts Gov. Mitt Romney in a Sunday piece about the parade of GOPniks at last weekend’s annual Conservative Political Action Conference in Washington, “a premier Republican rite that doubles as a cattle call for potential presidential candidates.”

RomneyCarp section of Rich’s rant:

[Romney’s] appearance at CPAC on the morning of Friday, Feb. 11, was entirely consistent with his public image as an otherworldly visitor from an Aqua Velva commercial circa 1985.

That Friday was the day after Mubarak’s bizarre speech vowing to keep his hold on power. At 9:45 a.m. that morning, as a rapt world waited for his next move, CNN reported that there would soon be a new statement from Mubarak — whose abdication was confirmed around 11 a.m. But when Romney took the stage in Washington at 10:35, he made not a single allusion of any kind to Egypt — even as he lambasted Obama for not having a foreign policy. His snarky, cowardly address also tiptoed around “Obamacare” lest it remind Tea Partiers of Massachusetts’s “Romneycare.” He was nearly as out of touch with reality as Mubarak the night before.

H-e-double-hockey-sticks, yes.

That’s our Mitt.

* Campaign Outsider Official Headline Decoder (pat. pending):

In The Roaring Twenties, James Cagney tells Priscilla Lane, “You sing like a trio, baby.”

Is there any better compliment?

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Sorry, I Just Can’t Buy Anything From This Local Cakemaker

What in the world possessed Michelle Ryan of Cake (a Lexington custom bakery shop) to allow the Boston Globe to take this photo of her at work:

Ms. Ryan seems like a nice, hardworking woman, but really – no hairnet?

Really?

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What To Do In The Big Town (Picasso Guitars Edition), Take II

Well, the Missus and I were out and about in the city today and here’s what we discovered (links and graphics to come, since we’re still iPadlocked):

* The spectacular Picasso Guitars exhibit at MOMA, which features a stunning array of 60+ works from 1912-14

* MOMA’s Abstract Expressionist New York “Ideas Not Theories” exhibit, which the headscratching staff is clearly not smart enough to understand

* Houdini: Art & Magic at the Jewish Museum, which is pretty much the mess described in the Wall Street Journal’s review

* Guitar Heroes at the Met – strictly for, well, guitar heroes

* Cezanne’s Card Players at the Met, nicely expanded from the Courtauld Gallery exhibit in London

* The revival of That Championship Season, featuring an all-star cast of Brian Cox (excellent), Kiefer Sutherland (very good), Jim Gaffigan in his Broadway debut (very impressive), Chris Noth (very unimpressive), and Jason Patric (very interesting, since his father Jason Miller wrote the play).

Patric plays the perpetually drunk Tom Daley in the production – the second time the Missus and I have seen him inebriated on Broadway. The first was his performance as Brick in Cat on a Hot Tin Roof several years ago.

Let’s just say he’s got the drunk thing down like the Hindenberg.

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What To Do In The Big Town (Andy Warhol Edition), Take II

Well, the Missus and I came down the city and here’s what we found (links and graphics to follow when the hardworking staff returns to the Global Worldwide Headquarters):

* The fabulous “Abstract Expressionism: Reloading the Canon” exhibit at Michael Rosenfeld Gallery. Personal favorites: Seymour Lipton’s “Dragon” and standout works by Adolph Gottlieb, Lee Krasner, and Richard Stankiewicz (although just about everything there is excellent)

* “American Modernism” at Spanierman Gallery, which has too many knockout paintings to detail, although Max Weber’s “Joel’s Cafe” will stick with you for a long time

* “Warhol Soup” at Armand Bartos Fine Art, a collection of Campbell’s cans to write home about

* “Frankenthaler: East and Beyond” at Knoedler & Company. Don’t miss the to-die-for bronze screen on the second floor

* “Good People” at the Manhattan Theatre Club, a new play by David Lindsay-Abaire set mostly in South Boston and starring a riveting Frances McDormand, along with Estelle Parsons, who almost steals the show but not quite.

More (we’re glad to say) tomorrow.

 

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What To Do In The Big Town (Picasso Guitars Edition)

Well, the Missus and I were out and about in the city today and here’s what we discovered (links and graphics to come, since we’re still iPadlocked):

* The spectacular Picasso Guitars exhibit at MOMA, which features a stunning array of 60+ works from 1912-14

* MOMA’s Abstract Expressionist New York “Ideas Not Theories” exhibit, which the headscratching staff is clearly not smart enough to understand

* Houdini: Art & Magic at the Jewish Museum, which is pretty much the mess described in the Wall Street Journal’s review

* Guitar Heroes at the Met – strictly for, well, guitar heroes

* Cezanne’s Card Players at the Met, nicely expanded from the Courtald Gallery exhibit in London

* The revival of That Championship Season, featuring an all-star cast of Brian Cox (excellent), Kiefer Sutherland (very good), Jim Gaffigan in his Broadway debut (very impressive), Chris Noth (very unimpressive), and Jason Patric (very interesting, since his father Jason Miller wrote the play).

Patric plays the perpetually drunk Tom Daley in the production – the second time the Missus and I have seen him inebriated on Broadway. The first was his performance as Brick in Cat on a Hot Tin Roof several years ago.

Let’s just say he’s got that role down like the Hindenberg.

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