Let The Wild Sequester Rumpus Begin! (Bankrupting America Edition)

Now that the dreaded sequester is starting to feel like the New Normal, the airwaves are starting to fill up with ads trying to position it as the New Abnormal.

First shot (via Politico’s Morning Score):

Bankrupting America, a project of the group Public Notice, is going on air with a national cable and online ad . . . urging Congress to consider responsible cuts in dealing with sequestration. “What is sequestration? A three percent cut in federal spending. Three cents out of every dollar the government spends,” the ad’s narrator says. “Americans have made tough choices and cut back; Washington refuses. Call Washington and ask them why it’s so hard to cut spending. “ The ad will run March 5-15.

Said TV spot:

 

A penny for your thoughts, Bankruptniks.

On another front, an outfit called the Coalition for Medicare Choices has launched an ad campaign assailing Medicare cuts in particular and the sequester in general.

Via Reuters:

Health insurers launch TV war over Medicare Advantage cuts

(Reuters) – The health insurance industry is escalating its lobbying battle against a proposed Medicare Advantage pay cut to insurers by launching a television and online advertising campaign to garner public support among the program’s 14 million beneficiaries.

America’s Health Insurance Plans (AHIP), a leading Washington-based trade group, said a 30-second commercial titled “Too Much” would be shown in a dozen states and the Washington, D.C., area in hopes of dissuading the Obama administration from imposing a 2.3 percent cut in government payments next year.

The commercial, presented by an industry-sponsored group called the Coalition for Medicare Choices, fails to mention that the payment cuts are aimed at insurers, not beneficiaries.

Said TV spot:

 

Sequester factcheckorama.

Roll your own.

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The Soar Losers Of Boston’s Ad Industry

Out of apparently nowhere, this ad appeared on the back page of Thursday’s Boston Globe G section:

Picture 1

 

Local ad agency Connelly Partners seems to have pegged its image to what it doesn’t achieve. (Latest loss the hardsearching staff could find here.) From the agency’s blog:

Picture 2

Truth in advertising. An interesting gambit.

And an interesting poem by Andrea Cohen:

Picture 3

Love that.

 

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NYT’s Revisionist History Re: IHT

Smart Sam Roberts piece in Thursday’s New York Times about the pending demise of the International Herald Tribune brand.

06cityroom-trib4-blog480Fondly Recalling a ‘Writer’s Paper’ as a Name Goes Away

Ghostly vestiges of the gothic Herald Tribune logo still survive on the eastern facade of 230 West 41st Street in Midtown Manhattan, camouflaged by a faded Group Health Insurance emblem, and, more recently, dwarfed by the towering headquarters of The New York Times next door.

This fall, when The International Herald Tribune is rebranded as The International New York Times, that pallid logo atop The Trib’s former home may become the most visible remaining legacy of one of the great names of American journalism.

The Herald Tribune might be a subsidiary of the Times today, but back in the day it was an adversary of the Times:

[I]t was not for nothing that Richard Kluger titled his 1986 biography of The Herald Tribune “The Paper” – as if there were no other – and that so many journalists craved a job writing for a scrappy paper that proclaimed, its thumb defiantly planted in The Times’s eye, that a good newspaper didn’t have to be dull. (Among those actually hired were Tom Wolfe, Jimmy Breslin, Dick Schaap, Red Smith and Pete Hamill.)

Even more irrestible:

The International Herald Tribune is the current incarnation of what began publishing in 1887 (as a European edition of the New York Herald) and became known as the Paris Herald and later the I.H.T.

The quirky paper based in Paris reflected James Gordon Bennett Jr.’s eccentricities (printing for 6,718 consecutive issues a bogus letter signed “Old Philadelphia Lady” that explained how to convert Celsius into Fahrenheit and vice versa).

It was also, as the Times piece notes, “immortalized by Hemingway and Fitzgerald (Jake Barnes and Dick Diver read it) and in ‘Breathless,’ the 1960 film in which Jean-Paul Belmondo’s girlfriend, Jean Seberg, plays an aspiring journalist who gets by hawking The Trib on Paris streets.”

But then comes this:

Beginning in 1967, the paper was operated jointly by the Whitney family, The Times and The Washington Post (The Times came first on the nameplate as a result of a coin toss). The Times became the sole owner in 2002.

Became the sole owner? More like muscled the Washington Post out.

C’mon, Timesniks. Be honest about yourself in your own pages.

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Poll Vault At The Boston Herald

Our feisty local tabloid today released a new poll on the U.S. Senate race (which pretty much runs true to form), and gave it that special Herald something.

Start with Page One:

Picture 5

Two elements of note: 1) the Cryptkeeper photo of Ed Markey; and 2) the rose-colored subhead.

Inside spread . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Dead Blogging Leonard Lauder At Boston’s MFA

Last night Leonard Lauder – cosmetic executive, philanthropist, collector – came to Boston’s Museum of Fine Arts to to lecture about the collection of more than 100,000 postcards he’s donated to the MFA.

And it was very fine.

Lauder, a billionaire, gave a compelling presentation of the commonplace postcard, which was all the rage during the first part of the 20th century. From the MFA’s website:

lauder postcard.crop_The numbers are staggering—a billion cards passed through the German postal system in 1903, and the British used 833 million stamps for postcards in 1909. The turn of the 20th century saw a craze for postcards, which were once the most speedy way to communicate, disseminating photographs of current events even faster than newspapers. Leonard A. Lauder outlines the contributions by renowned avant-garde artists such as Emil Nolde and Wassily Kandinsky, and provides personal insights into his own collecting, revealing why he has found the postcard to be such a fulfilling pursuit for more than half a century.

Lauder’s lecture focused mostly on postcards as photo journalism – images of the Titanic’s lifeboats nestling next to the rescue ship Carpathia; a photo of Archduke Franz Ferdinand of Austria and his wife Sophie five minutes before they were assassinated, triggering World War I; a 1923 Ku Klux Klan Labor Day march in Milo, Maine.

23229

 

Excellent!

The postcard exhibit – which ranges much more widely – is up through April 14. Well worth a visit.

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Taylor Gives Cape House The Swift

Taylor Swift has made a rapid exit from Cape Cod homeownership, which the local dailies are on like Taylor on . . . whoever.

From the Boston Globe’s Namesniks:

COVER WITH COVERLINESTaylor Swift on serial boyfriends, home buying in Vanity Fair

Singer Taylor Swift tries hard to dispel a few myths — or at least what she’d like you to believe are myths — in the new issue of Vanity Fair.

First, despite many high-profile romances with, among others, John Mayer, Joe JonasTaylor Lautner, and Jake Gyllenhaal, Swift insists she is neither boy crazy nor a serial dater.

Yak yak yak . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Globe: Ortiz Okay; Herald: Papicock!

From our Yesterday’s News Today desk

The jury is very much out on David Ortiz in the local dailies.

From Nick Cafardo’s piece in [Tuesday’s] Boston Globe:

2013-03-04t210923z_01_ftm07_rtrmdnp_3_baseballSteady progress has David Ortiz feeling upbeat

FORT MYERS, Fla. — David Ortiz feels more optimistic that he’ll be in the Opening Day lineup after running the bases Monday and feeling as if he can manage the expected soreness in his Achilles’.

“It feels good,” Ortiz said. “When I get going I’m fine. The problem is once I cool off, I start to get sore, but the doctor said it will go away. It’s just part of the treatment, part of [when you] start doing things. The injury, you got to start getting used to. That’s why we practice over and over and over and over. So you can get to that point . . . it’s a good day. I was moving pretty good. I don’t think I can run faster than that. Let’s just see how things go later on tonight.”

Not so fast there, Big Guy . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Correction o’ the Day (NYT Horse Meat Edition)

From Tuesday’s New York Times Corrections:

BUSINESS DAY

• A question-and-answer article on Tuesday about horse meat and the American food supply misstated, in some editions, the number of pounds of meatballs Ikea was withdrawing from sale in 14 European countries. It is 1,670 pounds, not 1.67 billion pounds . . .

Well that’s a relief, yeah?

Bon appétit!

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Ben Stiller Just Can’t Beat This Kid (II)

The hardsearching staff said earlier that we’d get video of nine-year-old Rebecca Suarez who totally pwned Ben Stiller at the BNP Paribas exhibition match between Rafael Nadal and Juan Martin del Potro last night.

And here it is (tip o’ the pixel to Jorge):

 

How cute was that?

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Ben Stiller Just Can’t Beat This Kid

Great moment in last night’s Madison Square Garden exhibition match between Rafael Nadal and Juan Martin Del Potro.

From Newsday:

imageNine-year-old from Huntington plays with Nadal, Del Potro at Garden

Monday night’s exhibition tennis match between Rafael Nadal and Juan Martin del Potro at Madison Square Garden took an entertaining twist when Ben Stiller came out of the stands, picked up a racket and went on Nadal’s side of the net.

Not to be outdone, or shorthanded, Del Potro called a young girl out of the stands to even up the sides. The girl, 9-year-old Rebecca Suarez of Huntington, showed that she has game. What was left of the crowd originally estimated at about 15,000 went crazy as Suarez knocked about three or four shots over the net.

Rebecca was good. The hardsearching staff is looking for video, and will post it as soon as we find some.

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