The Very Definition Of Irony

From Thursday’s New York Times:

Newspaper That Put Gun Permit Map Online Hires Armed Guards

A newspaper based in White Plains that drew nationwide anger after publishing the names and addresses of handgun permit holders last month is being guarded by armed security personnel at two of its offices, the publisher said Wednesday.

The increased security comes as the newspaper, The Journal News, has promised to forge ahead with plans to expand its interactive map of permit holders to include a third county in the suburbs of New York City, and local officials there have vowed to block the records’ release.

The armed guards — hired from local private security companies — have been stationed in The Journal News’s headquarters and in a satellite office in West Nyack, N.Y., since last week, said Janet Hasson, the president and publisher of The Journal News Media Group.

“The safety of my staff is my top priority,” Ms. Hasson said in a telephone interview.

‘Nuf ced.

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Brown: Ex Markeys The Spot In Malden

Despite the Boston Herald’s speculation yesterday that Scott Brown (R-Unemployed) might run for governor in 2014, he’s sure acting like a man who wants a return trip to the U.S. Senate.

Today’s Page One Boston Globe story:

Brown swipes at Markey’s residency

Scott Brown, in an attempt to define a potential Senate campaign rival before the race even kicks off, questioned Wednesday whether US Representative Edward J. Markey is a bona fide resident of Massachusetts.

Brown took to talk radio, his favored venue, to question whether Markey, the Malden Democrat whose Senate candidacy top Democrats are rallying around, spends too much time in Washington and not enough time in the Bay State . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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AIG Pays It Backward. Sort Of.

Wednesday’s New York Times and Wall Street Journal featured this full-page ad from AIG:

Picture 1

 

AIG also ran this “Thank You, America” TV spot on New Year’s Day:

 

So that’s all good, yes?

Well, maybe not.

According to Politifact.com, AIG’s claims are “Mostly True.”

AIG says it honored its commitment to repay the government, plus a profit of more than $22 billion.

It’s true that the government has recouped the $182 billion it loaned AIG, plus $22.7 billion. Still, critics have a point that a special tax provision granted to aid the struggling company substantially offsets that “profit.” We rate the company’s claim Mostly True.

Which, when you think about it, is the best you can expect these days.

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Female Sportswriters (Finally) Get A Face At The Wall Street Journal

Wednesday’s Wall Street Journal was Rachel Bachman’s cotillion as the first featured female sportswriter at the paper.

Start out with her front-page A-Hed:

P1-BJ759_NUMBER_G_20130101194951Who’s No. 1 in College Football Is a Contested Issue

Conflicting Title Claims Abound, Some of Them Written in Stone

The University of Alabama football team boasted six national championships when Wayne Atcheson took over as the school’s sports-information director in 1983. Within three years, the Crimson Tide had five more titles.

What Mr. Atcheson did to expand Alabama’s haul wasn’t illegal, miraculous or even unique, though it has stoked a fiery debate. He simply exhumed the titles from dusty record books and added them to the school’s football press guide, instantly enshrining them.

Major-college football is unusual among American sports in that for most of its history it had no playoff, no Super Bowl, to determine a champion—just a handful of exhibition-like postseason bowl games. Many of the nation’s top teams didn’t play one another, leaving open the perennial question: Which was the nation’s best? That void spawned dozens of sportswriter and coaches’ opinion polls and opaque mathematical “systems,” each crowning its own champion. Some titles were so dubious the winners themselves didn’t bother to claim them.

But the explosion of college football games on TV has intensified interest in the counting of national championships. Hence, Mr. Atcheson’s reclamation of Alabama’s nearly forgotten early 20th-century titles. The advent of an actual championship game after the 1998 season has only aggravated disputes about the relative worth of teams’ claimed titles—the Tide’s in particular.

Then came the big reveal: this Sports page piece with Bachman’s very own trademark WSJ dot sketch portrait.

Well, At Least There’s Northwestern

For the Big Ten, a Long 2012 Leads to Yet Another Rough New Year’s Day

images-2For three quarters Tuesday, the Rose Bowl seemed like that Clint Eastwood commercial at halftime of last year’s Super Bowl about an auto-producing Rust Belt city rising up to reclaim its former glory. It had been a staggering year for the Big Ten Conference, but here was Wisconsin, threatening to topple newly glamorous Stanford.

The Badgers were as unheralded a team as the 99-year game had seen. They were its first five-loss squad, and were recovering from losing seven coaches to other programs since last season, including head coach Bret Bielema in an oddly lateral move to Arkansas.

But before Big Ten commissioner Jim Delany could record a stirring voice-over about conference jobs being outsourced to the South, the Cardinal kicked a 22-yard field goal and sealed a 20-14 victory with an interception, preserving the painful status quo.

The Journal’s status quo as a bastion of male sportswriters, however, is now inexorably changed.

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Boston Herald: Scott Brown For Governor?

Up until now, conventional wisdom in the Bay State held that Scott Brown (R-Tickle Me Grover) had first GOP dibs on the U.S. Senate seat soon to be vacated by John Kerry (D-So Long, Suckers), while Good (Next) Time Charlie Baker had same on the 2014 Massachusetts gubernatorial race.

Not so fast.

From Joe Battenfeld’s piece in today’s Boston Herald . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Yoko Ono’s NYT Ads Should Rest In ‘Peace’

From our Why Not Just Burn Your Money desk

On Tuesday, for the umpteenth year in a row, Yoko Ono (Beatles fans read: Yoko Oh No!) bought this full-page ad in the New York Times:

Picture 2

Screenshot of ImaginePeace.com:

Picture 3

A billboard in Times Square too?

Ka-ching.

Yoko Ono: IMAGINE PEACE

Times Square, NYC, 11:57pm all December

Yoko Ono’s video billboard film, IMAGINE PEACE is being shown in Times Square, New York, nightly from 11:57 pm to midnight through December, simultaneously synchronised at 25 different screen locations, as part of the Times Square Moment.

Is the headscratching staff the only one that thinks this is the biggest waste of money this side of Restore Our Future?

Just askin’.

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Boston Globe Film Critic Wesley Morris Djangoed By Mediaite

In an unusual confluence of influence, the Boston Globe and the Boston Herald both gave positive reviews to Quentin Tarantino’s new film, Django Unchained.

From James Verniere’s Herald review:

DJANGO UNCHAINEDQuentin Tarantino ‘Unchained’

Director charges into American slavery tale with guns blazing

You’ve seen “Lincoln.” Now, see the low low-down on slavery in America.

Brought to us by the much imitated, uniquely gifted and never surpassed Quentin Taran tino, the ultra-violent “Django Unchained” gives us a glimpse of a barbaric episode in American history through the twisted lenses of Tarantino and the Euro-spawned, Asian- influenced 1960s-’70s hybrid the spaghetti Western.

In addition to a terrific and fearless Jamie Foxx in the title role, a freed slave turned gunman named Django (“The d is silent”), the film has great Austrian actor Christoph Waltz (“Inglourious Basterds”) in fine fettle as Dr. King Schultz, a silver-tongued German immigrant and dentist along with his horse Fritz, whom he introduces to strangers. Dr. Schultz traverses the frontier in 1858 in a small coach with a giant tooth on its roof. The truth is Schultz  is a gun-slinging bounty hunter, complete with a spring-loaded derringer up his sleeve. Schultz brings in fugitives from justice dead or alive, preferably dead.

Equally enthusiastic was Globe film critic Wesley Morris . . .

Read the rest at It’s Good to Live in a Two-Daily Town.

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Dead Blogging ‘Palaces for the People’ At The BPL

Well the Missus and I trundled downtown yesterday to catch Blink! at Faneuil Hall Marketplace, which was lots of fun, and Palaces for the People at the Boston Public Library, which was even more eye-catching.

The exhibit features the amazing handiwork of Rafael Guastavino and his son, Rafael Guastavino, Jr., in crafting many of America’s landmark structures:

Vaulted tile ceilings, which are considered structural and aesthetic marvels, dot the landscape of the United States because of the farsightedness and imagination of Spanish immigrant builder Rafael Guastavino (1842–1908). His thoughtful design of public spaces transformed American architecture in the late 19th and early 20th centuries. Guastavino and his family created colorful tile ceilings that are lightweight, attractive, fireproof, and virtually indestructible.

The Boston Public Library’s McKim Building, which opened in 1895 and is now a National Historic Landmark building, was the first major American public commission for Rafael Guastavino Sr., and features seven different patterns of vaulting. Widespread critical and public acclaim for the BPL’s building helped establish the value of Guastavino’s innovative construction technology as well as the functionality and beauty of his product in the United States.

Exhibit A, from the BPL’s original McKim, Mead and White building:

2012palacesexhibition

The rest of the exhibit is equally spectacular.

Go, and Look Up!

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‘After I Kind Of Straighten My Tie’

Ever since WGBH (We’ve Gotten Bone Headed) dumped Eric in the Evening, the hardlistening staff has been tuning into TSF, the Paris jazz station we favor in the City of Light Service.

Tonight, we heard Nat Cole’s version of “Walkin’ My Baby Back Home.”


 

The lyrics:

Gee, it’s great after bein’ out late

Walkin’ my baby back home

Arm in arm, over meadow and farm

Walkin’ my baby back home

We go ‘long harmonizing a song

Or I’m recitin’ a poem

Owls go by and they give me the eye

Walkin’ my baby back home

We stop for a while, she gives me a smile

And snuggles her head on my chest

We start into pet and that’s when I get

Her talcum all over my vest

After I kinda straighten my tie

She has to borrow my comb

One kiss, then I continue again

Walkin’ my baby back home

She’s ‘fraid of the dark, so I have to park

Outside of her door, till it’s light

She says, if I try to kiss her she’ll cry

I dry her tears all through the night

Hand in hand to a barbecue stand

Right from her doorway we roam

Eats and then it’s a pleasure again

Walkin’ my baby, talkin’ my baby

Lovin’ my baby, I don’t mean maybe

Walkin’ my baby back home

Great song.

They don’t make them like that anymore.

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Boston Herald: A Year In Picture

The hardreading staff has long been baffled by BostonHerald.com, which is to news websites what the Edsel was to automobiles.

Exhibit Umpteen: The Herald’s online Year in Pictures, which features up to one photo. . .

Read the rest at It’s Good to Live in a Two-Daily Town.

 

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